04 Works, CONTEMPORARY Interpretation of the Bible! After Michelangelo, When Jesus arrived in Gaza, with footnotes #64

After Michelangelo

When Jesus arrived in Gaza

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When Jesus arrived in Gaza he saw a sight that moved him deeply, for he saw the desperation and hopelessness in the people's  eyes. Without hesitation, he stepped forward, brimming with love and purpose.

After Michelangelo

When Jesus arrived in Gaza

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As the people gathered around him, Jesus began laying his hands on the sick, one by one. And as he did, a miraculous power surged through his touch, bringing healing to their broken bodies and peace to their troubled souls. The blind received sight, the lame began to walk, and the deaf could hear again.

After Michelangelo

When Jesus arrived in Gaza

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The crowd stood in awe, witnessing this incredible display of divine power. They had heard of Jesus' mighty deeds, but to witness it firsthand was something entirely different. They marveled at his compassion and his ability to restore life and health in an instant.

After Michelangelo

When Jesus arrived in Gaza

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He spoke words of comfort, reassuring them of their worth and belovedness. He reminded them that they were not forgotten, that God saw their pain and cared deeply for them.

As the sun set and the evening drew near, Jesus continued to minister to the crowd, tirelessly pouring out his love and healing touch. No one was turned away or left untouched. In him, they found not only physical healing but the restoration of their weary spirits.

Michelangelo di Lodovico Buonarroti Simoni (March 1475 – 18 February 1564), was an Italian sculptor, painter, architect, poet, and engineer of the High Renaissance who exerted an unparalleled influence on the development of Western art. Despite making few forays beyond the arts, his versatility in the disciplines he took up was of such a high order that he is often considered a contender for the title of the archetypal Renaissance man, along with contemporary rival and fellow Florentine Medici client, Leonardo da Vinci.

A number of Michelangelo's works in painting, sculpture, and architecture rank among the most famous in existence. His output in every field of interest was prodigious; given the sheer volume of surviving correspondence, sketches, and reminiscences taken into account, he is the best-documented artist of the 16th century.

Two of his best-known works, the Pietà and David, were sculpted before the age of thirty. Despite his low opinion of painting, Michelangelo also created two of the most influential frescoes in the history of Western art: the scenes from Genesis on the ceiling of the Sistine Chapel in Rome, and The Last Judgment on its altar wall. As an architect, Michelangelo pioneered the Mannerist style at the Laurentian Library. At the age of 74, he succeeded Antonio da Sangallo the Younger as the architect of St. Peter's Basilica. Michelangelo transformed the plan, the western end being finished to Michelangelo's design, the dome being completed after his death with some modification.

In his lifetime he was also often called Il Divino ("the divine one"). One of the qualities most admired by his contemporaries was his terribilità, a sense of awe-inspiring grandeur, and it was the attempts of subsequent artists to imitate Michelangelo's impassioned and highly personal style that resulted in Mannerism, the next major movement in Western art after the High Renaissance. More on Michelangelo di Lodovico Buonarroti Simoni

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