Mythology: 2019-03-24

01 Painting, Olympian deities, by the Old Masters, with footnotes #36

Peter Paul Rubens
Perseus and Andromeda, c. 1639
Oil on Canvas
Height: 223 cm.; Width: 163 cm.
Museo Nacional del Prado

In Greek mythology, Andromeda is the daughter of the Aethiopian king Cepheus and his wife Cassiopeia. When Cassiopeia's hubris leads her to boast that Andromeda is more beautiful than the Nereids, Poseidon sends a sea monster, Cetus, to ravage Aethiopia as divine punishment. Andromeda is stripped and chained naked to a rock as a sacrifice to sate the monster, but is saved from death by Perseus. More on Perseus and Andromeda

Sir Peter Paul Rubens (28 June 1577 – 30 May 1640) was a Flemish Baroque painter. A proponent of an extravagant Baroque style that emphasized movement, colour, and sensuality, Rubens is well known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.

In addition to running a large studio in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplomat who was knighted by both Philip IV of Spain and Charles I of England. More Sir Peter Paul Rubens

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01 Works, CONTEMPORARY & 20th Century Interpretation of the Bible! With Footnotes - 23

Nell Dorr, (1895-1988)

Tasha Tudor and Child

Photograph

The Madonna and Child or The Virgin and Child is often the name of a work of art which shows the Virgin Mary and the Child Jesus. The word Madonna means "My Lady" in Italian. Artworks of the Christ Child and his mother Mary are part of the Roman Catholic tradition in many parts of the world including Italy, Spain, Portugal, France, South America and the Philippines. Paintings known as icons are also an important tradition of the Orthodox Church and often show the Mary and the Christ Child. They are found particularly in Eastern Europe, Russia, Egypt, the Middle East and India. More Madonna and Child

Nell (Becker) Dorr (August 27, 1893 – November 15, 1988) was an American photographer. Nell began mixing chemicals for her father, John Jacob Becker, at age 12. He was a portrait photographer in Cleveland, Ohio and the official photographer for the Baltimore and Ohio Railway. Nell Dorr moved to Florida in 1923 at which time her father completed her photography education. She opened her first portrait studio in Florida as both a means for her own enjoyment and a way to earn extra money for her family. She eventually moved her studio to New York where she became fully involved in the pictorial world of photography and befriended contemporaries such as Edward Steichen and Alfred Stieglitz. In 1934, she held her first exhibit at the Delphic Studios featuring portraits of thirty-six prestigious men. Among the men was the inventor John Van Nostrand Dorr who became her second husband. Nell Dorr passed away in 1988 at her home in Washington, Connecticut. She published four books of photography in which her art lives on. More on Nell Dorr

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01 Works, RELIGIOUS ART - Interpretation the bible, With Footnotes - 115

Sebastiano Ricci
Saint Anthony of Padua Healing a Youth, c.1690

Oil on canvas
98 x 124 cm

Musée du Louvre, Paris

Saint Anthony of Padua (Portuguese: Santo António), born Fernando Martins de Bulhões (1195 – 13 June 1231), also known as Anthony of Lisbon, was a Portuguese Catholic priest and friar of the Franciscan Order. He was born and raised by a wealthy family in Lisbon, Portugal, and died in Padua, Italy. Noted by his contemporaries for his forceful preaching, expert knowledge of scripture, and undying love and devotion to the poor and the sick, he was the second-most-quickly canonized saint after Peter of Verona. He was proclaimed a Doctor of the Church on 16 January 1946. He is also the patron saint of lost things. More on Saint Anthony of Padua

Sebastiano Ricci (1 August 1659 – 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. More on Sebastiano Ricci

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01 Paintings, Olympian deities, by the Old Masters, with footnotes #35

Circle of Anthonie Van Montfoort, Genannt Van Blocklandt

The Death of Adonis

Oil on panel

67 x 124 cm

Private collection

Adonis was the mortal lover of the goddess Aphrodite in Greek mythology. He was conceived after Aphrodite cursed his mother Myrrha to lust after her own father, King Cinyras of Cyprus. Myrrha had sex with her father in complete darkness for nine nights, but he discovered her identity and chased her with a sword. The gods transformed her into a myrrh tree and, in the form of a tree, she gave birth to Adonis. Aphrodite found the infant and gave him to be raised by Persephone, the queen of the Underworld. Adonis grew into an astonishingly handsome young man, causing Aphrodite and Persephone to feud over him, with Zeus eventually decreeing that Adonis would spend one third of the year in the Underworld with Persephone, one third of the year with Aphrodite, and the final third of the year with whomever he chose. Adonis chose to spend his final third of the year with Aphrodite. More on Adonis

The painting's famous mythological subject is based on the account of Adonis's death in Ovid's Metamorphoses. Van Montfoort chose to depict the tragic moment when Venus discovers the body of her young, handsome lover after his fatal encounter with the wild boar that left him bleeding to death. Combining Classical as well as Flemish stylistic motifs, the painting is full of pathos and passion. Van Montfoort enhances the tragic scene with the presence of the three weeping Graces and the sobbing Cupid who, with the grieving Venus, replicate a Pieta scene. More on the Death of Adonis

Anthonie Blocklandt van Montfoort, Anthonie van Blocklandt or Anthonie van Montfoort (1533 or 1534 - 18 October 1583) was a Dutch painter.

He was born in Montfoort, where his father was at one time mayor. He went to learn under Hendrick Sweersz. in Delft and Frans Floris in Antwerp. In 1552 he returned to Montfoort, where he married the daughter of the then mayor.

Blocklandt then settled in Delft, where he produced paintings for the Oude Kerk and the Nieuwe Kerk, later lost to the beeldenstorm. In 1572, Blocklandt made a trip to Italy, after which he settled for good in Utrecht, joining a guild there in 1577. In 1579, he painted his best known work, the triptych The Assumption of Mary that is now in the Basilica of St. Martin in Bingen am Rhein.

Blocklandt painted biblical scenes, mythological subjects and portraits. He is early-Mannerist in style and he and Joos de Beer were responsible for the Mannerist style begun by Utrecht artists around 1590. Van Mander wrote that De Beer had many paintings by Blocklandt in his workshop that his pupil Abraham Bloemaert later copied. Few works can definitely be attributed to him. One of these is "Joseph interpreting Pharaoh's dream", now in the Centraal Museum in Utrecht. More on Anthonie Blocklandt van Montfoort

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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