Giuseppe Bonito, 1707 - 1789,
The Immaculate Conception
Oil on canvas
110.6 x 76.1 cm.; 43½ x 30 in.
Private collection
Sold for 15,240 GBP in May 2023
In Catholic teaching, the Immaculate Conception refers to Mary, the mother of Jesus. Because she was the vessel that would bear the Son of God, she had to be without sin. Her conception was "immaculate" in the sense that her soul never had the stain of original sin that everyone else is born with.The term does not refer to the conception or birth of Jesus. That is a misunderstanding you might come across in popular culture. More on the immaculate conception
Giuseppe Bonito (b. 1707, Castellamare di Stabia, d. 1789, Napoli) was an Italian painter. A student of Francesco Solimena, Bonito became one of the most influential artists of the Neapolitan school in the 18th century. Throughout his career, but most notably during the latter part of the century when Rome was the arbiter of Neo-classicism, his style remained firmly within the rich painterly traditions of Naples. His earliest works, for example the Archangel Raphael and Tobias (1730; Santa Maria Maggiore, Naples), show an assimilation of elements derived from late Baroque artists working in Naples and a hesitant affinity to the tenebrism of Solimena. In other pictures of sacred subjects from c. 1730 onwards, however, he developed a personal neo-Baroque style characterized by sweeping movement, bold chiaroscuro and a saturated palette reminiscent of both Solimena and Luca Giordano. Paintings in this style, such as St Vincent Ferrer (1737; San Domenico, Barletta), St Lazarus (early 1740s; San Ciro, Portici) and Charity (1742; Palazzo Monte di Pietà, Naples), show that Bonito's maturity was also characterized by delicacy and grace. More on Giuseppe Bonito
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