01 Work, Interpretations of Olympian deities, William-Adolphe Bouguereau's Bacchant, with footnotes #37

William-Adolphe Bouguereau  (1825–1905)

Detail; Bacchante lutinant une chèvre/  Bacchant, c. 1862

Oil on canvas

height: 115 cm (45.2 in); width: 185 cm (72.8 in)

Musée des Beaux-Arts de Bordeaux

William-Adolphe Bouguereau  (1825–1905)

Bacchante lutinant une chèvre/  Bacchant, c. 1862

Oil on canvas

height: 115 cm (45.2 in); width: 185 cm (72.8 in)

Musée des Beaux-Arts de Bordeaux

In Greek mythology, maenads were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones." Maenads were known as Bassarids, Bacchae or Bacchantes in Roman mythology, after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox-skin.

Often the maenads were portrayed as inspired by Dionysus into a state of ecstatic frenzy through a combination of dancing and intoxication. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped with a pine cone. They would weave ivy-wreaths around their heads or wear a bull helmet in honor of their god, and often handle or wear snakes. More Bacchante

William-Adolphe Bouguereau (November 30, 1825 – August 19, 1905) was a French academic painter and traditionalist. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. More William-Adolphe Bouguereau

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01 Work, RELIGIOUS ART - Paintings from the Bible by the Old Masters, 5j

William-Adolphe Bouguereau, 1825 - 1905

Madone Assise, The Seated Madonna, c. 1888

Oil on canvas

176.5 x 103 cm, (69¼" x 40½")

Art Gallery of South Australia (Adelaide, Australia)

The seated Madonna and Child is a style of image that became particularly popular during the 15th century in Florence and was imitated elsewhere. These representations are usually of a small size suitable for a small altar or domestic use. They usually show Mary holding the infant Jesus in an informal and maternal manner. These paintings often include symbolic reference to the Passion of Christ. More on The Seated Madonna

William-Adolphe Bouguereau (November 30, 1825 – August 19, 1905) was a French academic painter and traditionalist. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. More William-Adolphe Bouguereau

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

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01 Works, RELIGIOUS ART - Paintings from the Bible by the Old Masters, 5k

William-Adolphe Bouguereau, 1825 - 1905

La Madone aux Roses, The Madonna of the Roses, c. 1903

Oil on canvas

130 x 90.5 cm, (51" x 35½")

The Gould Mansion Tarrytown (New York, New York, United States)

In her apparition at Guadeloupe, the Madonna made use of roses as a sign of her presence and even arranged them with her own hands in the tilma of Juan Diego. At La Salette she wore a profusion of roses in three garlands and had tiny roses around the rim of her slippers. She brought beautiful roses with her at Lourdes, Pontmain, Pellevoisin, Beauraing, and Banneaux. To Sister Josefa Menendez she showed her heart encircled with little white roses. More on the Madonna of the Rose.

William-Adolphe Bouguereau (November 30, 1825 – August 19, 1905) was a French academic painter and traditionalist. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. More William-Adolphe Bouguereau

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

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01 Work, RELIGIOUS ART - Paintings from the Bible by the Old Masters, 5i

William-Adolphe Bouguereau, 1825 - 1905

Vierge Consolatrice, The Virgin of Consolation, c. 1875

Oil on canvas

204 x 148 cm, (80¼" x 58¼")

Les Musees de la Ville de Strasbourg (France)

Starting in the 2nd century, Catholics venerated Mary as Our Lady of Consolation, one of her earliest titles of honor. The title of "Our Lady of Consolation", or "Mary, Consoler of the Afflicted", comes from the Latin Consolatrix Afflictorum. It is found in the Litany of Loreto.

The origin of this invocation is derived from the Augustinian monks who propagated this particular devotion. In 1436 the Confraternity of the Holy Cincture of Our Lady of Consolation was founded in Bologna, Italy. It was based on an Augustinian tradition which holds that Saint Monica in the fourth century, was distraught with anxiety for her wayward son, Augustine, and that Mary gave her a sash which the Virgin wore, with the assurance that whoever wore this belt would receive her special consolation and protection.[2] Along with Augustine, and Monica, Our Lady of Consolation is one of the three patrons of the Augustinians. The "Augustinian Rosary" is sometimes called the "Corona (or Crown) of Our Mother of Consolation". More on The Virgin of Consolation

William-Adolphe Bouguereau (November 30, 1825 – August 19, 1905) was a French academic painter and traditionalist. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. More William-Adolphe Bouguereau

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

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01 Works, RELIGIOUS ART - Paintings from the Bible by the Old Masters, 5h

William-Adolphe Bouguereau, 1825 - 1905

La Vierge au Lys,  The Virgin of the Lilies, c. 1899

Oil on canvas

Private collection

The Madonna of the Lilies depicts Mary as a seated figure, a pose which has been favoured in religious iconography since the fifteenth century. The child is lovingly supported by his mother while his arms reach out to the viewer. White lilies placed around her throne symbolise chastity and purity. More on Madonna of the Lilies

William-Adolphe Bouguereau (November 30, 1825 – August 19, 1905) was a French academic painter and traditionalist. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. More William-Adolphe Bouguereau

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

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01 Works RELIGIOUS ART - Paintings from the Bible by the Old Masters, 5g

William-Adolphe Bouguereau, 1825 - 1905

Le Saintes Femmes au Tombeau, c. 1890

Oil on canvas

Private collection (United States)

Le Saintes Femmes au Tombeau, 1890, translated to The Holy Women at the Tomb, depicts the three Marys, Mary the Mother of James, Mary Magdalene and Mary of Cleophas, at the tomb of the resurrection. The viewer, compositionally, is placed in a prostrated position and looking up first notices the expressions of bewilderment on the central Mary's face before looking past the three women and into the tomb. The tomb is filled with light and the viewer can only catch a glimpse of the "angel of the resurrection" with his arm raised. This is a very clever arrangement. The viewer feels as though they are there with the Marys and that they have stumbled onto this event, bringing it into the present. This painting was first exhibited at the Paris Salon of 1890, and though a critic after viewing the piece at that time said that Bouguereau "always showed the same thing", the perspective used in this painting and the overall composition is most original and was a tour de force of perspective and foreshortening; which can be clearly seen in the severe angle of the tomb entranceway. The painting now hangs in the collection of the Musée Royal des Beaux-Arts, Antwerp, Belgium. -by Kara Lysandra Ross

William-Adolphe Bouguereau (November 30, 1825 – August 19, 1905) was a French academic painter and traditionalist. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. More William-Adolphe Bouguereau

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

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01 Work, RELIGIOUS ART - Paintings from the Bible by the Old Masters, 5e

William-Adolphe Bouguereau, 1825 - 1905

The Visitation, c. 1885. 

353 x 190 cm. 

Church of Saint-Vincent-de-Paul, Paris, France.

The Visitation. Mary visits her relative Elizabeth; they are both pregnant. Mary is pregnant with Jesus and Elizabeth is pregnant with John the Baptist. Elizabeth was in the sixth month before Mary came. Mary stayed three months, and most scholars hold she stayed for the birth of John. The apparition of the angel, mentioned in Matthew, may have taken place then to end the tormenting doubts of Joseph regarding Mary's maternity.

In Catholicism, it is held that the purpose of this visit was to bring divine grace to both Elizabeth and her unborn child. Even though he was still in his mother's womb, John became aware of the presence of Christ, and leapt for joy as he was cleansed from original sin and filled with divine grace. Elizabeth also responded and recognised the presence of Jesus, and thus Mary exercised her function as mediatrix between God and man for the first time. More on The Visitation

William-Adolphe Bouguereau (November 30, 1825 – August 19, 1905) was a French academic painter and traditionalist. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. More William-Adolphe Bouguereau

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

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I don't own any of these images - credit is always given when due unless it is unknown to me. If I post your images without your permission, please tell me.

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01 Work, RELIGIOUS ART - Paintings from the Bible by the Old Masters, 5d

William-Adolphe Bouguereau, 1825 - 1905

The Annunciation. c. 1888.

Oil on canvas.

92.7 x 50.8 cm.

Private collection.

The Annunciation. The archangel Gabriel was sent by God' to Mary. Gabriel announced to her that she was to give birth to a son, Jesus, who 'will be great, and will be called Son of the Most High. The Lord God will give him the throne of his ancestor David, and he will be king over Israel for ever; his reign shall never end'. '"I am the Lord's servant," said Mary; "may it be as you have said." Then the angel left her.

William-Adolphe Bouguereau (November 30, 1825 – August 19, 1905) was a French academic painter and traditionalist. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. More William-Adolphe Bouguereau

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

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I don't own any of these images - credit is always given when due unless it is unknown to me. If I post your images without your permission, please tell me.

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01 Works, RELIGIOUS ART - Paintings from the Bible by the Old Masters, 5f

William-Adolphe Bouguereau, 1825 - 1905

Pieta, c. 1876

Oil on canvas

230 x 148 cm, (90½" x 58¼")

Dallas Museum of Fine Arts (Dallas, Texas, United States)

The Pietà, 1876, provides a very unique depiction of this most famous of imagery. The weeping Mary cloaked in a robe of black is mourning the death of her son whom she holds to her chest. The dead body of Jesus limply hangs in her arms while eight weeping angels surround them. The angels are clad in the colors of the rainbow and create an arc over Mary and Jesus. In the Old Testament, after the great flood had ended, Noah and his family saw an arcing rainbow, which was a sign from God that the flood was over and the world could be born anew. In Bouguereau's Pietà, the rainbow symbolizes that the sacrifice of Jesus was complete and that the human soul can be born anew and ascend to God after death. Mary looks out and up. It is intended to be unclear whether if from her seated position she is focused on the viewer or the heavens with her swollen red eyes, filled with sorrow and accusation. Most likely as a mother mourns the loss of her child, she is accusing both the heavens and the earth for the pain she and her son has suffered. This interpretation of Mary is different from Michelangelo's Pietà or many other versions, where Mary is offering her child to the world. Bouguereau's Mary clutches Christ, not offering him to a sinful world that required her son's sacrifice. At Jesus' feet lies the crown of thorns used to mock him during the Crucifixion; it lies on a white cloth covered in the blood of Christ, showing the torment Jesus went though in order that humanity could attain salvation. The white robe and pitcher of water represent the purity of Jesus' soul. Both Jesus and Mary are surrounded by a halo of light indicating their holiness. This painting was inspired by the death of Bouguereau's eldest son, George, who died directly before Bouguereau started work on this piece in 1875. Bouguereau had the grave misfortune to have lost 4 of his five children during his lifetime. 
-by Kara Lysandra Ross

William-Adolphe Bouguereau (November 30, 1825 – August 19, 1905) was a French academic painter and traditionalist. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. More William-Adolphe Bouguereau

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

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01 Painting, Olympian deities, with footnotes #40

William-Adolphe Bouguereau, (1825–1905)

Nymphs and Satyr, c. (1873)

Oil on canvas

Dimensions

Sterling & Francine Clark Art Institute, United States

According to the Clark Institute, in the painting "a group of nymphs have been surprised, while bathing in a secluded pond, by a lascivious satyr. Some of the nymphs have retreated into the shadows on the right; others, braver than their friends, are trying to dampen the satyr's ardor by pulling him into the cold water -- one of the satyr's hooves is already wet and he clearly wants to go no further. Bouguereau’s working methods were traditional; he made a number of sketches and drawings of carefully posed human figures in complicated interconnected poses, linking them together in this wonderfully rhythmical composition." More on this painting

William-Adolphe Bouguereau (30 November 1825 – 19 August 1905) was a French academic painter. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. More on William-Adolphe Bouguereau

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Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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01 Works, RELIGIOUS ART - Paintings from the Bible by the Old Masters, 5c

William-Adolphe Bouguereau, 1825 - 1905

Indigent Family (Charity). 1865. 

Oil on canvas. 

75.00x61.00 cm

Birmingham Museum of Art, Birmingham, AL, USA. 

Traditionally, Charity was represented as a mother and children but here Bouguereau gives the theme a new twist as the mother and children are, themselves, in need of charity. A destitute family of a barefoot mother and her three young children sit huddled on the lower steps of the Church of the Madeleine, Paris. The symmetry of the pyramidal composition and low viewpoint lend the group a sense of monumentality. The mother's sorrowful gaze toward the viewer is reminiscent of a Madonna and further suggests the idea of a secular altarpiece in which the group of figures take on an allegorical dimension. In the top right hand corner, a poster containing an extract from a sermon on charity by the radical priest Father Lacordaire reiterates Bouguereau's intended meaning. A preliminary drawing for Charity shows a line of Parisian rooftops in the left background. However, the finished painting shows the Campidoglio Palace in Rome, aligning this work with the contemporary vogue for Italian beggar subjects and diminishing the element of social critique for its Parisian audience. More Vads

William-Adolphe Bouguereau (November 30, 1825 – August 19, 1905) was a French academic painter and traditionalist. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. More William-Adolphe Bouguereau

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

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I don't own any of these images - credit is always given when due unless it is unknown to me. If I post your images without your permission, please tell me.

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01 Works, RELIGIOUS ART - Paintings from the Bible by the Old Masters, 5b

William-Adolphe Bouguereau, 1825 - 1905

Le jour des morts (All Saints' Day). 1859. 

Oil on canvas. 

147 x 120 cm. 

Musée des Beaux-Arts, Bordeaux, France

All Souls' Day, Saturday of Souls, Thursday of the Dead, Day of the Dead, Halloween, All Saints' Day, Samhain, Totensonntag, Blue Christmas. 

In Christianity, All Souls' Day commemorates All Souls, the Holy Souls, or the Faithful Departed; that is, the souls of Christians who have died. Observing Christians typically remember deceased relatives on the day. In Western Christianity the annual celebration is now held on 2 November and is associated with the three days of Allhallowtide, including All Saints' Day (1 November) and its vigil, Halloween (31 October). In the Catholic Church, "the faithful" refers specifically to baptized Catholics; "all souls" commemorates the church penitent of souls in Purgatory, whereas "all saints" commemorates the church triumphant of saints in Heaven. 

In the Eastern Orthodox Church and the associated Eastern Catholic Churches, it is celebrated several times during the year and is not associated with the month of November.

Beliefs and practices associated with All Souls' Day vary widely among Christian churches and denominations. More on All Souls' Day

William-Adolphe Bouguereau (November 30, 1825 – August 19, 1905) was a French academic painter and traditionalist. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. More William-Adolphe Bouguereau

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

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I don't own any of these images - credit is always given when due unless it is unknown to me. If I post your images without your permission, please tell me.

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