Showing posts with label St. Nicholas. Show all posts
Showing posts with label St. Nicholas. Show all posts

14 Icons, Small Byzantine & Russian Icons, from the 4th - 15th Century with footnotes, #15


A SILVER-MOUNTED STEATITE ICON, Byzantine
THE HODIGITRIA MOTHER OF GOD, 10th-12th century
Carved in half-length and supporting a Child on her left hip
3.5 x 2.9 cm.
Soapstone
Private Collection

A Hodegetria is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to Him as the source of salvation for humankind. In the Western Church this type of icon is sometimes called Our Lady of the Way.

The most venerated icon of the Hodegetria type, regarded as the original, was displayed in the Monastery of the Panaghia Hodegetria in Constantinople, which was built specially to contain it. Unlike most later copies it showed the Theotokos standing full-length. It was said to have been brought back from the Holy Land by Eudocia, the Empress of Theodosius II (408–450), and to have been painted by Saint Luke. The icon was double-sided, with a crucifixion on the other side, and was "perhaps the most prominent cult object in Byzantium".

The original icon has probably now been lost, although various traditions claim that it was carried to Russia or Italy. There are a great number of copies of the image, including many of the most venerated of Russian icons, which have themselves acquired their own status and tradition of copying. More A Hodegetria

A STEATITE ICON, Byzantine
 ST. NICHOLAS OF MYRA , 10th-12th century
His name incised in the background
Soapstone
H. 3,3 cm.
Private Collection

Saint Nicholas (15 March 270 – 6 December 343), also called Nikolaos of Myra, was a historic 4th-century Christian saint and Greek Bishop of Myra, in Asia Minor. Because of the many miracles attributed to his intercession, he is also known as Nikolaos the Wonderworker. His reputation evolved among the faithful, as was common for early Christian saints, and his legendary habit of secret gift-giving gave rise to the traditional model of Santa Claus through Sinterklaas.

The historical Saint Nicholas, as known from strict history: He was born at Patara, Lycia in Asia Minor. In his youth he made a pilgrimage to Egypt and the Palestine area. Shortly after his return he became Bishop of Myra and was later cast into prison during the persecution of Diocletian. He was released after the accession of Constantine and was present at the Council of Nicaea. 

He was buried in his church at Myra, and by the 6th century his shrine there had become well-known. In 1087 Italian sailors or merchants stole his alleged remains from Myra and took them to Bari, Italy; this removal greatly increased the saint’s popularity in Europe, and Bari became one of the most crowded of all pilgrimage centres. Nicholas’s relics remain enshrined in the 11th-century basilica of San Nicola at Bari. More of Saint Nicholas

A STEATITE ICON,  Post-Byzantine
ST. NICHOLAS OF MYRA, 15th century 
The saint carved in low relief shown frontally bust-length
Soapstone
3.9 x 3.5 cm. 
Private Collection


A SILVER-MOUNTED GLASS CAMEO, Byzantine, Constantinople or Venice
ST. THEODORE KILLING THE DRAGON, 12th/13th century
Blue pâte de verre
3,6 x 2,9 cm
Private Collection

Theodore Stratelates is a martyr and Warrior Saint venerated with the title Great-martyr in the Eastern Orthodox Church, Eastern Catholic and Roman Catholic Churches.

There is much confusion between him and St. Theodore of Amasea and they were in fact probably the same person, whose legends later diverged into two separate traditions.

Theodore came from the city of Euchaita in Asia Minor. He killed a giant serpent living on a precipice in the outskirts of Euchaita. The serpent had terrorized the countryside. Theodore armed himself with a sword and vanquished it. According to some of the legends, because of his bravery, Theodore was appointed military-commander (stratelates) in the city of Heraclea Pontica, during the time the emperor Licinius (307–324) began a fierce persecution of Christians. Theodore himself invited Licinius to Heraclea, having promised to offer a sacrifice to the pagan gods. He requested that all the gold and silver statues of the gods which they had in Heraclea be gathered up at his house. Theodore then smashed them into pieces which he then distributed to the poor.

Theodore was arrested and subjected to torture and crucified. His servant Varos (also venerated as a saint), witnessed this and recorded it. In the morning the imperial soldiers found him alive and unharmed. Not wanting to flee a martyr's death, Theodore voluntarily gave himself over again into the hands of Licinius, and was beheaded by the sword. This occurred on 8 February 319, on a Saturday, at the third hour of the day. More Theodore Stratelates

A HEMATITE INTAGLIO, Byzantine,
SOLOMON, 4th/5th century 
Incised showing Solomon on horseback killing the Antichrist
Soapstone
2.7 x 2.4 cm.
Private Collection

Solomon was, according to the Bible, a fabulously wealthy and wise king of Israel and a son of David, the previous king of Israel. The conventional dates of Solomon's reign are circa 970 to 931 BC, normally given in alignment with the dates of David's reign. He is described as the third king of the United Monarchy, which would break apart into the northern Kingdom of Israel and the southern Kingdom of Judah shortly after his death. Following the split, his patrilineal descendants ruled over Judah alone.

According to the Talmud, Solomon is one of the 48 prophets. In the Quran, he is considered a major prophet, and Muslims generally refer to him by the Arabic variant Sulayman.

The Hebrew Bible credits him as the builder of the First Temple in Jerusalem. It portrays him as great in wisdom, wealth, and power beyond any of the previous kings of the country, but ultimately as a human king who sinned. His sins included idolatry, marrying foreign women, and ultimately turning away from Yahweh, and led to the kingdom's being torn in two during the reign of his son Rehoboam. Solomon is the subject of many other later references and legends, most notably in the 1st-century apocryphal work known as the Testament of Solomon. In later years, in mostly non-biblical circles, Solomon also came to be known as a magician and an exorcist, with numerous amulets and medallion seals dating from the Hellenistic period invoking his name. More Solomon

A STEATITE ICON, Byzantine, 
ST. THEODORE Byzantine, 10th-12th century
The saint shown frontally half-length holding a spear. 
Soapstone
2.2 x 2.1 cm
Private Collection

A STEATITE ICON, Byzantine, 
ST. THEODORE, 12th century
The name of the saint incised in the background.
Soapstone
4.4 x 3.7 cm
Private Collection

A DOUBLE-SIDED HORN MEDALLION, Russian
THE MOTHER OF GOD AND ST. BASIL THE GREAT, early 16th century 
6.4 x 5.2 cm.
Private Collection

From antiquity, Mary has been called "Theotokos", or "God-Bearer" (Mother of God). The word in Greek is "Theotokos". The term was used as part of the popular piety of the early first millennium church. It is used throughout the Eastern Church's Liturgy, both Orthodox and Catholic. It lies at the heart of the Latin Rite's deep Marian piety and devotion. This title was a response to early threats to 'orthodoxy', the preservation of authentic Christian teaching. A pronouncement of an early Church Council, The Council of Ephesus in 431 A.D., insisted "If anyone does not confess that God is truly Emmanuel, and that on this account the holy virgin is the "Theotokos" (for according to the flesh she gave birth to the word of God become flesh by birth) let him be anathema." (The Council of Ephesus, 431 AD). More Mother of God

Basil of Caesarea, also called Saint Basil the Great (329 or 330 – January 1 or 2, 379), was the Greek bishop of Caesarea Mazaca in Cappadocia, Asia Minor (modern-day Turkey). He was an influential theologian who supported the Nicene Creed and opposed the heresies of the early Christian church, fighting against both Arianism and the followers of Apollinaris of Laodicea. His ability to balance his theological convictions with his political connections made Basil a powerful advocate for the Nicene position.

In addition to his work as a theologian, Basil was known for his care of the poor and underprivileged. Basil established guidelines for monastic life which focus on community life, liturgical prayer, and manual labour. He is remembered as a father of communal monasticism in Eastern Christianity. He is considered a saint by the traditions of both Eastern and Western Christianity. More Basil of Caesarea

A DOUBLE-SIDED HORN MEDALLION, Russian
THE BAPTISM, THE CRUCIFIXION AND TWO SAINTS, early 16th century
8.8 x 5.9 cm.
Private Collection

Baptism is a Christian sacrament of admission and adoption, almost invariably with the use of water, into the Christian Church generally. The canonical Gospels report that Jesus was baptized —a historical event to which a high degree of certainty can be assigned. Baptism has been called a holy sacrament and an ordinance of Jesus Christ. In some denominations, baptism is also called christening, but for others the word "christening" is reserved for the baptism of infants. More Baptism

The crucifixion of Jesus occurred in 1st century Judea, most probably between the years 30 and 33 AD. Jesus' crucifixion is described in the four canonical gospels, referred to in the New Testament epistles, attested to by other ancient sources, and is established as a historical event confirmed by non-Christian sources, although, among historians, there is no consensus on the precise details of what exactly occurred. More on The crucifixion

A DOUBLE-SIDED HORN MEDALLION, Russian
THE LAST SUPPER AND THE DORMITION OF THE MOTHER OF GOD, circa 1500 
Carved in relief. Restored. 
Diam. 6.5 cm.
Private Collection

The Last Supper is the final meal that, in the Gospel accounts, Jesus shared with his Apostles in Jerusalem before his crucifixion. The Last Supper provides the scriptural basis for the Eucharist, also known as "Holy Communion" or "The Lord's Supper".

The four canonical Gospels all state that the Last Supper took place towards the end of the week, after Jesus' triumphal entry into Jerusalem and that Jesus and his Apostles shared a meal shortly before Jesus was crucified at the end of that week. During the meal Jesus predicts his betrayal by one of the Apostles present, and foretells that before the next morning, Peter will deny knowing him.

The three Synoptic Gospels and the First Epistle to the Corinthians include the account of the institution of the Eucharist in which Jesus takes bread, breaks it and gives it to the Apostles, saying: "This is my body which is given for you". The Gospel of John does not include this episode, but tells of Jesus washing the feet of the Apostles, giving the new commandment "to love one another as I have loved you", and has a detailed farewell discourse by Jesus, calling the Apostles who follow his teachings "friends and not servants", as he prepares them for his departure.

Scholars have looked to the Last Supper as the source of early Christian Eucharist traditions. Others see the account of the Last Supper as derived from 1st-century eucharistic practice as described by Paul in the mid-50s. More on The Last Supper

The Dormition of the Mother of God is a Great Feast of the Eastern Orthodox, Oriental Orthodox and Eastern Catholic Churches which commemorates the "falling asleep" or death of Mary the Theotokos ("Mother of God"), and her bodily resurrection before being taken up into heaven. More The Dormition

A DOUBLE-SIDED HORN MEDALLION, Russian
THE NATIVITY AND THE CRUCIFIXION OF CHRIST, circa 1500
Engraved
5.1 x 5.3 cm.
Private Collection

The nativity of Jesus or birth of Jesus is described in the gospels of Luke and Matthew. The two accounts agree that Jesus was born in Bethlehem in the time of Herod the Great to a betrothed virgin whose name was Mary. There are, however, major differences. Matthew has no census, annunciation to the shepherds or presentation in the Temple, implies that Jesus's parents' home is Bethlehem, and has him born in a house there, and has an unnamed angel appear to Joseph to announce the birth. In Luke there are no Magi, no flight into Egypt, or Massacre of the Innocents, Joseph is a resident of Nazareth, the birth appears to take place in an inn instead of the family home, and the angel (named as Gabriel) announces the coming birth to Mary. While it is possible that Matthew's account might be based on Luke or Luke's on Matthew, the majority of scholars conclude that the two are independent of each other.

In Christian theology the nativity marks the incarnation of Jesus as the second Adam, in fulfillment of the divine will of God, undoing the damage caused by the fall of the first man, Adam. The artistic depiction of the nativity has been a major subject for Christian artists since the 4th century. Since the 13th century, the nativity scene has emphasized the humility of Jesus and promoted a more tender image of him, as a major turning point from the early "Lord and Master" image, affecting the basic approaches of Christian pastoral ministry. More on The nativity

The crucifixion of Jesus, see above

SILVER-GILT PENDANT ICON,  Russian
THE SMOLENSKAYA MOTHER OF GOD, 16th century
Silver, cast and gilt. Set with cabochons
Greek inscription '
6.1 x 5 cm.
Private Collection

The Mother of God Smolenskaya Icon is where the Mother of God is depicted from the waist up holding the Christ child. Christ is portrayed in an erect frontal pose, blessing with his right hand and holding a closed scroll in his left. More Mother of God Smolenskaya

SMALL ICON, Russian
THE PROTECTING VEIL OF THE MOTHER OF GOD, circa 1500
Carved wood, metal mount decorated with filigree and set with semi-precious stones
5.8 x 4.6 cm
Private Collection

In the tenth century, in the church of the Blachernae in Constantinople, there was a festival service. It was at a time of difficulty for the Byzantine empire because of the invading Slavs. At this festal service, on the first of October, the feast of the holy hymnographer Romanos, according to the Life of St. Andrew the Fool-for-Christ, who’s a canonized saint in the Orthodox tradition, he was in the church also with a friend of his, Epiphanios, a friend of his who’s also numbered among the saints.

While they were praying, Andrew had this vision of Christ’s mother, Mary, praying in the church and covering the church with her veil and protecting the people. With her were John the Baptist and John the Evangelist, and, in fact, all of the ranks of the prophets and apostles and bishops and saints were seen. The revelation was that the Theotokos was interceding and praying with all of the saints for the Church on earth. More on the veil

METAL SPHRAGIS (SEAL), Russian
THE DORMITION OF THE MOTHER OF GOD, circa 1900
Before baking, each prosphoron is stamped with this special seal
12.4 cm high, Diam. 8.5 cm
Private Collection

In Orthodox Christianity, prosphoron has come to mean specifically the bread offered at the Divine Liturgy (Eucharist).





Acknowledgement: Hargesheimer Kunstauktionen Düsseldorf, and others

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14 Paintings, scenes from the Bible, by The Old Masters, with footnotes # 27

FLORENTINE school in 1530, workshop of Andrea Del Sarto 
The Virgin and Child with St. John the Baptist 
Oil on Poplar pane
72 x 56cm - 28 3/8 x 22 1/16 IN . 
Private Collection

Andrea del Sarto (1486–1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. Though highly regarded during his lifetime as an artist senza errori ("without errors"), his renown was eclipsed after his death by that of his contemporaries, Leonardo da Vinci, Michelangelo and Raphael. More

Lucas Cranach the Elder (c. 1472 – 16 October 1553) 
Christ in Limbo (Christ Freeing Souls from Hell), c. 1530
Private Collection

The story of Christ's descent into Limbo to rescue the souls of the righteous who lived before his time enjoyed a special place in the European popular imagination. This vision of Hell, its eternal darkness broken by Christ's dazzling entry, is exceptionally vivid.

Lucas Cranach the Elder (c. 1472 – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and those of the leaders of the Protestant Reformation, whose cause he embraced with enthusiasm, becoming a close friend of Martin Luther. He also painted religious subjects, first in the Catholic tradition, and later trying to find new ways of conveying Lutheran religious concerns in art. He continued throughout his career to paint nude subjects drawn from mythology and religion. He had a large workshop and many works exist in different versions; his son Lucas Cranach the Younger, and others, continued to create versions of his father's works for decades after his death. Lucas Cranach the Elder has been considered the most successful German artist of his time. More

Unknown German artist
St. Martin of Tours and St. Nicholas of Bari, ca. 1450
Tempera on wood
Art Gallery of South Australia, Victoria

Saint Martin of Tours, (born ad 316, Sabaria, Pannonia [now Szombathely, Hung.]—died Nov. 8, 397, Candes, Gaul [France]. Of pagan parentage, Martin chose Christianity at the age of 10. As a youth he was forced into the Roman army, but later he petitioned the Roman emperor Julian the Apostate to be released from the army because “I am Christ’s soldier: I am not allowed to fight.” He was imprisoned but was soon discharged.

On leaving the Roman army, Martin settled at Poitiers, under the guidance of Bishop Hilary. He became a missionary in the provinces of Pannonia and Illyricum (now in the Balkan Peninsula), where he opposed Arianism, a heresy that denied the divinity of Christ. Forced out of Illyricum by the Arians, Martin went to Italy. In 360 he rejoined Hilary at Poitiers. Martin then founded a community of hermits at Ligugé, the first monastery in Gaul. In 371 he was made bishop of Tours, and outside that city he founded another monastery, Marmoutier, to which he withdrew whenever possible.

As bishop, Martin made Marmoutier a great monastic complex to which European ascetics were attracted and from which apostles spread Christianity throughout Gaul. He himself was an active missionary in Touraine and in the country districts where Christianity was as yet barely known. In 384/385 he took part in a conflict at the imperial court in Trier, Fr., to which the Roman emperor Magnus Maximus had summoned Bishop Priscillian of Ávila, Spain, and his followers. Martin protested to Maximus against the killing of heretics (Priscillian), and against civil interference in ecclesiastical matters. Priscillian was nevertheless executed, and Martin’s continued involvement with the case caused him to fall into disfavour with the Spanish bishops. During his lifetime, Martin acquired a reputation as a miracle worker, and he was one of the first nonmartyrs to be publicly venerated as a saint. More

Saint Nicholas (15 March 270 – 6 December 343), also called Nikolaos of Myra, was a historic 4th-century Christian saint and Greek Bishop of Myra, in Asia Minor. Because of the many miracles attributed to his intercession, he is also known as Nikolaos the Wonderworker. His reputation evolved among the faithful, as was common for early Christian saints, and his legendary habit of secret gift-giving gave rise to the traditional model of Santa Claus through Sinterklaas.

The historical Saint Nicholas, as known from strict history: He was born at Patara, Lycia in Asia Minor. In his youth he made a pilgrimage to Egypt and the Palestine area. Shortly after his return he became Bishop of Myra and was later cast into prison during the persecution of Diocletian. He was released after the accession of Constantine and was present at the Council of Nicaea. 

He was buried in his church at Myra, and by the 6th century his shrine there had become well-known. In 1087 Italian sailors or merchants stole his alleged remains from Myra and took them to Bari, Italy; this removal greatly increased the saint’s popularity in Europe, and Bari became one of the most crowded of all pilgrimage centres. Nicholas’s relics remain enshrined in the 11th-century basilica of San Nicola at Bari. More

Aimé Nicolas Morot, (1850–1913)
The Good Samaritan, c. 1880
Oil on canvas
268.5 × 198 cm (105.7 × 78 in)
Petit Palais, Paris

The parable of the Good Samaritan is a didactic story told by Jesus in Luke 10:25–37. It is about a traveler who is stripped of clothing, beaten, and left half dead alongside the road. First a priest and then a Levite comes by, but both avoid the man. Finally, a Samaritan comes by. Samaritans and Jews generally despised each other, but the Samaritan helps the injured man. Jesus is telling the parable in response to the question from a lawyer, "And who is my neighbour?" whom that should be loved. Jesus answers his question in who is his neighbour, but also tells him to love his neighbour. 

The parable has inspired painting, sculpture, satire, poetry, and film. The colloquial phrase "good Samaritan", meaning someone who helps a stranger, derives from this parable, and many hospitals and charitable organizations are named after the Good Samaritan. More

Aimé Nicolas Morot (1850–1913) was a French painter and sculptor in the Academic Art style. He was born in Nancy, where at age 12 he started his studies in drawing, painting and gravure printing at l'Ecole Municipal de Dessin et de Peinture de Nancy. He continued his study in Nancy until the late 1860s and subsequently attended the atelier of Alexandre Cabanel at the École Nationale Supérieure des Beaux-Arts in Paris, but could not study in the noisy environment of Cabanel's atelier and left after having received two corrections by Cabanel. In the next two years he continued his studies independently. Despite his lack of attendance at the École, he won the Grand Prix de Rome in 1873 with his first submission, the Babylonian, which is currently in the collection of the École des Beaux-Arts in Paris (below).

Aimé Nicolas Morot (1850–1913)
La captivité des juifs à Babylone, 1873
Paris, Ecole Nationale Supérieure des Beaux-Arts


The fellowship allowed him to travel to Italy and become a resident of the Villa Medici, where the French Academy in Rome was housed. Morot rarely set foot in his atelier in the Villa Medici, but produced paintings in a regular fashion anyway. His first submission to the Salon de Paris awarded him a third-class medal for the painting Spring in 1876. In 1877 He was awarded a second-class medal for Médée, a first-class medal in 1879...

He returned to Paris in 1880, where he met painter Jean-Léon Gérôme and married his daughter Suzanne Mélanie Gérôme (1867-1941). His daughter Denise Morot was born in the late 1890s. Suzanne Morot modelled for paintings in 1897 and, together with her daughter, in 1904.

In 1900, he won a grand prix of the l'Exposition Universelle (Paris Exhibition) and in the same year became professor at the École Nationale Supérieure des Beaux-Arts in Paris. In 1910, Morot ordered construction of Maison dite Ker Arlette in Dinard, a coastal village in North-east Brittany. He lived there until his death on 12 August 1913. More

Gierymski Maksymilian 
RETURN OF A SERVANT, 1868
oil, canvas
59 x 88.5cm
Private Collection


Matthew 24:46 Who then is the faithful and wise servant, whom the master has put in charge of his household, to give the others their food at the proper time? 46 Blessed is that servant whose master returns and finds him doing his job. 

Maksymilian Gierymski (1846 in Warsaw – 1874 in Reichenhall, Bavaria) was a Polish painter, specializing mainly in watercolours. He was the older brother of painter Aleksander Gierymski.

As a seventeen-year-old boy, he participated in the January Uprising. He was educated at the Warsaw Drawing School initially, but then received a government scholarship in 1867 and went to study at the Academy of Fine Arts in Munich. He became one of the leading painters of the Munich realistic school. Initially best known for this battle paintings, he also created many landscape paintings, especially of southern Poland, which he visited several times.


Completely successful in western Europe, he did not gain approval nor popularity in Poland of the 19th century, although he sent paintings to exhibitions in Warsaw regularly from 1868 on. He did however win awards at exhibitions in Munich (1869) and in Berlin (1872). More


After Bartolomé Esteban Murillo (December 1617  – April 3, 1682) 
St. John the Baptist in a landscape 
30 x 23cm - 11 x 9 13/16 1/16 IN. 
Private Collection

Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. His lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. More

After Guido Reni (Bologna 1575-Bologna 1642)
The Virgin Sewing
Oil on Copper 
26 x 20cm - 10 1/4 x 7 7/8 IN.
Private Collection

Seated to right in a chamber, three child angels behind, bent over parcel of material with needle in right hand. 

Guido Reni (4 November 1575 – 18 August 1642) was an Italian painter of high-Baroque style. Born in Bologna into a family of musicians, Guido Reni was the son of Daniele Reni and Ginevra de’ Pozzi. As a child of nine, he was apprenticed under the Bolognese studio of Denis Calvaert. When Reni was about twenty years old he migrated to the rising rival studio, named Accademia degli Incamminati (Academy of the "newly embarked", or progressives), led by Lodovico Carracci. He went on to form the nucleus of a prolific and successful school of Bolognese painters who followed Annibale Carracci to Rome. Like many other Bolognese painters, Reni's painting was thematic and eclectic in style. More

After Guido Reni (Bologna 1575-Bologna 1642)
The Virgin Sewing
Oil on canvas (transferred from panel)
27.5 x 21
Hunterian Museum & Art Gallery

When this work was bought in 1771, it was catalogued as by da Pesaro (Simone Cantarini 1612-1648). In fact it is a version of an early work by Guido Reni. Eighteenth-century knowledge was sometimes sufficient to establish the 'school' from which the work came, but not the precise identity of the painter. In the middle of the eighteenth century Reni's first painting of this subject on copper, dating from 1606, was in the French Royal Collection. In that painting the Virgin has a red dress, and is accompanied by only three angels. Concluding that his painting was of lesser quality, it mistakenly assigned it to Cantarini, Reni's pupil. This painting corresponds in its details of a white dress and four accompanying angels to Reni's second version of the Virgin Sewing also painted on copper, which passed from Mazarin's to the French Royal Collection. The high quality of the present painting, and the type of pigments used suggest that it is a contemporary studio replica of La couseuse. More

Anatoly (Anatoli) Zverev, 1931-1986
George on Horseback
oil on board
19 5/8 x 27 1/2 (50 x 70 cm)
Private Collection

Saint George (circa 275/281 – 23 April 303 AD) was a soldier in the Roman army who later became venerated as a Christian martyr. His parents were Christians of Greek background; his father Gerontius was a Roman army official from Cappadocia and his mother Polychronia was from Lydda, Syria Palaestina. Saint George became an officer in the Roman army in the Guard of Diocletian, who ordered his death for failing to recant his Christian faith.

In the fully developed Western version of the Saint George Legend, a dragon, or crocodile, makes its nest at the spring that provides water for the city of "Silene" (perhaps modern Cyrene in Libya or the city of Lydda in Palistine, depending on the source). Consequently, the citizens have to dislodge the dragon from its nest for a time, to collect water. To do so, each day they offer the dragon at first a sheep, and if no sheep can be found, then a maiden is the best substitute for one. The victim is chosen by drawing lots. One day, this happens to be the princess. The monarch begs for her life to be spared, but to no avail. She is offered to the dragon, but then Saint George appears on his travels. He faces the dragon, protects himself with the sign of the Cross, slays the dragon, and rescues the princess. The citizens abandon their ancestral paganism and convert to Christianity. Mor

Anatoly (Anatoli) Zverev (November 3, 1931 Moscow –December 9, 1986 Moscow) was a Russian artist, a member of the non-conformist movement and a founder of Russian Expressionism in the 1960s. He spent all of his life in Moscow.

He did not have a solo show in Russia until shortly before his death in 1986 and his work was exhibited in small, underground galleries. Throughout his career he was harassed and persecuted by the Soviet authorities especially as his international success grew.

His style of tachisme can be compared with the work of the American Abstract Expressionist painter Jackson Pollock. His work was based on deep philosophical convictions, particularly the idea of momentalism, that everything is in constant change. His intention was to render direct sensations, and he worked at great speed. More
A 17th century Indo-Portuguese oratory with table
 The Passion of Christ 
Carved, polychrome and gilt teak oratory  representing floral motifs and IHS insignia 
Tilting doors painted with eight angles holding symbols of the Passion of Christ 
Interior with four solomonic columns green and gilt ground 
Base with drawer 
162x82x40 cm
Private Collection

Jan van Scorel (1495–1552) 
Mary Magdalene, circa 1530
Oil on oak panel
Height: 66.3 cm (26.1 in). Width: 76 cm (29.9 in).
Rijksmuseum Amsterdam

Mary Magdalene is traditionally depicted with a vessel of ointment,. The anointing of Jesus is one of the relatively few events reported by each of the four Gospels, although the details differ in the accounts. All report the anointing of Jesus with expensive perfume by a woman, who pours over Jesus the contents of an alabastron jar of "nard" (or spikenard), a very expensive perfume. The anointing angers some of the onlookers because the perfume could have been sold for a year's wages—which the Gospel of Mark enumerates as 300 denarii—and the money given to the poor. Matthew's gospel states that the "disciples were indignant" and John's states that it was Judas who was most offended. John adds that he was bothered because he (Judas) was a thief and desired the money for himself. Jesus is described as justifying the action of the woman by stating that the poor will always exist, and can be helped whenever desired. More

Jan van Scorel (1495 – 6 December 1562) was a Dutch painter, who played a leading role in introducing aspects of Italian Renaissance painting into Dutch and Flemish Renaissance painting. Van Scorel was one of the early painters of the Romanist style who had spent a number of years in Italy, where he thoroughly absorbed the Italian style of painting. His trip to Italy coincided with the brief reign of the only Dutch pope in history, Adrian VI in 1522-23. The pope made him a court painter and superintendent of his collection of antiquities. His stay in Italy lasted from 1518 to 1524. He also visited Nuremberg, Venice and Jerusalem. Venetian art had an important impact on the development of his style.

He differed from most Romanists in that he was a native of the northern Netherlands and not of Flanders and that he remained most of his life in the northern Netherlands. He settled permanently in Utrecht in 1530 and established a large workshop on the Italian model. The workshop mainly produced altarpieces, many of which were destroyed in the Reformation iconoclasm in the years just after his death. He also held clerical appointments. This did not stop him from having a long-time relationship with a mistress who may have modelled for some of his female figure. More

Eduard Karl Franz von Gebhardt, 1838-1925 Dusseldorf
Christ
Oil / paper / wood
33.8x41.2cm
Private Collection

Franz Karl Eduard von Gebhardt (1838–1925) was a Baltic German historical painter. He was born in Järva-Jaani, Estonia, the son of a Protestant clergyman, and studied first at the Academy of St. Petersburg (1855–58). In 1860 he became the pupil of Wilhelm Sohn at Düsseldorf, where he permanently settled, and became professor at the academy in 1873.

There is a religious tone defining many of his most highly regarded paintings. Their chief characteristic is their deep and powerful yet varied expression of religious feeling. In the former Cistercian monastery at Lokkum may be seen six mural paintings: "Scenes from the Life of Christ". Mural paintings of similar subjects may be found at the Friedenskirche, Düsseldorf.

Gebhardt also painted many excellent portraits, and was awarded gold medals at Berlin, Dresden, Munich, Vienna, and Paris; and was elected a member of the academies of Antwerp, Berlin, Brussels, Munich, and Vienna. He died in 1925. More

Wilhelm Claudius, 1854 Altona-1942 Dresden
Reading monk
oil / cardboard
52x42cm
Private Collection

Wilhelm Ludwig Heinrich Claudius (1854-1942) at first attended the drawing school in Hamburg.  After that he studied at the Academy of Art in Dresden from 1871-74.  He also successfully worked as an illustrator. 

Around 1900 he rather focused on his painting and became a member of the Dresden artist circle called Goppelner Gruppe.  He further participated in the exhibitions of the Dresden Secession.  In 1903 he was appointed professor and in 1909 was honored with the Gold Medal of the Munich art exhibition. More


Acknowledgment: Henry's Auktionshaus AG
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