A large icon of the Mandylion. Russia, early 19th century. Egg tempera on gesso on wood with flat kovcheg, gilded background. The face of Christ imprinted on a cloth, the latter supported by two angels. Painted traditionally with sombre colours. The wings of the angels in gold. The Mandylia belong to the group of acheiropoieta (Greek "not created by human hands"), a group of icons which were created or emerged in miraculous ways. Slightly restored. 54.5 x 44 cm.
Mandylion Russia, 19th century. Hardwood single board with two back side Sponki. Kowtscheg, egg tempera on gesso, partial gilding. In the center of the image field the face of Christ on a white, three angels is presented with cloth, illustrated. Restored. 36 x 30.5 cm The Mandylion. Russia, 19th century. Egg tempera on wood panel with gesso Kovcheg. The face of Christ imprinted on a cloth, The Latter supported by three angels. Church Slavonic inscription. Restored. 36 x 30.5 cm.
Mandylion Russia, around 1900 of two wooden planks A joint field with two end-sides Sponki. Flat Kowtscheg, tempera on wood. Image-filling representation of the supported by two angels cloth with the face of Christ. Four border Saints, including: St. Gregory, Evgeny, St. Basil of Moscow and St. Alexander martyr.... 31 x 26.5 cm The Mandylion. Russia, circa 1900. Tempera on gesso on wood panel. The face of Christ imprinted on a cloth, The Latter supported by two angels. Four selected saints on the borders, Including St. Gregory, St. Evgeny, St. Basil of Moscow and St. Martyr Alexander. 31 x 26.5 cm.
Mandylion and selected Saints Russia, 19th century. Softwood single table with two top-side Sponki. Kowtscheg, tempera on a gold background. Full-length depiction of saints: Florus, Antipas, Modestus, Blaise and Laurus. Above them the Mandylion is supported by two angels. Vertical cracks rest. 33 x 29 cm A finally painted icon with five selected saints. Russia, 19th century. Tempera on gilded background with Kovcheg. Sts. Florus, Antip, Modest, Blasius and Laurus. The Mandylion holding by two angels above. Vertical crack rest. 33 x 29 cm.
Thumbnail icon with John the precursor and the Holy Tryphon Russia, 2nd half of 19th century. Hardwood single panel. Tempera on chalk ground, background gilded. Full-length representation of the two saints who are facing the opening gesture to each other. Above them hovers the Mandylion. Loss of substance. 13.5 x 10.5 cm Sts. John the Baptist and Tryphon. Russia, late 19th century. Tempera on gesso on wood panel, golden background. The Saints shown in full-length and gesturing to eachother. Losses. 13.5 x 10.5 cm.
Large-sized three-field icon Russia, late 19th century. Softwood board with two back side Sponki. Tempera on gesso, gold plated. Horizontal division of the image field. The bottom pane shows the Hl. Nikolaus and the Our Lady of Kazan. In the carried by two angels cloth with the face of Christ appears. Edge dam. 49 x 42.5 cm A large tripartite icon. Russia, late 19th century. Tempera on gesso on wood panel. The lower row Illustrating St. Nicholas of Myra and the Mother of God of Kazan. The upper section depicting the Mandylion. Border damaged. 49 x 42.5 cm.
Two fields Icon southwestern Russia, the end. 19C. Hardwood single table with two top-side Sponki. Tempera on gesso. In the upper frame is centered guardian angel watching with the Mandylion. He is surrounded by four saints. In the lower field of St. George the Dragon Slayer is shown. Color losses. 31.5 x 26 cm Two-partite icon. Southwest Russia, late 19th century. Tempera on gesso on wood panel. The upper part shows the Guardian Angel with the Mandylion surrounded by four Saints. The lower part depicts George and the dragon. Losses. 31.5 x 26 cm.
Fine Dreifelder icon Russia, early 19th century. Wood single board with two back side Sponki. Flat Kowtscheg. Tempera on chalk ground, background gilded. Horizontal division of the image field. At the top of the carried by two angels cloth with the face of Christ appears to the left. On the right side, the Mother of God '' Burning Bush 'shown'. In the lower frame of twelve selected saints. Min. Rest. 39 x 31 cm A finely painted three register icon. Russia, early 19th century. Tempera on gesso on wood panel with flat kovtcheg. The upper part shows the Mandylion, the face of Christ imprinted on a cloth supported by two angels and the Mother of God of the "burning bush". Twelve Selected saints below. Slightly restored. 39 x 31 cm.
Big Four Fields icon Russia, dat. 1828 Hardwood table with two top-side Sponki. Tempera on chalk ground, background gilded. The more upper image area is divided into three frames: the Annunciation, Pentecost and the Synaxis of the Archangel Michael. The lower screen section displays the guardian angel flanked by a baying of 31 saints. Above them the Mandylion appear. Gold strongly rubbed. Illegible sig. and dat. 1828 in Cyrillic. Partially rest. 44 x 38 cm A large multi-partite icon. Russia, dated 1828. Tempera on gesso on wood panel with golden background. The upper part shows the Annunciation, the Pentecost and the Synaxis of the Archangels. The lower part shows the Guardian Angel flanked by Saints 31. The Mandylion above. Illegible signed and dated 1828 in Cyrillic. Partially restored. 44 x 38 cm.
Festive Icon Southern Russia, 19th century. Wood single board with two back side Sponki. Tempera on gesso. Traditional screen layout with the journey to Hades and resurrection of Christ surrounded twelve frames with selected saints and feast days of the Orthodox Church year. Edge dam. 53 x 43 cm A large feast icon. South-Russia, 19th century. Tempera on gesso on wood panel. Painted traditionally showing the Anastasis, the Resurrection and twelve feasts. Border damaged. 53 x 43 cm.
Holy Old Testament Trinity Russia 18th century. Hardwood single board with two back side Sponki (lost). Kowtscheg, tempera on chalk ground. In the center of the composition prior to a three architectural scenery at a table sitting angels. To the left and to the right Abraham appears Sara, bring their guests food and drink. The tree in the background of the angel is a symbol of the oaks of Mamre. Basil the Great and the Holy Eudokia on the edge. 31 x 26 cm The Old Testament Trinity. Russia 18th century. Tempera on gesso on wood panel with Kovcheg. Three angels seated around a table under the oak of Mamre. The background with buildings to the right and the Rocky Mountains to the right. Basil the Great and St. Eudokia On The Border. 31 x 26 cm
The Old Testament Trinity Russia, late 19th century. Hardwood single board with two back side Sponki. Flat Kowtscheg, tempera on chalk ground. Presentation of three under a tree (Mamre) seated angel at a table. Stylized architectural backdrop. Church Slavonic Titulus at the top. In contrasting red-green color executed, fine painting. Vertical cracks. 31 x 27 cm The Old Testament Trinity. Russia, late 19th century. Tempera on gesso on wood panel with flat kovtcheg. The three angels sitting around a table under the tree of Mamre. The faces rendered delicately. Vertical crack. 31 x 27 cm
Old Testament Trinity Russia, 19th century. Composite of two Hardwood boards with two top-side Sponki. Tempera on chalk ground, background gilded. Center of the image field, in front of a tree around a table seated angels are represented. Sarah appears at the top left in an architectural view. Partially rest. 33 x 29 cm The Old Testament Trinity. Russia, 19th century. Tempera on gesso on wood panel. Painted traditionally painted. Slightly restored. 33 x 29 cm.
The increase of the True Cross Greece, late 18th century. Tempera on canvas on gesso on wood. Background gilded. Axisymmetric composition. Loss of substance above all at the bottom. 38 x 28 cm The Exaltation of the True Cross. Greece, late 18th century. Tempera on canvas on gesso on wood panel. Partly gilded. Worn, losses. 38 x 28 cm.
Large icon with the Exaltation Russia, 18th century. Large Softwood panel with a back-side Sponki. Kowtscheg, tempera on chalk ground. Before an opulent church architecture is the holy Macarius, who holds the True Cross, reproduced. He is supported by two servants. Left and right of it are the Saint Helena and the Saints Constantine. Berieben. 55 x 47 cm. A large icon with the Exaltation of the Holy Cross. Russia, 18th century. Tempera on gesso on wood panel with Kovcheg. Against to architectual setting. At the center the Bishop Macarius of Jerusalem raise the cross up. To the sides the Empress Helena and the Emperor Constantine. Losses. 55 x 47 cm.
Increase of the True Cross Russia, 19th century. Wood single board with two back side Sponki. Tempera on chalk ground with Kowtscheg. In the middle of the holy Macarius, the True Cross is holding, played before a church architecture. He is supported by two servants. On the left and right edge of the Saint Helena Saints Constantine and are each under a canopy. A group of people observed the events. 31 x 26.5 cm The Exaltation of the Holy Cross. Russia, 19th century. Tempera on gesso on wood panel with Kovcheg. 31 x 26.5 cm.
Large icon with the increase of the True Cross Russia, 19th century. Composite of two Hardwood boards with two back side Sponki. Kowtscheg, tempera on chalk ground. In the center of the image field Bishop Macarius and a deacon towards the cross. On the sides of the Emperor Constantine and Helena are presented which have found, according to legend the True Cross of Christ. 39 x 62 cm A large icon with the Exaltation of the Holy Cross. Russia, 19th century. Tempera on gesso on wood panel with Kovcheg. Constantine and Helena at the sides. 39 x 62 cm.
Large icon with the 'formation of the True Cross'' Russia, around 1900 composite of three Softwood boards with two back side Sponki (lost). Tempera on gesso. In the middle of the picture composition the true cross of Christ is established. It is held by the St. St. Constantine and Saint Helen. Behind this are two young deacons. Heavy loss of substance. 75 x 55 cm A large icon with Exaltation of the Holy Cross. Russia, circa 1900. Tempera on gesso on wood panel. Losses. 75 x 55 cm.
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