Crane's work featured some of the more colourful and detailed beginnings of the child-in-the-garden motifs that would characterize many nursery rhymes and children's stories for decades to come. He was part of the Arts and Crafts movement and produced an array of paintings, illustrations, children's books, ceramic tiles and other decorative arts. Crane is also remembered for his creation of a number of iconic images associated with the international Socialist movement. More
The success of this work led to his being engaged as artistic contributor to various periodicals, such as La Silhouette, L'Artiste, La Caricature, Le Charivari; and his political caricatures which were characterized by marvelous fertility of satirical humour, soon came to enjoy a general popularity.
After the reinstitution of prior censorship of caricature in 1835, Grandville turned almost exclusively to book illustration, supplying illustrations for various standard works, such as the songs of Béranger, the fables of La Fontaine, Don Quixote, Gulliver's Travels, Robinson Crusoe. He also continued to issue various lithographic collections, among which may be mentioned La Vie privée et publique des animaux, Les Cent Proverbes, Un Autre Monde and Les Fleurs animées.
Though the designs of Grandville are occasionally unnatural and absurd, they usually display keen analysis of character and marvellous inventive ingenuity, and his humour is always tempered and refined by delicacy of sentiment and a vein of sober thoughtfulness. He died on 17 March 1847 and is buried in the Cimetière Nord of Saint-Mandé just outside Paris. More
Although his earlier work was concerned with the contrasts of light and shadow, his final move to Venice in the early 1620s modified his style and gave impetus to brilliant color and a spirited treatment of the painted surface. In 1627, he was created an admired large altarpiece, the Inspiration of Saint Jerome in San Nicolò da Tolentino. His loose brushstrokes seem precursor to rococo styles of the Guardi brothers.This final style, along with that of other "foreign" painters residing in Venice, Domenico Fetti and Bernardo Strozzi, represent the first inroads of Baroque style into the republic.
His legacy is as a painter of both sensuous mythological and pious biblical subjects, a master of colors and Baroque painting. He was most influential to Venetian 18th-century painters like Sebastiano Ricci, Giovanni Battista Tiepolo and Giovanni Piazzetta. More
According to the RKD, Houbraken was mistaken about the family, and Benjamin and Jacob were both born in Dordrecht as the sons of a glasspainter from Venlo named Gerrit Gerritsz Cuyp. Benjamin learned to paint from his older half-brother, Jacob Gerritsz Cuyp. He was therefore the uncle, not the cousin, of the much more famous Aelbert Cuyp. He is known for allegorical pieces, genre works, beach scenes, military scenes, and landscapes. He influenced Barent van Kalraet, and was followed by Maerten Fransz van der Hulst. More