Mythology is the study and interpretation of often sacred tales or fables of a culture known as 'myths' or the collection of such stories which usually deal with the human condition, good and evil, human origins, life and death, the afterlife, and the gods. Myths express the beliefs and values about these subjects held by a certain culture. Ancient History Encyclopedia
Monday, February 5, 2018
01 Works, RELIGIOUS ART - Interpretation of the Bible! by the Old Masters, With Footnotes - 78
Alessandro Tiarini, BOLOGNA 1577 - 1668
SAINT DOMINIC AND AN ANGEL
Oil on canvas
41 5/8 by 54 5/8 in.; 105.5 by 138.7 cm.
Saint Dominic, the founding father of the Dominican mendicant order of friars in 1215, is also attributed with instituting the use of the rosary after an apparition of the Virgin Mary. In Tiarini's present depiction he is shown preaching from the pulpit, the light thrusting him forward from the darkness around him, his golden dish appropriately filled with roses and rosary beads. More on this painting
Saint Dominic (1170-1221) was the founder of the Order of Preachers,
also called Dominican, or Black Friars. He is shown here with his usual
attributes of a book (the Gospels) and a lily (chastity). In addition, he
is accompanied by a black and white dog with a flaming torch in its mouth, an
allusion to the story that his mother dreamed her unborn child was a dog that
would set the world on fire with the Word of God. It also has been
suggested that the dog represents a pun on Dominicanus, the word for a Dominican
friar, and Domini canis, "dog of the Lord." More on Saint Dominic
Alessandro Tiarini (20 March 1577 – 8 February 1668) was an Italian Baroque painter of the Bolognese School. He was born in Bologna. He was the godson of painter Lavinia Fontana and initially apprenticed in Bologna under her father Prospero Fontana, and subsequently with Bartolomeo Cesi. He was not inducted into the Carracci Academy. Forced to flee from Bologna, due to what Malvasia and Amorini describe as a quarrel leading to the death of the other party, he moved to Florence, where he painted frescoes, façade decorations, and altarpieces (1599–1606). In Florence, he mainly worked under Domenico Passignano, but also Bernardino Poccetti and Jacopo da Empoli.
He was lured back to Bologna and Reggio Emilia, by Ludovico Carracci. Tiarini died in Bologna. His closest pupils were Francesco Carbone and Luca Barbieri. More on Alessandro Tiarini
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