Sunday, November 1, 2015

RELIGIOUS ART - Icons from the Bible, Icon of Chetyi-Minei (calendar of saints)

Icon of Chetyi-Minei (calendar of saints). In the very center is the Resurrection of Christ surrounded by scenes from Holy Week and the feasts of the Paschal cycle. Around them are twelve groupings of saints: one for each month of the calendar year. In the border are icons of the Theotokos (Mother of God), each of which has a feast day during the liturgical year.

The Eastern Orthodox Liturgical Calendar describes and dictates the rhythm of the life of the Eastern Orthodox Church. Associated with each date are passages of Holy Scripture, Saints and events for commemoration, and many times special rules for fasting or feasting that correspond to the day of the week or time of year in relationship to the major feast days.

Three-level composition for the traditional XVI-XVII centuries. The upper tier - Christ in Majesty sitting with Virgin and John the Baptist, accompanied by a host of angels. The following is presented in two tiers of saints. In the middle tier, under the image of the Savior - A Hetoimasia/Throne, carried by two angels. Saints are divided into ten faces, six in the bottom row and four on middle. The pommel of the centerpiece depicts the Holy Trinity (Old Testament), the Cherubim and Seraphim.  - the Annunciation. Below, on the wings of three series of 12 stamps holidays (from left to right, with the left wing to the right): Christmas, Candlemas; Epiphany, the Transfiguration; Entry into Jerusalem, Raising of Lazarus; Crucifixion, Deposition from the Cross; Resurrection, the Ascension; Doubting Thomas, Descent of the Holy Spirit. The iconography of the traditional holidays, the options applied with a small number of figures. Painting on the centerpiece, and the wings is different in style and probably at runtime. On the wings, which could be written in the second quarter, and in the middle of the century, the surface of the painting is dense, enamel, both in Moscow painting 1640s .; Slides are typical for the second quarter of the XVII century. At the centerpiece of the letter fairly planar, graphically modeling, Linear. Private with a monochrome, slightly lightening ohreniem. 
VM Sorokaty