01 Works, RELIGIOUS ART - Paintings from the Bible by the Old Masters - William-Adolphe Bouguereau, 5a

William-Adolphe Bouguereau, 1825 - 1905

Premier Deuil, First Mourning. 1888

Oil on canvas

203 x 252 cm, (79¾" x 99")

Museo Nacional de Bellas Artes (Buenos Aires, Argentina)

First Mourning; "The dead body of Abel lies across Adam's lap in the same manner as Christ is often depicted lying across Mary's (such as in Michaelangelo's Pieta). Adam clutches his heart out of grief fearing it will break and Eve kneels by his side crying uncontrollably, her face buried in her hands. The image is truly heart wrenching, causing the viewer to feel a great sense of compassion for the grieving couple. Bouguereau can capture the look of death with almost frightening directness. He was no stranger to death or to grief. He had five sons, four of whom died before him. First Mourning was painted directly after the death of his second son. This piece is well titled as The First Mourning because it is the first time a human has had to suffer the loss of a loved one. The grief is only magnified by the fact that their son did not just die, but was murdered by their other son Cain, making this also the first act of murder. Cain then fled, leaving Adam and Eve once again alone. Bougureau also cleverly used a play on words in titling this work, because not only are Adam and Eve mourning, but dawn approaches. It is the first 'morning' after the death of Abel. The paining has the same theme as the sculpture First Mourning by Barrias which is located at the Petits Palais in Paris. Bouguereau and Barrias lived and worked during the same period, and both these works were masterpieces that helped to define their creators." -- by Kara Ross

William-Adolphe Bouguereau (November 30, 1825 – August 19, 1905) was a French academic painter and traditionalist. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. More William-Adolphe Bouguereau

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