Showing posts with label Salvador Dalí. Show all posts
Showing posts with label Salvador Dalí. Show all posts

02 Works, RELIGIOUS ART - CONTEMPORARY & 20th Century Interpretation of the Bible! With Footnotes - 16

Salvador Dalí
The Immaculate Conception, 1979
Color lithograph
23 x 16 in
Private collection

The Immaculate Conception, according to the teaching of the Catholic Church, was the conception of the Blessed Virgin Mary in the womb of her mother, Saint Anne, free from original sin by virtue of the foreseen merits of her son Jesus Christ. The Catholic Church teaches that Mary was conceived by normal biological means, but God acted upon her soul (keeping her "immaculate") at the time of her conception.


The Immaculate Conception is commonly and mistakenly taken to mean the conception of Mary's son Jesus Christ in her own womb, and the Virgin Birth of Jesus. These are covered by the Doctrine of Incarnation, while the Immaculate Conception deals with the conception of Mary herself, not that of her son. More on The Immaculate Conception

Salvador Domingo Felipe Jacinto Dalí i Domènech, Marqués de Dalí de Púbol (11 May 1904 – 23 January 1989), known professionally as Salvador Dalí, was a prominent Spanish surrealist painter born in Figueres, Catalonia, Spain.

Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media.

Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes" to an "Arab lineage", claiming that his ancestors were descended from the Moors.



Dalí was highly imaginative, and also enjoyed indulging in unusual and grandiose behavior. His eccentric manner and attention-grabbing public actions sometimes drew more attention than his artwork, to the dismay of those who held his work in high esteem, and to the irritation of his critics. More Salvador Dalí


Oscar Gustave Rejlander, (British, 1813-1875)
Young Woman in Prayer
Albumen silver print mounted to album page
7 5/8 x 5 3/4 in. (19.4 x 14.7 cm)

O.G. Rejlander, in full Oscar Gustav Rejlander, (born 1813, Sweden—died January 18, 1875, London, England), Swedish painter and photographer who is known as the “father of art photography.”

Rejlander received his general education in Sweden, and he studied painting and sculpture in Rome. After considerable travel he settled in England and from 1853 practiced photography there. Rejlander rejected contemporary conceptions of photography as a scientific or technical medium. In his efforts to elevate photography to the status of a fine art, he made photographs in imitation of painting. He looked to the example of the Old Masters for their use of composition and pose and often set up his own elaborate compositions in his studio. In many of his works he sought painterly effects by combining several negatives to make one print, with a resulting image that moved beyond the results achieved by straightforward photography. His most famous work, The Two Ways of Life (1857), was based on the background and arrangement of Raphael’s School of Athens (1509–11) and was created by combining more than 30 negatives. Shown in the Manchester Art Treasures Exhibition of 1857, the photograph was purchased by Queen Victoria as a gift for Prince Albert. Rejlander was also well known for his ability to capture an emotion or sentiment in his work. A series of photographs of facial expressions and gestures made by Rejlander was used by Charles Darwin in his Expression of the Emotions in Man and Animals (1872).

Although he had a period of critical acclaim, Rejlander died impoverished. His influence extended for decades, however, as photographers began to debate the merits of Pictorialism, or the effort to achieve painterly effects, versus the value of more sharply detailed work. More on Oscar Gustave Rejlander










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10 Ivory Carvings & Sculpture from the Bible! 15 & 16th Century. With Footnote, # 13

Maria lactans, c. mid-15th century, France
Ivory
Height: 17 cm
Private collection

The Nursing Madonna, Virgo Lactans, or Madonna Lactans, is an iconography of the Madonna and Child in which the Virgin Mary is shown breastfeeding the infant Jesus.

The depiction is mentioned by Pope Gregory the Great, and a mosaic depiction probably of the 12th century is on the facade of Santa Maria in Trastevere in Rome, though few other examples survive from before the late Middle Ages. It continued to be found in Orthodox icons, especially in Russia.

In the Middle Ages, the middle and upper classes usually contracted breastfeeding out to wetnurses, and the depiction of the Nursing Madonna was linked with the Madonna of Humility, a depiction that showed the Virgin in more ordinary clothes than the royal robes shown, for instance, in images of the Coronation of the Virgin, and often seated on the ground. The appearance of a large number of such depictions in Tuscany in the early 14th century was something of a visual revolution for the theology of the time, compared to the Queen of Heaven depictions. After the Council of Trent in the mid-16th century, clerical writers discouraged nudity in religious subjects, and the use of the Madonna Lactans iconography began to fade away. More on the nursing Madonna

The thorny crown of Christ
Two-ivory carvings
Height: 15 cm. 
17th century.
Private collection

Jesus sitting on a stone block with his head pressed down by a soldier, while the soldier places the crown of his thorn with iron gloves. More on this sculpture 
19th century.
A youthful Madonna
Ivory. 
Height: 35 cm. 
Private collection


On a cloud base, this busy winged angel with three heads and a crescent moon. put your hands over your chest, facing the view with inset glass eyes upward. More on A youthful Madonna

The two Marys, Johannes Evangelist with gospel book, and Nicodemus
Pair of ivory figures
Height: 17 per cm. Early 17th century.
Private collection

The two Marys and Johannes Evangelist with gospel book, behind the Holy Nicodemus. The ivory figures formerly colored calm, still preserved remains of the holder into the garment depths. flattened at the back. More on the 2 Marys

As the depiction of the Passion of Christ increased in complexity towards the end of the first millennium, a number of scenes were developed covering the period between the death of Jesus on the Cross and his being placed in his tomb. The accounts in the Canonical Gospels concentrate specifically mention the Virgin Mary and Mary Magdalene as present. More on the 2 Marys

John the Evangelist is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter, though this has been disputed by modern scholars.

Christian tradition says that John the Evangelist was John the Apostle. A historical figure, one of the "pillars" of the Jerusalem church after Jesus' death. He was one of the original twelve apostles and is thought to be the only one to have lived into old age and not be killed for his faith. John is associated with the city of Ephesus, where he is said to have lived and been buried. Some believe that he was exiled (around 95 AD) to the Aegean island of Patmos, where he wrote the Book of Revelation. More

He wrote to the seven Christian churches in Asia to warn them of various challenges and temptations that confront them, which have been revealed to him in a vision. He then relates several additional powerful visions concerning the Last Days and the Second Coming of Christ. More

Nicodemus is a Pharisee and a member of the Sanhedrin mentioned in three places in the Gospel of John: 1- He first visits Jesus one night to discuss Jesus' teachings. 2- The second time Nicodemus is mentioned, he reminds his colleagues in the Sanhedrin that the law requires that a person be heard before being judged. 3- Finally, Nicodemus appears after the Crucifixion of Jesus to provide the customary embalming spices, and assists Joseph of Arimathea in preparing the body of Jesus for burial

An apocryphal work under his name—the Gospel of Nicodemus—was produced in the mid-4th century, and is mostly a reworking of the earlier Acts of Pilate, which recounts the harrowing of Hell. More Nicodemus 

VIRGIN AND CHILD
IVORY SCULPTURE. CIRCA 1800
Height: 11,5 cm.
Private collection


Jesus Christ bust 
Mammoth Ivory Figurine
Height: 8, Width:7 , Length: 3.5 Cm
Private collection


This Figurine is Hand carved by a Master Carver to perfection. This Figurine is made of 100% genuine Mammoth Ivory Tusk. The extinct woolly Mammoth roamed the earth before 10,000-40,000 years ago. Today we can find Mammoth ivory tusk in the arctic regions like Siberia in Russia. Mammoth ivory figurines are absolutely legal worldwide. More on Mammoth Ivory

Trade in the ivory from the tusks of dead mammoths has occurred for 300 years and continues to be legal. Mammoth ivory is used today to make handcrafted knives and similar implements. Mammoth ivory is rare and costly because mammoths have been extinct for millennia, and scientists are hesitant to sell museum-worthy specimens in pieces.[39] Some estimates suggest that 10 million mammoths are still buried in Siberia. More on Mammoth Ivory


Saint Joseph holding in his hands baby Jesus
Mammoth Ivory figurine
Height: 14 Cm / 5.5 In
Private collection

Joseph is a figure in the Gospels, the husband of Mary, mother of Jesus, and is venerated as Saint Joseph. In both Catholic and Protestant traditions, Joseph is regarded as the patron saint of workers and is associated with various feast days. Pope Pius IX declared him to be both the patron and the protector of the Catholic Church, in addition to his patronages of the sick and of a happy death, due to the belief that he died in the presence of Jesus and Mary. In popular piety, Joseph is regarded as a model for fathers and has also become patron of various dioceses and places.

Several notable images of Saint Joseph have been granted a Canonical coronation by a Pope. In popular religious iconography he is associated with lilies or a spikenard. With the present-day growth of Mariology, the theological field of Josephology has also grown and since the 1950s centers for studying it have been formed.

According to the New Testament, Joseph was the father of James, Joses, Jude, Simon, and at least two daughters. More on Saint Joseph

Virgin with Child
Gothic style  French work. Period: XIXth century
Carved ivory
H.:50cm. 
Private collection

Virgin Mary Holding Baby Jesus
Mammoth Ivory figurine 
H:22Cm
Private collection

Salvador Dalí, 1904 - 1989
CHRIST OF ST. JOHN OF THE CROSS, 1978
Patinated metal bas relief sculpture
30 x 18 x 2 in. (76.2 x 45.7 x 5.1 cm)
Signed, 99/195.
Private collection

The sculpture is known as the Christ of Saint John of the Cross, because its design is based on a drawing by the 16th-century Spanish friar John of the Cross. The composition of Christ is also based on a triangle and circle (the triangle is formed by Christ's arms; the circle is formed by Christ's head). The triangle, since it has three sides, can be seen as a reference to the Trinity, and the circle may be an allusion to Platonic thought. The circle represents Unity: all things do exist in the "three" but in the four, merry they be. More on  the Christ of Saint John of the Cross

Salvador Domingo Felipe Jacinto Dalí i Domènech, Marqués de Dalí de Púbol (11 May 1904 – 23 January 1989), known professionally as Salvador Dalí, was a prominent Spanish surrealist painter born in Figueres, Catalonia, Spain.

Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media.

Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes" to an "Arab lineage", claiming that his ancestors were descended from the Moors.

Dalí was highly imaginative, and also enjoyed indulging in unusual and grandiose behavior. His eccentric manner and attention-grabbing public actions sometimes drew more attention than his artwork, to the dismay of those who held his work in high esteem, and to the irritation of his critics. More Salvador Dalí







Acknowledgement: HAMPEL, IvoryAndArt, and others

Images are copyright of their respective owners, assignees or others

We do not sell art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.


12 Works, RELIGIOUS ART - Contemporary Interpretation of the Bible! With Footnotes - #7

Jeff Dizon, (b.1954)
Pieta, c. 1986
Mixed media
29” x 37” (74 cm x 94 cm)
Private Collection

Sold for Php : 443,840 in Mid Year 2017

Jeff Dizon is known for a markedly tropical lushness of detailing, so much so that his version of the Pieta would fit an imaginary biblical scenario as much as it would fit some corner in the Philippine countryside, with the presence of bamboo in the details. More on this painting

The Pietà is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus, most often found in sculpture. As such, it is a particular form of the Lamentation of Christ, a scene from the Passion of Christ found in cycles of the Life of Christ. When Christ and the Virgin are surrounded by other figures from the New Testament, the subject is strictly called a Lamentation in English, although Pietà is often used for this as well, and is the normal term in Italian. More on The Pietà

Jeff Dizon (b.1954) studied painting at the University of the Philippines.  Over the course of his career, he has mounted numerous solo exhibitions.  His artworks were also shown in Los Angeles, New York, and Washington D.C. 

Jeff’s highly detailed artworks rendered in complex color patterns depict Philippine social life with a modern expressionist style, rendered in detailed strokes.  Dizon’s work has been earning numerous awards from competitions, and one of its prominent collectors is Diners International. More on Jeff Dizon

Salvador Dalí, 1904 - 1989
Coeur-Sacré de Jésus/ Sacred Heart-Jesus, 1962
oil on canvas
86.5 x 61.4cm (34 1/16 x 24 3/16in)
Private collection

Estimated for £800,000 - £1,200,000 in June 2017

The devotion to the Sacred Heart (also known as the Most Sacred Heart of Jesus, Sacratissimi Cordis Iesu in Latin) is one of the most widely practiced and well-known Roman Catholic devotions, taking Jesus Christ's physical heart as the representation of his divine love for humanity.

This devotion is predominantly used in the Roman Catholic Church and among some high-church Anglicans and Lutherans. The devotion is especially concerned with what the Church deems to be the longsuffering love and compassion of the heart of Christ towards humanity. The origin of this devotion in its modern form is derived from a Roman Catholic nun from France, Saint Margaret Mary Alacoque, who said she learned the devotion from Jesus during a series of apparitions to her between 1673 and 1675. Predecessors to the modern devotion arose unmistakably in the Middle Ages in various facets of Catholic mysticism. More on the devotion to the Sacred Heart

Salvador Domingo Felipe Jacinto Dalí i Domènech, Marqués de Dalí de Púbol (11 May 1904 – 23 January 1989), known professionally as Salvador Dalí, was a prominent Spanish surrealist painter born in Figueres, Catalonia, Spain.

Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media.

Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes" to an "Arab lineage", claiming that his ancestors were descended from the Moors.

Dalí was highly imaginative, and also enjoyed indulging in unusual and grandiose behavior. His eccentric manner and attention-grabbing public actions sometimes drew more attention than his artwork, to the dismay of those who held his work in high esteem, and to the irritation of his critics. More Salvador Dalí

Tsuguharu Foujita, 1886 - 1968
VIERGE À L'ENFANT, CIRCA 1918
Gouache and gold leaf on paper
43,7 x 24,6 cm; 17 1/4 x 9 3/4 in.
Private collection

Estimated for €60,000 - €80,000 in June 2015

Léonard Tsuguharu Foujita (November 27, 1886 – January 29, 1968) was a Japanese–French painter and printmaker born in Tokyo, Japan who applied Japanese ink techniques to Western style paintings. He has been called "the most important Japanese artist working in the West during the 20th century". His Book of Cats, published in New York by Covici Friede, 1930, with 20 etched plate drawings by Foujita, is one of the top 500 rare books ever sold, and is ranked by rare book dealers as "the most popular and desirable book on cats ever published". More on Léonard Tsuguharu Foujita

Pierre-Amédée Marcel-Beronneau, 1869-1937
MARIE'S GRIEF
Oil on canvas
Signed and dated lower right P. Marcel-Beronneau 03 (or 05)
22 x 16,5 cm ; 8 3/4 x 6 1/2 in.
Private collection

Sold for €3,000 in Jun 2017

Pierre-Amédée Marcel-Beronneau, 1869-1937attended the Fine-Arts School in Bordeaux and the Decorative Arts School in Paris before going to the Fine-Arts National School in 1892 where he entered Gustave Moreau’s study and met Georges Rouault with whom he later shared a study on Montparnasse Boulevard. He quickly became one of the best students.

He was awarded the 1st Great Prize of the Decorative Arts in 1893, a medal in a sketching contest and the 1st Prize of the Study in 1894 for all his work. The same year he came first at the Chevanard contest held by the Fine-Arts National School. In 1895 he started showing his work at the French Artists Salon.

His work was composed of a double production. The first one was academic and met the audience’s expectations, which made him successful. The government started making some requests from him, such as “Last Hour” (Fine-Arts Museum in Bordeaux) in 1899. He became Knight of the Legion of Honor in 1914...

Pierre-Amédée Marcel-Béronneau, French, 1869-1937
SALOME
Oil on canvas
178 by 115cm., 70 by 45¼in.
Private collection

Sold for 48,500 GBP in Jun 2017

The second part of his work was symbolist. Influenced by Moreau and connected to the Rose-Croix Salon, interested in the Préraphaélite movement, he created his own style by essentially illustrating mythical and biblical female characters such as Leda, Sappho, Judith, Gorgon and Salomé (above). He featured them in phantasmagorical sceneries and reinterpreted myths with a symbolist sensitivity. More on Pierre-Amédée Marcel-Beronneau

Painted in 1905, it is likely that Germaine Marchant was the model for Salome. Having fallen deeply in love with her, Marcel-Béronneau painted her obsessively in his pursuit of the representation of the femme fatale. They were married in 1918.

The present work depicts the end of Salome's dance of the seven veils. Her body is almost exposed in its entirety, with part of a veil draping her legs and hips and part of it surrounding her hair like a flame.

Salome was the daughter of Herod II and Herodias. She is infamous for demanding and receiving the head of John the Baptist, according to the New Testament. According to Flavius Josephus's Jewish Antiquities, Salome was first married to Philip the Tetrarch of Ituraea and Trakonitis. After Philip's death in 34 AD she married Aristobulus of Chalcis and became queen of Chalcis and Armenia Minor. They had three children. Three coins with portraits of Aristobulus and Salome have been found. Her name in Hebrew meaning "peace". More on Salome

Cristina Posada
Angel
Mixed media on canvas
19.6 x 23.6 in, or 50 x 60 cm
Private collection

Cristina Posada is a Colombian artist, her watercolors have been reproduced by UNICEF, and Rosenstiels around the world. She has had exhibitions in Colombia, USA, Germany and Japan. More on Cristina Posada

David LaChapelle, American, b. 1963
Courtney Love: Pieta, c 2006
Chromogenic print
24 x 18 in. (60.96 x 45.72 cm.) 
Private collection

Estimatefor 16,000—22,000 USD in Jun 2017

The present work depicts controversial rock-icon Courtney Love as the Virgin Mary, cradling a Kurt Cobain lookalike styled as Jesus. From the artist's series Heaven to Hell, this print comments on the narrative surrounding the death of Kurt Cobain and the subsequent treatment of Courtney Love, placing this contemporary, pop-culture event within the visual tradition of religious iconography. More on the present work

David LaChapelle (born March 11, 1963) is an American commercial photographer, fine-art photographer, music video director, film director, and artist.

He is best known for his photography, which often references art history and sometimes conveys social messages. His photographic style has been described as "hyper-real and slyly subversive" and as "kitsch pop surrealism". Once called the Fellini of photography, LaChapelle has worked for international publications and has had his work exhibited commercial galleries and institutions around the world. More on David LaChapelle


František Drtikol, 1883 - 1961
Salome with skull, c. 1923
Gelatin silver prin
9 x 11 3/8 in. (22.9 x 28.9 cm.)
Private collection

Sold for US$2,816 in Nov 2023

Salome, see above

František Drtikol (3 March 1883, Příbram – 13 January 1961, Prague) was a Czech photographer of international renown. He is especially known for his characteristically epic photographs, often nudes and portraits.

He had his own studio, until 1935 where he operated an important portrait photostudio in Prague. Drtikol made many portraits of very important people and nudes which show development from pictorialism and symbolism to modern composite pictures of the nude body with geometric decorations and thrown shadows, where it is possible to find a number of parallels with the avant-garde works of the period. 

He began using paper cut-outs in a period he called "photopurism". These photographs resembled silhouettes of the human form. Later he gave up photography and concentrated on painting. After the studio was sold Drtikol focused mainly on painting, Buddhist religious and philosophical systems. In the final stage of his photographic work Drtikol created compositions of little carved figures, with elongated shapes, symbolically expressing various themes from Buddhism. In the 1920s and 1930s, he received significant awards at international photo salons. More on František Drtikol

František Drtikol, 1883 - 1961
Golgotha
etching
36 x 24.2 cm
Private collection

Calvary, also Gagulta, was, according to the Gospels, a site immediately outside Jerusalem's walls where Jesus was said to have been crucified. Golgotha(s) is the Greek transcription in the New Testament of the Aramaic term Gagultâ. The Bible translates the term to mean place of [the] skull, which in Latin is Calvariæ Locus, from which the English word Calvary is derived. More on Calvary, also Gagulta 

Jan Saudek, b. 1935 - 2013
Photographer as Jesus, 1991
Photography
Private collection

Jan Saudek (born 13 May 1935 in Prague, Czechoslovakia) is a Czech art photographer and painter. Saudek's was a Jew and his family to become a target of the Nazis. Many of his family died in Theresienstadt concentration camp during World War II.

According to Saudeks's biography, he got his first camera, a Kodak Baby Brownie, in 1950. He apprenticed to a photographer and in 1952 started working as a print shop worker, where he worked until 1983. In 1959, he started painting and drawing. After completing his military service, he was inspired in 1963 by the catalogue for Edward Steichen's The Family of Man exhibition, to try to become a serious art photographer. In 1969, he traveled to the United States and was encouraged in his work by curator Hugh Edwards.

Jan and Sara Saudek, 1935 -  2013
Jesus, 1991
Photography
Private collection

Returning to Prague, he was forced to work in a clandestine manner in a cellar, to avoid the attentions of the secret police, as his work turned to themes of personal erotic freedom, and used implicitly political symbols of corruption and innocence. From the late 1970s, he became recognized in the West as the leading Czech photographer. In 1983, the first book of his work was published in the English-speaking world. The same year, he became a freelance photographer as the Czech Communist authorities allowed him to cease working in the print shop, and gave him permission to apply for a permit to work as an artist. More Jan Saudek

Jan Saudek, b. 1935 - 2013
Pieta #2, c. 1990
Hand colored gelatin silver print
11.25 x 14.75 in
Private collection

Sold for : $750 USD in Jun 2024

The Pietà, see above



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