01 Contemporary Interpretations, Olympian deities in classical Greek and Roman religion, with footnotes #7

Laurence Winram, United Kingdom
Nude - Mihaela as Cerynitis II
Photography: Color on Paper.
Size: 23.4 H x 16.5 W x 0 in

In Greek mythology, the Ceryneian Hind (Greek: Ελαφος Κερυνῖτις Elaphos Kerynitis), also called Cerynitis or the Golden Hind, was an enormous hind, who lived in Keryneia, Greece. It was sacred to Artemis, the chaste goddess of the hunt, animals and unmarried women. It had golden antlers like a stag and hooves of bronze or brass, and it was said that it could outrun an arrow in flight. The capture of the hind was the third labour of Heracles.

Laurence Winram.  Now based in Edinburgh, Scotland. My main current ongoing project is Mythoslogos - The ancient Greeks made sense of their world not only by logic but by myth too. They saw it was necessary to view things in these opposite ways in order to have a balanced understanding of their lives. I feel we have moved out of that balance, unconsciously letting go of that mythic element to our lives. As a result we've lost touch with our own personal vision and creativity. We let a dogmatic scientific perspective rule everything, from our dreams to our notions of the spiritual. So in this series I try to reflect on this, creating images that sometimes imagine a world where logic has been usurped by the mythic, or images that mock our need to analyse and break down those parts of our life that we should truly respond to more intuitively. Recently I've been exploring studio nude photography. I'm not interested in glamour in these images, I'm much more drawn to echoing the beauty of the female form within the context of the framing of the shot to create an abstract graphic quality. I Also use creative lighting often with projectors to enhance this. Please view my personal work website or contact me if you would like to see more, or if you wish to purchase images you don't see here. More on Laurence Winram



Please visit my other blogs: Art CollectorMythologyMarine Art, and The Canals of Venice

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01 Works, RELIGIOUS ART - Interpretation of the bible, With Footnotes - 104

Hendrick Goltzius
Lot and his daughters, c. 1616
Oil on canvas
h 140 cm × b 204 cm
Rijksmuseum

Lot and his daughters. Seated under trees by rocks, the daughters of Lot tempt their father. All three figures are presented naked and sitting or lying on the ground. The daughter on the left holds a wine jug in her hand, Lot has a drinking bowl in the right hand. Bottom left a table with cheese and bread, a dog is next to it. To the right in the background are Sodom and Gomorrah burning, with the wife of Lot who had changed into a salt pillar. A fox walks between the rocks. More on this painting

Lot and his two daughters, Genesis 19:30-38,  left Zoar and settled in the mountains, for he was afraid to stay in Zoar. He and his two daughters lived in a cave. 31 One day the older daughter said to the younger, “Our father is old, and there is no man around here to give us children—as is the custom all over the earth. 32 Let’s get our father to drink wine and then sleep with him and preserve our family line through our father.”

That night they got their father to drink wine, and the older daughter went in and slept with him. He was not aware of it when she lay down or when she got up.

The next day the older daughter said to the younger, “Last night I slept with my father. Let’s get him to drink wine again tonight, and you go in and sleep with him so we can preserve our family line through our father.” So they got their father to drink wine that night also, and the younger daughter went in and slept with him. Again he was not aware of it when she lay down or when she got up.


So both of Lot’s daughters became pregnant by their father. The older daughter had a son, and she named him Moab; he is the father of the Moabites of today. The younger daughter also had a son, and she named him Ben-Ammi; he is the father of the Ammonites of today. More Lot and his two daughters

Hendrick Goltzius (January or February 1558 – 1 January 1617), was a German-born Dutch printmaker, draftsman, and painter. He was the leading Dutch engraver of the early Baroque period, or Northern Mannerism, noted for his sophisticated technique and the "exuberance" of his compositions. According to A. Hyatt Mayor, Goltzius "was the last professional engraver who drew with the authority of a good painter and the last who invented many pictures for others to copy". In middle age he also began to produce paintings. More Hendrick Goltzius





Please visit my other blogs: Art CollectorMythologyMarine Art, and The Canals of Venice

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.