01 Painting, RELIGIOUS ART - Interpretations by The Master of the Figdor St Eustache, With Footnotes # 70 A

The Master of the Figdor St Eustache
ACTIVE IN ROMAGNA AT THE END OF THE 15TH CENTURY
THE MARTYRDOM OF SAINT SEBASTIAN
Oil on panel, maroflauged
88.3 x 65.3 cm.; 34 3/4  x 25 3/4  in.
Private collection

Saint Sebastian (died c. 288 AD) was an early Christian saint and martyr. Sebastian had prudently concealed his faith, but in 286 was detected. Diocletian reproached him for his betrayal, and he commanded him to be led to a field and there to be bound to a stake so that archers from Mauritania would shoot arrows at him. "And the archers shot at him till he was as full of arrows as an urchin is full of pricks, and thus left him there for dead." Miraculously, the arrows did not kill him.

Sebastian later stood by a staircase where the emperor was to pass and harangued Diocletian for his cruelties against Christians. This freedom of speech, and from a person whom he supposed to have been dead, greatly astonished the emperor; but, recovering from his surprise, he gave orders for his being seized and beat to death with cudgels, and his body thrown into the common sewer. A pious lady, called Lucina, admonished by the martyr in a vision, got it privately removed, and buried it in the catacombs at the entrance of the cemetery of Calixtus, where now stands the Basilica of St. Sebastian. More St. Sebastian


The name of the artist derives from a panel depicting Saint Eustace in the Gemäldegalerie, Berlin, formerly in the Figdor collection, which was considered to be by Melozzo da Forlí by some of the titans of twentieth-century Italian art history, including Roberto Longhi, Carlo Volpe and Federico Zeri.1 While recognising the distinct debt to Melozzo, more recent scholars such as Tambini (see Literature) have questioned this attribution, proposing instead that it could be an early work by Marco Palmezzano while still heavily dependent on Melozzo's style. More on this painting




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