Robert Combas, (b. 1957)
The Crusaders or the Crusade, 1986
Acrylic on canvas
Signed and dated lower right
162 x 135 cm
Private collection
He is widely recognized as a progenitor of the figuration libre movement that began in Paris around 1980 as a reaction to the art establishment in general and minimalism and conceptual art in particular.
Combas’ own work has always been strongly rooted in depictions of the human figure. The figures are often in wild, violent or orgiastic settings. Usually on large, often unstretched canvases, Combas crowds his flat pictorial space with a teeming proliferation of bodies, street poetry and designs reminiscent of the compulsive patterning in much folk and outsider art. He creates hectic narratives of war, crime, sex, celebration and transgression.
While Combas’ works often seem to carry an element of shock or confrontation, he insists the images are meant to engage the viewer, and their execution in vibrant color and bold, unfettered line communicate a spirit of proletarian camaraderie that offsets the tendency to overwhelm, in the larger works especially. More on Robert Combas
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