Showing posts with label Egypt. Show all posts
Showing posts with label Egypt. Show all posts

02 Works, RELIGIOUS ART - Interpretation of the Bible! With Footnotes - 27

Francesco Brina,  (1540–1586)
Madonna and child with young St John, 
Oil on panel
54.5 × 43 cm (21.4 × 16.9 in)
Private collection

This painting depicts the "Virgo lactans," the Latin term for the nursing Virgin Mary. The image testifies to the humanity of Christ as it shows that he consumed food like all other humans. The young Saint John the Baptist, Jesus' second cousin, praying. John the Baptist was the patron saint of Florence, and the painting comes from the Florentine artist Francesco Brina's workshop.


The Madonna and Child or The Virgin and Child is often the name of a work of art which shows the Virgin Mary and the Child Jesus. The word Madonna means "My Lady" in Italian. Artworks of the Christ Child and his mother Mary are part of the Roman Catholic tradition in many parts of the world including Italy, Spain, Portugal, France, South America and the Philippines. Paintings known as icons are also an important tradition of the Orthodox Church and often show the Mary and the Christ Child. They are found particularly in Eastern Europe, Russia, Egypt, the Middle East and India. More Madonna and Child

John the Baptist (sometimes called John in the Wilderness; also referred to as the Angel of the Desert) was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610).

The story of John the Baptist is told in the Gospels. John was the cousin of Jesus, and his calling was to prepare the way for the coming of the Messiah. He lived in the wilderness of Judea between Jerusalem and the Dead Sea, "his raiment of camel's hair, and a leather girdle about his loins; and his meat was locusts and wild honey." He baptised Jesus in the Jordan.

According to the Bible, King Herod's daughter Salome requested Saint John the Baptist's beheading. She was prompted by her mother, Herodias, who sought revenge, because the prophet had condemned her incestuous marriage to Herod. More John the Baptist

Francesco Brina,  (1540–1586)
Madonna col Bambino e San Giovannino, 16th century
Oil on panel
75 × 65 cm (29.5 × 25.5 in)
Pandolfini, Florence

Francesco Brina or Del Brina or Brini (1540 – 1586) was an Italian painter of the Mannerist period, active mainly in Florence.


S.J. Freedburg ascribes his training to either Ridolfo Ghirlandaio or more likely his son, Michele di Ridolfo. He holds him to have followed the "most conservative adaptation of the Vasarian maniera". He appeared to limit his output to mostly devotional Madonna and Child paintings, and in this endeavor, paraphrasing the compositions and expressions of Andrea del Sarto. His brother Giovanni Brina (died 1599) helped Francesco in his work and copied his style. More on Francesco Brina 





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01 Works, RELIGIOUS ART - Interpretation the bible, With Footnotes - 105

Alfred Sacheverel Coke (British, active 1860-1900)
The daughter of Herodias (Salome) 
Oil on canvas
80 x 31in (203 x 79cm)
Private collection

Salome was the daughter of Herod II and Herodias. She is infamous for demanding and receiving the head of John the Baptist, according to the New Testament. According to Flavius Josephus's Jewish Antiquities, Salome was first married to Philip the Tetrarch of Ituraea and Trakonitis. After Philip's death in 34 AD she married Aristobulus of Chalcis and became queen of Chalcis and Armenia Minor. They had three children. Three coins with portraits of Aristobulus and Salome have been found. Her name in Hebrew meaning "peace". More on Salome







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04 paintings, The Continence of Scipio, or alternatively The Clemency of Scipio, with footnotes

The Continence of Scipio, or alternatively The Clemency of Scipio, is a episode recounted by Livy of the Roman general Scipio Africanus during his campaign in Spain during the Second Punic War. He refused a generous ransom for a young female prisoner, returning her to her fiance Allucius, who in return became a supporter of Rome. In recognition of his magnanimous treatment of a prisoner, he was taken as one of the prime examples of mercy during warfare in classical times. Interest in the story revived in the Renaissance and the episode figured widely thereafter in both the literary and figurative arts. More

Jan Tengnagel AMSTERDAM CIRCA 1584 - 1631 THE CONTINENCE OF SCIPIO signed and indistinctly dated lower left: JTengnagel / A 161[5?] oil on canvas 108.5 by 164.2 cm.; 42 3/4  by 64 5/8  in:
Jan Tengnagel, AMSTERDAM CIRCA 1584 - 1631
THE CONTINENCE OF SCIPIO
Oil on canvas
108.5 by 164.2 cm.; 42 3/4  by 64 5/8  in
Private Collection


Jan Tengnagel (bapt 9 September 1584– buried 23 March 1635) was a Dutch draughtsman and painter.

Tengnagel was born and died in Amsterdam, but traveled and lived in Rome, Italy, between 1608 and 1611. He painted mainly biblical and other religious works. He had one pupil named Laurens Heinrich Hellewich. In 1618 Theodore Rodenburg made a reference to Tengnagel as a famous painter in Rodenburg's poem eulogizing the city of Amsterdam. He was an officer of the Guild of Saint Luke in Amsterdam. From 1624 on he stopped painting, apparently to dedicate himself entirely to his political career where he held office in Amsterdam's governing bodies. Tengnagel died in 1631. More Tengnagel

File:Pompeo Batoni - Continenza di Scipione (c.1771).jpg
Pompeo Batoni,  (1708–1787)
Continence of Scipio, circa 1771/72
Oil on canvas
226.5 × 297.5 cm (89.2 × 117.1 in)
Hermitage Museum


Pompeo Girolamo Batoni (25 January 1708 – 4 February 1787) was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their Grand Tour, made the artist specialized in portraits. Batoni won international fame largely thanks to his customers, mostly British of noble origin, whom he portrayed, often with famous Italian landscapes in the background. Such "Grand Tour" portraits by Batoni were in British private collections, thus ensuring the genre's popularity in the United Kingdom.

Batoni's style took inspiration and incorporated elements of classical antiquity, French Rococo, Bolognese classicism, and the work of artists such as Nicolas Poussin, Claude Lorrain and especially Raphael. As such Pompeo Batoni is considered a precursor of Neoclassicism. More

File:Nicolò dell'Abate - The Continence of Scipio - WGA00015.jpg
Niccolò dell'Abbate,  (1510–1571)
The Continence of Scipio, circa 1555
Oil on canvas
Height: 127 cm (50 in). Width: 115 cm (45.3 in).
Louvre Museum


Niccolò dell'Abbate, sometimes Nicolò and Abate (1509 or 1512 – 1571) was an Italian Mannerist painter in fresco and oils. He was of the Emilian school, and was part of the team of artists called the School of Fontainebleau that introduced the Italianate Renaissance to France. More Niccolò dell'Abbate

File:1751 Tiepolo Die Enthaltsamkeit Scipios anagoria.JPG
Giovanni Domenico Tiepolo, (1727–1804)
The Continence of Scipio, c. 1751
Oil on canvas
Städel, Frankfurt am Main, Germany

Giovanni Domenico Tiepolo (August 30, 1727 – March 3, 1804) was an Italian painter and printmaker in etching. He was the son of artist Giovanni Battista Tiepolo and elder brother of Lorenzo Baldissera Tiepolo.

Domenico was born in Venice, studied under his father, and by the age of 13 was the chief assistant to him. He was one of the many assistants, including Lorenzo, who transferred the designs of his father (executed in the 'oil sketch' invented by the same). By the age of 20, he was producing his own work for commissioners.

He assisted his father in Würzburg 1751-3, decorating the famous stairwell fresco, in Vicenza at the Villa Valmarana in 1757, and in Madrid at the palace of Charles III from 1762-70. More Giovanni Domenico Tiepolo






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05 Mexican Carvings & Sculpture from the Bible! 15 & 16th Century. With Footnotes -# 9

SAINT ANTHONY OF PADUA
MÆ’XICO, SIGLO XIX
Wood carving with glass eyes. Satin dress. 
Height: 61cm
Private Collection

Saint Anthony of Padua (Portuguese: Santo António), born Fernando Martins de Bulhões (1195 – 13 June 1231), also known as Anthony of Lisbon, was a Portuguese Catholic priest and friar of the Franciscan Order. He was born and raised by a wealthy family in Lisbon, Portugal, and died in Padua, Italy. Noted by his contemporaries for his forceful preaching, expert knowledge of scripture, and undying love and devotion to the poor and the sick, he was the second-most-quickly canonized saint after Peter of Verona. He was proclaimed a Doctor of the Church on 16 January 1946. He is also the patron saint of lost things. More on Saint Anthony of Padua

VIRGIN MARY WITH THE CHILD JESUS
MEXICO, EARLY 19th CENTURY
Wood carving with polychromy, and a metallic sheet halo
Height: 158 cm
Private Collection

The depiction of the Madonna on the crescent is based on the vision of John the Evangelist in chapter 12 of Revelation, the final book of the New Testament (here, the King James version):

1 And there appeared a great wonder in heaven; a woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars:
2 And she being with child cried, travailing in birth, and pained to be delivered.
3 And there appeared another wonder in heaven; and behold a great red dragon, having seven heads and ten horns, and seven crowns upon his heads.
4 And his tail drew the third part of the stars of heaven, and did cast them to the earth: and the dragon stood before the woman which was ready to be delivered, for to devour her child as soon as it was born.

5 And she brought forth a man child, who was to rule all nations with a rod of iron: and her child was caught up unto God, and to his throne. More on Madonna on the crescent

OUR LADY OF MOUNT CARMEL
MEXICO, EARLY 20th CENTURY
Alabaster, with polychromy
Height: 32 cm
Private Collection

Our Lady of Mount Carmel is the title given to the Blessed Virgin Mary in her role as patroness of the Carmelite Order. The first Carmelites were Christian hermits living on Mount Carmel in the Holy Land during the late 12th and early to mid-13th century. They built in the midst of their hermitages a chapel which they dedicated to the Blessed Virgin, whom they conceived of in chivalric terms as the "Lady of the place." Our Lady of Mount Carmel was adopted in the 19th century as the patron saint of Chile, in South America.

Since the 15th century, popular devotion to Our Lady of Mount Carmel has centered on the Scapular of Our Lady of Mount Carmel, also known as the Brown Scapular, a sacramental associated with promises of Mary's special aid for the salvation of the devoted wearer. Traditionally, Mary is said to have given the Scapular to an early Carmelite named Saint Simon Stock. The liturgical feast of Our Lady of Mount Carmel is celebrated on 16 July. More on Our Lady of Mount Carmel

FRANCISCAN SAINTS
SAINT FRANCIS OF ASSISI, SAINT ANTHONY OF PADUA AND SAINT DIDACUS OF ALCALA
MEXICO, 18th, 19th and 20th CENTURIES
Wood carving with polychromy
Height: 22, 25 and 26.5 cm
Private Collection

Saint Francis of Assisi (1181/1182 – 3 October 1226),[1][3] was an Italian Roman Catholic friar and preacher. He founded the men's Order of Friars Minor, the women’s Order of Saint Clare, the Third Order of Saint Francis and the Custody of the Holy Land. Francis is one of the most venerated religious figures in history.
In 1219, he went to Egypt in an attempt to convert the Sultan to put an end to the conflict of the Crusades. By this point, the Franciscan Order had grown to such an extent that its primitive organizational structure was no longer sufficient. He returned to Italy to organize the Order. In 1224, he received the stigmata, during the apparition of Seraphic angels in a religious ecstasy making him the first recorded person to bear the wounds of Christ's Passion. More

SAINT ANTHONY OF PADUA, see above

Didacus of Alcalá, also known as Diego de San Nicolás, was a Spanish Franciscan lay brother who served as among the first group of missionaries to the newly conquered Canary Islands. He died at Alcalá de Henares on 12 November 1463 and is now honored by the Catholic Church as a saint.

Didacus was born c. 1400 into a poor but pious family in the small village of San Nicolás del Puerto in the Kingdom of Seville. As a child, he embraced the hermit life and, later, placed himself under the direction of a hermit priest living not far from his native town. He then led the life of a wandering hermit. Feeling called to the religious life, he applied for admission to the Observant branch of the Order of Friars Minor at the friary in Albaida and was sent to the friary in Arruzafa, near Córdoba, where he was received as a lay brother.

Didacus was sent to the Order in Arrecife on the island of Lanzarote, part of the Canary Islands, which was still in the process of introducing the native people to Christianity. In 1445, Didacus was appointed as Guardian of the Franciscan community on the island of Fuerteventura.

In 1450, Diego went to Rome to be share in the Jubilee Year proclaimed by Pope Nicholas V, and to be present at the canonization of Bernardine of Siena in 1450. An epidemic broke out in the city. Didacus spent three months caring for the sick. His biographers record the miraculous cure of many whom he attended, through his pious intercession.

He was then recalled again to Spain and was sent by his superiors to the Friary of Santa María de Jesús in Alcalá, where he spent the remaining years of his life in penance, solitude, and the delights of contemplation. There he died on 12 November 1463 due to an abscess. More on Didacus of Alcalá

SAINT ANNE
MEXICO, EARLY 20th CENTURY
Wood carving
Height: 79 cm
Private Collection

Saint Anne (also known as Ann or Anna) of David's house and line, was the mother of the Virgin Mary and grandmother of Jesus Christ, according to apocryphal Christian and Islamic tradition. Mary's mother is not named in the canonical gospels, nor in the Qur'an. Anne's name and that of her husband Joachim come only from New Testament apocrypha, of which the Protoevangelium of James (written perhaps around 150) seems to be the earliest that mentions them. More on Saint Anne






Acknowledgement: Morton Subastas

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I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

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Thank you for visiting my blog and also for liking its posts and 

Egyptian ART - 16th Century Carvings Bust of Cleopatra

Bust of Cleopatra. Alabaster, carved in the round. The snake on her left shoulder, the ancient heroine looks up to the sky in a pained expression; frowning, and mouth with parted lips revealing the tongue; beautiful treatment of the hair forming loops around the face with bun letting out three strands in the back and over one shoulder. 

Southern Germany or northern Italy, late sixteenth century H 17 × W 22 cm 

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