01 Works, RELIGIOUS ART - Interpretation of the bible, With Footnotes - 120

AFTER CARLO CIGNANI (ITALY, 1628-1719)

ITALIAN SCHOOL, LATE 19TH CENTURY.

CARITAS

Oil on canvas

116x139cm

Private collection

In Christian theology charity, Latin caritas, is understood by Thomas Aquinas as "the friendship of man for God", which "unites us to God". He holds it as "the most excellent of the virtues". Further, Aquinas holds that "the habit of charity extends not only to the love of God, but also to the love of our neighbor".


The Catechism of the Catholic Church defines "charity" as "the theological virtue by which we love God above all things for His own sake, and our neighbor as ourselves for the love of God". More on Caritas

Carlo Cignani (15 May 1628 – 8 September 1719) was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of Guido Reni and Guercino, as well as those of Simone Cantarini. This gentle manner marked a break with the more energetic style of earlier Bolognese classicism of the Bolognese School of painting. More on Carlo Cignani

Carlo Signani was the last great artist of the Baroque of Bologna. He studied with Francesco Albani and his work was strongly influenced by that of Coreggio. His masterpiece is the fresco of La Asunción de la Virgen in the dome of the church of Santa María del Fuoco, in Forli. More on Carlo Cignani

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01 Paintings, RELIGIOUS ART - Interpretations of the Bible! by The Old Masters, With Footnotes # 47b

Jean-Jacques Henner, 1829 - 1905

Saint Fabiola

copy of lost original

Saint Fabiola was a nurse (physician) and Roman matron of rank of the company of noble Roman women who, under the influence of the Church father St. Jerome gave up all earthly pleasures and devoted themselves to the practice of Christian asceticism and charitable work. More on Saint Fabiola

Jean-Jacques Henner (15 March 1829 – 23 July 1905) was a French painter. Henner was born at Bernwiller (Alsace). He began his studies in art as a pupil of Michel Martin Drolling and François-Édouard Picot. In 1848, he entered the École des Beaux Arts in Paris, and took the Prix de Rome with a painting of Adam and Eve finding the Body of Abel in 1858. In Rome, he was guided by Flandrin, and painted four pictures for the gallery at Colmar among other works.

Henner's most widely known work is his 1885 portrait of Saint Fabiola. Although the original is now lost, it was copied by artists around the world for devotional purposes. Artist Francis Alÿs has collected over 500 copies of the portrait in a variety of media. The collection, known as the "Fabiola Project," is on exhibit at the Byzantine Fresco Chapel of the Menil Collection in Houston from May 21, 2016 - May 13, 2018.

Henner died at age 76 in Paris. More Jean-Jacques Henner

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01 Painting, Interpretations of the Bible! by The Old Masters, With Footnotes # 47a

William Adolphe Bouguereau, (William Bouguereau) (1825-1905)

Le Saintes Femmes au Tombeau/ Three Marys at the Tomb, c. 1890

Oil on canvas

Private collection 

Le Saintes Femmes au Tombeau, 1890, translated to The Holy Women at the Tomb, depicts the three Marys, Mary the Mother of James, Mary Magdalene and Mary of Cleophas, at the tomb of the resurrection. The viewer, compositionally, is placed in a prostrated position and looking up first notices the expressions of bewilderment on the central Mary's face before looking past the three women and into the tomb. The tomb is filled with light and the viewer can only catch a glimpse of the "angel of the resurrection" with his arm raised. This is a very clever arrangement. The viewer feels as though they are there with the Marys and that they have stumbled onto this event, bringing it into the present. This painting was first exhibited at the Paris Salon of 1890, and though a critic after viewing the piece at that time said that Bouguereau "always showed the same thing", the perspective used in this painting and the overall composition is most original and was a tour de force of perspective and foreshortening; which can be clearly seen in the severe angle of the tomb entranceway. The painting now hangs in the collection of the Musée Royal des Beaux-Arts, Antwerp, Belgium. -by Kara Lysandra Ross

William-Adolphe Bouguereau (November 30, 1825 – August 19, 1905) was a French academic painter and traditionalist. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. More William-Adolphe Bouguereau

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01 Works, RELIGIOUS ART - CONTEMPORARY & 20th Century Interpretation of the Bible! With Footnotes - 22

Iva Troj, United Kingdom

Lamb / Embrace IV Revisited

Painting

35.4 H x 43.3 W x 2.4 in

Private collection

To me, this painting has all the of the Italian church paintings of their time. The Madonna, with Christ in her arms, receiving Saint Catherine who brings a flower as a gift. In the background would be John the Baptist, Christ's cousin, with the dove of piece flying over his head.

"I started painting "Like China" in 2013. I had a change of heart regarding the central figure and abandoned it for a slightly different, more traditional motif. Now, several years later, I discovered its potential and decided to revisit the painting, changing a lot of the surroundings and the central figure as well as adding a peacock to enhance the symbolic value of my storyline. I ended up with a more playful composition and a much more dynamic theme." Iva Troj

In Christianity the peacock symbolism represents the "all-seeing" church, along with the holiness and sanctity associated with it. Additionally, the peacock represents resurrection, renewal and immortality within the spiritual teachings of Christianity. More on Peacock Symbolism

In Christian culture, Passion flowers are primarily used to represent Christ’s suffering and sacrifice and each part of the flower represents a different aspect of the Passion of Christ.

White flowers such as white roses and lilies are used to stand for purity. They are also sometimes used in conjunction with references to the Virgin Mary for her own purity. Red roses in Christianity stand for love or as a sign of Christ’s blood. Church altars are often decorated with bouquets or vases of flowers, especially on significant days such as Easter and Christmas. Flowers play a large role at Christian funerals, baptisms and other special personal events.

Christian brides walk down the aisle with a bouquet of flowers as a token of fertility, while in earlier times it was common for them to wear a wreath or garland of flowers around their heads. More on flowers in Christianity.

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Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

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