01 Work, Interpretation of the bible, Michele Tosini's PIETÀ WITH TWO ANGELS, with Footnotes - 182

Michele Tosini, Florence 1503 - 1577

PIETÀ WITH TWO ANGELS

Oil on panel

35¾ by 25⅜ in.; 90.8 by 64.4 cm.

Private collection

The Pietà is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus, most often found in sculpture. As such, it is a particular form of the Lamentation of Christ, a scene from the Passion of Christ found in cycles of the Life of Christ. When Christ and the Virgin are surrounded by other figures from the New Testament, the subject is strictly called a Lamentation in English, although Pietà is often used for this as well, and is the normal term in Italian. More the Pietà

Michele Tosini, also called Michele di Ridolfo, (1503–1577) was an Italian painter of the Renaissance and Mannerist period, who worked in Florence.

Tosini began painting in the early 16th-century Florentine style of Fra Bartolommeo and Andrea del Sarto. His acceptance of Mannerism was slow, but by the 1540s the influence of Salviati and Bronzino was visible in his work. After 1556, Tosini served as an assistant to Giorgio Vasari in the decoration of the Salone dei Cinquecento in the Palazzo Vecchio in Florence. Through Vasari's example, Tosini adopted a vocabulary derived from the work of Michelangelo and painted some of his best-known works in this manner. He executed several important commissions late in his career: the fresco decoration of three city gates of Florence (1560s), the altar in the chapel at the Villa Caserotta (1561), near San Casciano Val di Pesa, and the paintings on the sides and back of the tabernacle of the high altar of Santa Maria della Quercia (1570), Viterbo. According to Vasari, Tosini headed a large workshop that executed numerous altarpieces and paintings. He was also a notable portraitist. More on Michele Tosini

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