Eugene Berman (1899-1972)
The Masked Annunciation, c. 1942
Pen, India ink and wash on board
16 3/16 x 13 1/8 in (41 x 33.3 cm)
Private collection
Sold for US$1,147.50 in December 2022
In 1942, Berman worked on several sketch versions of the Masked Annunciation. The most finished version is in the permanent collection of the Cummer Museum of Art and Gardens in Jacksonville, Florida, but there are two other unsigned and undated versions illustrated in The Graphic Work of Eugene Berman (E. Berman, New York, 1971), both of which are dated 1942 and similarly titled. The standing figure on the left is the Angel Gabriel, although his face and wings are not shown, he is identified by the traditional white lilies which he holds. In many earlier scenes of the Annunciation painted during the Renaissance, the Angel Gabriel is shown only by a powerful ray of light on the Virgin. More on this work
Born in Russia, Eugene Berman is known for his imaginary landscapes and architectural conceits. He is also recognized for his Baroque-like stage set designs for the likes of the Metropolitan Opera. A leader among the Surrealist and Neo-Romantic artists, Berman focused on the expression of emotion, loneliness and human isolation that emerged between the World Wars. Trained in Paris, and influenced directly by the works of Pierre Bonnard, Berman was drawn to the U.S. by the legendary dealer Julien Levy and exhibited alongside Salvador Dali, Man Ray, Marcel Duchamp and a young Howard Warshaw. Inspired by imaginary worlds created by Hollywood, Berman lived in Los Angeles for almost ten years during which time he enjoyed the patronage of the legendary collector Wright Ludington. Berman’s work is held by many significant museums and has been featured in solo exhibitions including 2005's High Drama: Eugene Berman and the Legacy of the Melancholic Sublime. In 1957, Berman retired to Rome after the death of his wife, actress Ona Munson. More on Eugene Berman
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