02 Works, CONTEMPORARY Interpretation of the Bible! The Martyrdom of Saint Lucy, with Footnotes - #58

Manuel Álvarez Bravo 

Detail; Lucy, c. 1980 

Gelatin silver print

Private collection

Manuel Álvarez Bravo 

Lucy, c. 1980 

Gelatin silver print

Private collection

Manuel Álvarez Bravo was a teenager when he first picked up a camera and began taking pictures, before he enrolled in night classes in painting at the Academia San Carlos, in 1917, or sought instruction in the darkroom of local German photographer Hugo Brehme. Initially self-taught, Álvarez Bravo’s style developed through study of foreign and local photography journals. In these pages, he first encountered the work of Edward Weston and Tina Modotti, who came to Mexico in 1923; the latter became a close colleague and supporter, introducing Álvarez Bravo to the artists of Mexico’s avant-garde, including Diego Rivera, Frida Khalo, and Rufino Tamayo, as well as encouraging him to send photographs to Weston.

In the 1930s, Álvarez Bravo met Paul Strand, traveling with him while he worked in Mexico, and Henri Cartier-Bresson. With Cartier-Bresson and Walker Evans he exhibited in a three-man show at the Julien Levy Gallery, New York, in 1935. Mexico was a cultural hub for many in the international avant-garde in these years; André Breton visited, including Álvarez Bravo in the Exposition of Surrealism he organized in 1940 in Mexico City. Although the artist never identified with Surrealism, it was a major theme in the analysis of his pictures throughout his career. Revealing the influence of his formative years following the Mexican Revolution of 1910, Álvarez Bravo would instead speak of his interest in representing the cultural heritage, peasant population, and indigenous roots of the Mexican people in the face of rapid modernization. More on Manuel Álvarez Bravo

Enzo Triolo
Angel of Branches - Saint Lucy

I have no further description, at this time

Enzo Triolo is a Freelance Illustrator and visual designer based in Catania (Italy). 

After a few months in an adv agency in 2014, he left that job and moved to freelance work; since 2021 he work as a freelance character artist and storyboard artist for the Italian Stormind Games / Red Raion for TBA projects. More on Enzo Triolo

Lucia of Syracuse (283–304), also called Saint Lucia (Latin: Sancta Lucia) better known as Saint Lucy, was a Roman Christian martyr who died during the Diocletianic Persecution. She is venerated as a saint in the Catholic, Anglican, Lutheran, and Eastern Orthodox churches. She is one of eight women explicitly commemorated by Catholics in the Canon of the Mass. Lucia of Syracuse was honored in the Middle Ages and remained a well-known saint in early modern England. She is one of the best known virgin martyrs, along with Agatha of Sicily, Agnes of Rome, Cecilia of Rome and Catherine of Alexandria.

The oldest record of her story comes from the fifth-century Acts of the Martyrs. The single fact upon which various accounts agree is that a disappointed suitor accused Lucy of being a Christian, and she was executed in Syracuse, Sicily, in the year 304 during the Diocletianic Persecution. Her veneration spread to Rome, and by the sixth century to the whole Church.

The emblem of eyes on a cup or plate apparently reflects popular devotion to her as protector of sight, In paintings St. Lucy is frequently shown holding her eyes on a golden plate. Lucy was represented in Gothic art holding a dish with two eyes on it. She also holds the palm branch, symbol of martyrdom and victory over evil. More on Saint Lucy

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