Follower of Pietro da Cortona
A Roman Carrying a Sabine Woman
Oil on canvas
88 x 41 1/4 inches (223.5 x 104.7 cm)
Private collection
Rape of the Sabine Women is
the common name of an incident from Roman mythology, in which the men of Rome
committed a mass abduction of young women from the other cities in the region.
It has been a frequent subject of artists, particularly during the Renaissance
and post-Renaissance eras.
Use of the
word "rape" comes from the conventional translation of the Latin word
used in the ancient accounts of the incident: raptio. Modern scholars tend to
interpret the word as "abduction" as opposed to (sexual) violation.
Controversy remains, however, as to how the acts committed against the women
should be judged.
The Rape occurred in the early history of Rome,
shortly after its founding by Romulus and his mostly male followers. Seeking
wives in order to establish families, the Romans negotiated unsuccessfully with
the Sabines, who populated the surrounding area. The Sabines feared the
emergence of a rival society and refused to allow their women to marry the
Romans. Consequently, the Romans planned to abduct Sabine women during a
festival of Neptune Equester. They planned and announced a marvelous festival
to attract people from all nearby towns. According to Livy, many people from
Rome's neighboring towns attended, including folk from the Caeninenses,
Crustumini, and Antemnates, and many of the Sabines. At the festival, Romulus
gave a signal, at which the Romans grabbed the Sabine women and fought off the
Sabine men. The indignant abductees were soon implored by Romulus to accept
Roman husbands. More on Rape of the Sabine Women
Pietro da Cortona (1 November
1596/7 – 16 May 1669) was born Pietro Berrettini, but is primarily
known by the name of his native town of Cortona in Tuscany. He was the leading
Italian Baroque painter of his time and, along with his contemporaries and
rivals Gian Lorenzo Bernini and Francesco Borromini, was one of the key figures
in the emergence of Roman Baroque architecture. He was also an important
designer of interior decorations.
Cortona worked mainly in Rome and Florence. He is best
known for his frescoed ceilings such as the vault of the salone or main salon
of the Palazzo Barberini in Rome and carried out extensive painting and
decorative schemes for the Medici family in Florence and for the Oratorian
fathers at the church of Santa Maria in Vallicella in Rome. He also painted
numerous canvases. Only a limited number of his architectural projects were
built but nonetheless they are as distinctive and as inventive as those of his
rivals. More
on Pietro da Cortona
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