01 Paintings, Olympian deities, by the artists of their time, with footnotes #40

Hans Zatzka (Austrian, 1859-1949)
Woodland nymphs by a stream 
Oil on canvas
31 1/4 x 22 7/8in (79.4 x 58.1cm)
Private collection

A nymph in Greek mythology and in Latin mythology is a minor female nature deity typically associated with a particular location or landform. Different from other goddesses, nymphs are generally regarded as divine spirits who animate nature, and are usually depicted as beautiful, young nubile maidens who love to dance and sing; their amorous freedom sets them apart from the restricted and chaste wives and daughters of the Greek polis.

A dryad is a tree nymph, specifically the nymphs of oak trees. The dryads of ash trees were called the Meliai... More on Nymph of the Woods

Hans Zatzka (8 March 1859 – 17 December 1945 (or 1949)) was an Austrian Academic and fantasy painter. He has sometimes been known as P. Ronsard,[2] Pierre de Ronsard,[1] or H. Zabateri, and had signed many of his works as Joseph Bernard, J. Bernard, or Bernard Zatzka. The purpose of Zatzka's vast array of pseudonyms was to avoid penalties of breaking contracts which limited the amount of artwork he could sell. This has caused some art databases to conflate Zatzka's work under the pseudonym Joseph Bernard with the French sculptor with the same name.

Hans Zatzka was born on 8 March 1859 in Vienna. Between 1877 and 1882, he studied at the Academie des Beaux-Arts, under Christian Griepenkerl, Karl Wurzinger, and Carl of Blaas. Zatzka was able to earn a living through the production of frescoes for churches and other institutions.

In 1885, Zatzka was commissioned to create the ceiling fresco The Naiad of Baden at Kurhaus Baden.

Many of Zatzka's works were religious paintings and altar pieces dedicated to various churches in Austria. However, he is more known for his paintings of women, fairies, and other fantastical scenes. Often, he would draw inspiration from the works of Richard Wagner and the fairy tales of the Brothers Grimm.

In the late 19th and early 20th century, several pieces by Zatzka were photographed and made into commercial and collectable postcards.

Within the 1920s, Zatzka's style became the decor of choice throughout Europe. In addition, the previous thirty years held a resurgence for Zatzka.

Currently, most of Zatzka's paintings reside in private collections. More on Hans Zatzka




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