01 Work, Interpretation of the bible, Gabriel von Max's The Christian Martyr, with Footnotes - #195

Gabriel von Max

The Christian Martyr, c. 1867

Oil on paper affixed to canvas

48 × 36 3/4 in, 121.9 × 93.3 cm

Private collection

A martyr is a person who was killed because of their testimony of Jesus and God. In years of the early church, this often occurred through death by sawing, stoning, crucifixion, burning at the stake or other forms of torture and capital punishment. 

At first, the term applied to Apostles. Once Christians started to undergo persecution, the term came to be applied to those who suffered hardships for their faith. Finally, it was restricted to those who had been killed for their faith. The early Christian period before Constantine I was the "Age of martyrs". "Early Christians venerated martyrs as powerful intercessors, and their utterances were treasured as inspired by the Holy Spirit."

In western Christian art, martyrs are often shown holding a palm frond as an attribute, representing the victory of spirit over flesh, and it was widely believed that a picture of a palm on a tomb meant that a martyr was buried there. More on A martyrs

Gabriel Cornelius Ritter von Max (ennobled in 1900; 23 August 1840 – 24 November 1915) was a Prague-born Austrian painter, the son of the sculptor Josef Max and Anna Schumann. He studied at the Prague Academy of Arts. His studies included parapsychology, Darwinism, Asiatic philosophy, the ideas of Schopenhauer, and various mystical traditions. He continued his studies at the Viennese Academy of Art. From 1863 to 1867 he studied at the Munich Academy. His first critical success was in 1867 with the painting "Martyr at the Cross": that painting transformed the "Unglücksmalerei" (dark palette) of Piloty into a religious-mystical symbolism using a psychological rendering of its subject.

He continued to use the dark palette of the Piloty school well into the 1870s, later moving toward a more muted palette, using fewer, clearer colors. From 1869, Gabriel von Max had his studio in Munich. From 1879-1883, Gabriel Max was a professor of Historical Painting at the Munich Academy; he also became a Fellow of The Theosophical Society. In 1900 he was ennobled and became a Ritter. He died in Munich in 1915. More Gabriel von Max

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