Friday, January 18, 2019

01 Works, RELIGIOUS ART - Interpretation the bible, With Footnotes - 109

Adriaen Isenbrant (1490 - 1551)
The Stigmatisation of Saint Francis 
Oil on oak panel
43 x 30 cm.; 16 7/8  x 11 7/8  in.
Private collection

The Stigmatisation of Saint Francis. Two years before the great Saint Francis of Assisi died, and when he was forty-two years old — one year after he had built the first crib in honor of Our Lord — he went off to a lonely mountain called Mount Alvernia, to prepare himself by forty days of fasting and prayer for the feast of Saint Michael, the greatest of God’s angels. On the feast of the Exaltation of the Holy Cross, Saint Francis received in his hands, feet and side the Sacred Wounds from Our Lord’s own body. Never was a saint more beautifully loved by Jesus than Saint Francis of Assisi. The wounds Jesus gave him stayed in his hands, feet and side, and continually bled for two more years, until he died in 1226. More on The Stigmatisation of Saint Francis 

Adriaen Isenbrandt (or Adrien, Isenbrant, Ysenbrant, Ysenbrandt or Hysebrant; between 1480 and 1490 – July 1551) was a Flemish Northern Renaissance painter, who from documentary evidence was clearly a significant artist of his period, but to whom no specific works can be clearly documented. As hypothesised by art historians, he ran a large workshop specializing in religious subjects and devotional paintings, painting conservatively in the tradition of Early Netherlandish painting. He was believed by Georges Hulin de Loo to be the same person as the anonymous Master of the Seven Sorrows of the Virgin or Pseudo-Mostaert. Other art historians doubt that any works can be reliably attributed to him, and the number of paintings attributed to him by major museums has been in decline for many decades. More on Adriaen Isenbrandt




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