Showing posts with label APOSTLES. Show all posts
Showing posts with label APOSTLES. Show all posts

08 Carvings & Sculpture from the Bible! 15 - 19th Century. With Footnote, # 15

Netherlandish, Malines, early 17th century
NATIVITY
Gilt alabaster reliefs
12 x 9,5 cm; each relief: 4 3/4  by 3 3/4  in.
Private collection

In Christian theology the nativity marks the incarnation of Jesus as the second Adam, in fulfillment of the divine will of God, undoing the damage caused by the fall of the first man, Adam. The artistic depiction of the nativity has been a major subject for Christian artists since the 4th century. Since the 13th century, the nativity scene has emphasized the humility of Jesus and promoted a more tender image of him, as a major turning point from the early "Lord and Master" image, affecting the basic approaches of Christian pastoral ministry. More on the nativity

Mechelen (French: Malines) is one of Flanders' prominent cities of historical art, with Antwerp, Bruges, Brussels, Ghent, and Leuven. It was notably a centre for artistic production during the Northern Renaissance, when painters, printmakers, illuminators and composers of polyphony were attracted by patrons such as Margaret of York, Margaret of Austria and Hieronymus van Busleyden. More on Mechelen

South Nertherlandish or North German, circa 1600
CHRIST WASHING THE FEET OF THE APOSTLES
Alabaster relief
30,5 x 26,5 cm,
Private collection

Jesus Washes His Disciples’ Feet. It was just before the Passover Festival. Jesus knew that the hour had come for him to leave this world and go to the Father. 

While yhe evening meal was in progress, Jesus got up from the meal, took off his outer clothing, and wrapped a towel around his waist. After that, he poured water into a basin and began to wash his disciples’ feet, drying them with the towel that was wrapped around him. More on Jesus Washes His Disciples’ Feet.

Netherlandish, Malines, early 17th century
CHRIST'S ENTRY INTO JERUSALEM
Gilt alabaster reliefs
12 x 9,5 cm; each relief: 4 3/4  by 3 3/4  in.
Private collection

In the accounts of the four canonical Gospels, Jesus' triumphal entry into Jerusalem takes place in the days before the Last Supper, marking the beginning of his Passion. Crowds gather around Jesus and believe in him after he raised Lazarus from the dead, and the next day the multitudes that had gathered for the feast in Jerusalem welcome Jesus as he enters Jerusalem. More on Jesus' entry into Jerusalem

Netherlandish, Malines, early 17th century, see above

Netherlandish, Malines, early 17th century
THE LAST SUPPER
Alabaster reliefs
9 x 12,5 cm; 3 1/2  by 5 in.
Private collection

The Last Supper is the final meal that, in the Gospel accounts, Jesus shared with his Apostles in Jerusalem before his crucifixion. The Last Supper provides the scriptural basis for the Eucharist, also known as "Holy Communion" or "The Lord's Supper".

The four canonical Gospels all state that the Last Supper took place towards the end of the week, after Jesus' triumphal entry into Jerusalem and that Jesus and his Apostles shared a meal shortly before Jesus was crucified at the end of that week. During the meal Jesus predicts his betrayal by one of the Apostles present, and foretells that before the next morning, Peter will deny knowing him.

The three Synoptic Gospels and the First Epistle to the Corinthians include the account of the institution of the Eucharist in which Jesus takes bread, breaks it and gives it to the Apostles, saying: "This is my body which is given for you". The Gospel of John does not include this episode, but tells of Jesus washing the feet of the Apostles, giving the new commandment "to love one another as I have loved you", and has a detailed farewell discourse by Jesus, calling the Apostles who follow his teachings "friends and not servants", as he prepares them for his departure.

Scholars have looked to the Last Supper as the source of early Christian Eucharist traditions. Others see the account of the Last Supper as derived from 1st-century eucharistic practice as described by Paul in the mid-50s. More on The Last Supper

Netherlandish, Malines, early 17th century
 Monogrammed VB for Jan ou Hans Verbeke, or Peeter van Baelen.
CHRIST IN THE GARDEN OF OLIVES
Gilt alabaster reliefs
12 x 9,5 cm; 4 3/4  by 3 3/4  in.
Private collection

Christ in the Garden of Gethsemane refers to the events in the life of Jesus as recorded in the New Testament, between the Farewell Discourse at the conclusion of the Last Supper and Jesus' arrest. 

According to all four Gospels, immediately after the Last Supper, Jesus took a walk to pray. The gospels of Matthew and Mark identify this place of prayer as Gethsemane. Jesus was accompanied by three Apostles: Peter, John and James, whom he asked to stay awake and pray. He moved "a stone's throw away" from them, where He felt overwhelming sadness and anguish, and said "My Father, if it is possible, let this cup pass me by. Nevertheless, let it be as you, not I, would have it." Then, a little while later, He said, "If this cup cannot pass by, but I must drink it, your will be done!". He said this prayer three times, checking on the three apostles between each prayer and finding them asleep. He commented: "The spirit is willing, but the flesh is weak". An angel came from heaven to strengthen him. During his agony as he prayed, "his sweat was as it were great drops of blood falling down upon the ground".

At the conclusion of the narrative, Jesus accepts that the hour has come for him to be betrayed. More on Christ in the Garden

Netherlandish, Malines, early 17th century
JACOB'S LADDER
Aabaster reliefs
9,5 x 12 cm, 3 3/4  by 4 3/4  in
Private collection

Jacob's Ladder is the colloquial name for a connection between the earth and heaven that the biblical Patriarch Jacob dreams about during his flight from his brother Esau, as described in the Book of Genesis. The significance of the dream has been somewhat debated, but most interpretations agree that it identified Jacob with the obligations and inheritance of the ethnic people chosen by God, as understood in Abrahamic religions. It has since been used as a symbolic reference in various other contexts. More on Jacob's Ladder

Netherlandish, Malines, early 17th century
Monogrammed TT for Tobias van Tissenaken (active in 1596-1624)
THEOLOGICAL VIRTUES : THE FAITH, THE CHARITY AND THE HOPE
Alabaster reliefs
9,5 x 12 cm, 3 3/4  by 4 3/4 in., 3 1/2  by 5 in.
three alabaster reliefs
9,5 x 12 cm, 3 3/4  by 4 3/4 in.
Private collection

Theological virtues are virtues associated in Christian theology and philosophy with salvation resulting from the grace of God. Virtues are traits or qualities which dispose one to conduct oneself in a morally good manner. Traditionally they have been named faith, hope, and charity, and can trace their importance in Christian theology to Paul the Apostle in 1 Corinthians 13, who also pointed out charity is the most important.

The medieval Catholic philosopher Thomas Aquinas explained that these virtues are called theological virtues "because they have God for their object, both in so far as by them we are properly directed to Him, and because they are infused into our souls by God alone, as also, finally, because we come to know of them only by Divine revelation in the Sacred Scriptures". More on Theological virtues

VIRGIN OF THE IMMACULATE CONCEPTION MEXICO, END OF THE 18TH CENTURY Carved and upholstered wood.
105 cm high.
Private collection


The Immaculate Conception, according to the teaching of the Catholic Church, was the conception of the Blessed Virgin Mary in the womb of her mother, Saint Anne, free from original sin by virtue of the foreseen merits of her son Jesus Christ. The Catholic Church teaches that Mary was conceived by normal biological means, but God acted upon her soul (keeping her "immaculate") at the time of her conception.

The Immaculate Conception is commonly and mistakenly taken to mean the conception of Mary's son Jesus Christ in her own womb, and the Virgin Birth of Jesus. These are covered by the Doctrine of Incarnation, while the Immaculate Conception deals with the conception of Mary herself, not that of her son. More on The Immaculate Conception






Acknowledgement: Sothebys, and others

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20 Menological Orthodox Calendar Icons from the Bible, with footnotes, #17

Some Saints and Feasts of the Orthodox Christian Church

"As the prophets beheld, as the Apostles have taught, as the Church has received, as the Teachers have dogmatised, as the Universe has agreed, as Grace has shown forth, as Truth has revealed, as falsehood has been dissolved, as Wisdom has presented, as Christ awarded, thus we declare; thus we assert, thus we preach Christ our true God, and honour His Saints in words, in writings, in thoughts, in sacrifices, in Churches, in Holy Icons; on the one hand worshiping and reverencing Christ as God and Lord; and on the other hand honouring as true servants of the same Lord of all and accordingly offering them veneration."  Synodikon of Sunday of Orthodoxy

Icon of Chetyi-Minei (calendar of saints)

In the very center is the Resurrection of Christ surrounded by scenes from Holy Week and the feasts of the Paschal cycle. Around them are twelve groupings of saints: one for each month of the calendar year. In the border are icons of the Theotokos (Mother of God), each of which has a feast day during the liturgical year. More Chetyi-Minei


Name days are a Greek Orthodox tradition. The Orthodox Church dedicates each day of the year to a martyr or saint, and the day is named after him or her in the Greek Orthodox faith. It’s also a Greek tradition to name children for saints. Those named for saints are expected to imitate their namesakes' lives so that saint’s name day calls for quite a celebration.

LARGE MENOLOGICAL ICON, Russian
THE MONTH OF JANUARY,c. early 19th century
Tempera on wood panel with kovcheg. On four registers, starting from the upper left corner, displayed are the saints and events commemorated in the Orthodox calendar
 52.8 x 43.9 cm.
Private collection

Menology; a record of saints, arranged in the order of a calendar.

St. Basil the Great (1 January)
St. Gregory Nazianzen (1 and 25 January)
St. Seraphim of Sarov (2 January)
The Seventy (4 January)
The Theophany (Epiphany) of Christ (6 January)
Synaxis of St. John the Baptist and Forerunner of Christ (7 January)
St. Sava of Serbia (14 January)
St. Paul the hermit of Thebes (15 January)
St. John Kalyvites (15 January)
St. Anthony the Great (17 January)
St. Athanasius the Great (18 January)
St Timothy the Apostle (22 January)
Venerable Joseph the Sanctified (22 January)
St Xeni (24 January)
St Gregory Theologian (25 January)
St Xenophon, Maria and sons (26 January)

LARGE MENOLOGICAL ICON, Russian
 MONTH OF FEBRUARY, c. early 19th century
Tempera on wood panel with kovcheg
53 x 44.4 cm.
Private collection

St Tryphon (1 February)
Presentation of Our Lord in the Temple (2 February)
St. Photios the Great (Patriarch of Constantinople; 6 February)
Sts Barsanuphius and John (Holy Fathers; 6 February)
St. Charalambos the Wonder-worker (10 February)
St. Blasios (11 February)
St. Zacharias (Patriarch of Jerusalem; 21 February)
St Eustathios of Antioch (21 February)
St. Polycarp (Bishop of Smyrna; 23 February)
St. Photini, The Samaritan Woman (Great Martyr and Equal to the Apostles; 26 February)
St Kyranna of Thessaloniki (28 February)

MENOLOGICAL ICON, Russian
 MONTH OF FEBRUARY, c. late 19th century
Tempera on wood panel. Painted in sombre colours on a silvered background, covered by a golden lacquer
35.6 x 31.3 cm.
Private collection

LARGE MENOLOGICAL ICON, Russian
 FOR THE MONTH OF MARCH, c. late 18th century
Tempera on wood panel
44 x 35.8 cm.
Private collection

St. Eudokia, Holy Martyr (1 March)
The Holy Forty Martyrs of Sebastia (9 March)
St. Symeon the New Theologian (12 March)
St Alexios, Man of God (17 March)
St Patrick, Enlightener of Ireland (17 March)
The Annunciation of the Holy Theotokos (25 March)
St. Gregory Palamas (27 March)
St. Matrona (27 March)
St. John Climacus (30 March and 4th Sunday of the Great Lent)
St. Innocent (31 March and 23 September)

MENOLOGICAL ICON, Russian
MONTH OF MARCH, c. late 19th century
Tempera on wood panel. Painted in sombre colours on a silvered background, covered by a golden lacquer
35.7 x 31 cm.
Private collection

LARGE MENOLOGICAL ICON, Russian
MONTH OF APRIL, c. early 19th century
Tempera on wood panel with kovcheg
52.7 x 43.9 cm.
Private collection

St. Lazarus Of Bethany (Lazarus Saturday, the Saturday before Palm Sunday)
St. Mary of Egypt (1 April and Fifth Sunday of Great Lent)
Sts. Raphael, Nicholas and Irene (Bright Tuesday)
Sts Agape, Irene and Chione (Virgin-martyrs; 16 April)
St. Alexandra (21 April)
St. George the Great Martyr (23 April)
St. Mark the Apostle and Evangelist (25 April)

LARGE MENOLOGICAL ICON, Russian
THE MONTH OF MAY, c. 18th century
Tempera on wood panel. The background made of silver, covered by a golden lacquer. The facial features executed in brown with shades of red
52.6 x 43 cm.
Private collection

Coming of the Holy Spirit - the Feast of Pentecost
All Saints day (1st Sunday after Pentecost)
St. Xenia (3 May)
St. Theodore of Sykeon (5 May)
Holy Apostle St. John the Evangelist (8 May)
St. Glykeria (13 May)
St Pachomios the Great (15 May)
St. Nicholas (Bishop of Myra; Translation of Relics 20 May)
Sts Constantine and Helene (21 May)
St John the Russian (27 May)

LARGE MENOLOGICAL ICON, Central Russian, Palekh
THE MONTH OF MAY, circa 1800 
Tempera on wood panel on a gold ground
The panel is divided into four registers showing the Feasts and Saints' Days for the month of May
The figures rendered with classical proportions, their faces painted in great detail, the garments opulently adorned with gold patterns
35.8 x 30.7 cm.
Private collection

MENOLOGICAL ICON, Russian,
MONTH JUNE WITH TWELVE IMAGES OF THE MOTHER OF GOD, circa 1880
Tempera on wood panel, executed on a gold ground. The upper and lower frame made of interlaced patterns
35.5 x 30.9 cm.
Private collection

St. Kalliope the Martyr (8 June)
The Day of the Souls (on Saturday)
Sts Theophanes and Pansemne (10 June)
Miraculous Icon of "Axion Esti" (11 June)
Nativity of St. John the Baptist and Forerunner of Christ (24 June)
Holy Apostles Sts Peter and Paul (29 June)

LARGE MENOLOGICAL ICON, Russian
 FOR THE MONTH OF JULY, c. early 19th century
Tempera on wood panel with kovcheg
53 x 43.8 cm.
Private collection

St. Andreas (4 July)
St. Prokopios (Great Martyr; 8 July )
St Pankratios (9 July)
St. Euphemia (Great Martyr; 11 July )
Archangel Gabriel (13 July)
St Cyril of Crete (14 July)
Great martyr, St Marina (17 July)
St. Macrina the younger (19 July)
Prophet Elijah (Elias) (20 July)
St Mary Magdalene, Equal to the Apostles (22 July)
St. Anna (Dormition of the Mother of the Theotokos; 25 July)
St. Paraskevi (26 July)
St. Panteleimon (All-Merciful and Great Martyr; 27 July)
St Silas, Silvanos, Apainetos and Crescens (of the Seventy; 30 July)

MENOLOGICAL ICON, Russian
THE MONTH OF JULY, c. late 19th century
Tempera on wood panel. Painted in sombre colours on a silvered background, covered by a golden lacquer
35.5 x 31 cm.

A MENOLOGICAL ICON, Russian, 
THE MONTH OF AUGUST, c. late 19th century
Tempera on wood panel. Painted in sombre colours on a silvered background, covered by a golden lacquer
35.6 x 31 cm.
Private collection

Transfiguration (Metamorphoses) of our Lord and Saviour Jesus Christ (6 August )
St Ioseph (6 August)
Dormition (Falling-asleep) of the Theotokos and Ever-Virgin Mary (15 August)
St Stamatios the New Martyr (16 August)
Sts Eutychlos and Eutychlanos Cassiane (17 August)
St Irenaeus of Lyons(23 August)
St. Kosmas of Aitolia (24 August)
St. Titus (25 August)
St Charalambos of Crete (28 August )
Beheading of the Baptist and Forerunner St. John (29 August)
St. Alexander (Patriarch of Constantinople; 30 August)

LARGE MENOLOGICAL ICON, Russian
THE MONTH OF SEPTEMBER, c. early 19th century
Tempera on wood panel with kovcheg
53 x 43.8 cm.
Private collection

Indiction - beginning of Church year (1 September )
St. Symeon the Stylite (1 September)
St. John the faster (2 September)
Nativity of the Theotokos (8 September)
Sts Joachim and Anna (parents of the Theotokos; 9 September)
Feast of the Elevation of the Precious and Life-Giving Cross (14 September)
Sts Faith, Hope, and Charity and their Mother Sophia (September 17)
Holy Protomartyr and Equal-to-the-Apostles Thekla (September 24)
Repose of the Holy Apostle and Evangelist St. John the Theologian (26 September)
Holy Apostle and Evangelist St. John the Theologian (26 September, 8 May)

LARGE MENOLOGICAL ICON, Central Russian
 FOR THE MONTH OF OCTOBER, c.1st half 19th century
Tempera on wood panel. Executed in great detail on a gold ground
44.3 x 37 cm.
Private collection

Sts Cyprian and Justina, Holy Martyrs (2 October)
St. Dionysius the Areopagite (3 October)
Holy Apostle St. Thomas (6 October and Thomas Sunday)
St Pelagia (October 8)
St. Lazaros (17 October)
Holy Apostle and Evangelist St. Luke (18 October)
Holy Apostle St. James the Just (23 October)
St. John of Kronstadt (19 October)
St. Justin the Martyr (20 October)
St. Hilarion the Great (21 October)
St. Dimitrios the Great Martyr (26 October)
St. Timotheos the Esphigmenitis (29 October)

LARGE MENOLOGICAL ICON, Russian,
THE MONTH OF NOVEMBER, c. late 19th century
Tempera on wood panel. The background made of silver, covered by a golden lacquer.
44 x 37.4 cm.
Private collection

Archangels (8 November)
St. Nektarios the Wonderworker (Metropolitan of Pentapolis; 9 November)
St. John Chrysostom (Archbishop of Constantinople; 13 November, and January 1, 27 and 30)
Holy Apostle St. Matthew (16 November)
St. Gregory the Wonderworker (17 November)
Presentation of the Virgin Mary to the Temple (21 November)
Great Martyr St. Catherine (25 November)
St. Stylianos (26 November)
Holy Apostle St. Andrew (30 November)

LARGE MENOLOGICAL ICON, Greek
 FOR THE MONTH OF NOVEMBER, c. 18th century
Tempera on wood panel. Figures shown against a gold background
59 x 43.3 cm.
Private collection

MENOLOGICAL ICON, Russian
 FOR THE MONTH OF NOVEMBER, c. 19th century
Tempera on wood panel with kovcheg, on a gold ground
35 x 31.2 cm
Private collection

LARGE MENOLOGICAL ICON, Russian
 FOR THE MONTH OF DECEMBER, c. early 19th century
Tempera on wood panel with kovcheg
53 x 43.2 cm
Private collection

St. John Damascene (4 December)
St. Barbara (4 December)
St. Sabbas the Sanctified (5 December)
St. Nicholas the Wonderworker (6 December)
St. Ambrose (Bishop of Milan; 7 December)
St. Spyridon (12 December)
St. Eleutherios (15 December)
St Dionysios of Zakynthos, the Wonder-Worker (17 December)
St Sebastian the martyr (18 December)
Nativity of our Lord and Saviour Jesus Christ (25 December)
St. Stephen, the First Martyr (27 December)
The Holy Infants (29 December)

MENOLOGICAL ICON, Russian, 
THE MONTH OF DECEMBER WITH TEN IMAGES OF THE MOTHER OF GOD, c. 2nd half 19th century
Tempera on wood panel, executed on a gold ground
31.5 x 26.7 cm
Private collection









Acknowledgement: Hargesheimer Kunstauktionen DüsseldorfOrthodox Christian Churchand others

Images are copyright of their respective owners, assignees or others

We do not sell art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.