Showing posts with label Muse. Show all posts
Showing posts with label Muse. Show all posts

01 Work, Contemporary Interpretations of Hellenic legend, Robert Brackman's Muse, with footnotes #27

Robert Brackman, American, 1898-1980
Detail; A Muse, c. 1936
Oil on canvas
25 1/8 x 30 1/8 inches
Private collection


Robert Brackman, American, 1898-1980
A Muse, c. 1936
Oil on canvas
25 1/8 x 30 1/8 inches
Private collection

 Muse, in Greco-Roman religion and mythology, any of a group of sister goddesses of obscure but ancient origin, in Boeotia, Greece. They were born in Pieria, at the foot of Mount Olympus. Very little is known of their cult, but they had a festival every four years at Thespiae. They probably were originally the patron goddesses of poets, although later their range was extended to include all liberal arts and sciences—hence, their connection with such institutions as the Museum (Mouseion, seat of the Muses) at Alexandria, Egypt. There were nine Muses as early as Homer’s Odyssey, and Homer invokes either a Muse or the Muses collectively from time to time. More on Muses

Robert Brackman (September 25, 1898 – July 16, 1980) was an American artist and teacher of Ukrainian origin, best known for large figural works, portraits, and still lifes. Born in Odes'ka Oblast, Ukraine, he emigrated from the Russian Empire in 1908.

Brackman studied at the National Academy of Design from 1919 to 1921, and the Ferrer School in San Francisco. From 1931, he had a long career teaching at the Art Students League of New York where he was a life member. He also taught at the American Art School in New York City, the Brooklyn Museum School, the Lyme Academy College of Fine Arts, and the Madison Art School in Connecticut. In 1932, Brackman was elected into the National Academy of Design as an Associate member, and became a full member in 1940.

Brackman was married to Rochelle Post; they later divorced. He had two daughters with his second wife. More on Robert Brackman






Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceMiddle East Artists365 Saints and 365 Days, also visit my Boards on Pinterest

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01 Painting, Olympian deities, Louis Welden Hawkins' Muse Erato on a Deserted Beach, with footnotes # 44

Louis Welden Hawkins (French, 1849–1910)
Muse Erato on a Deserted Beach (Spirit of the Waves)
Oil on canvas
17 x 21 3/4 in. (43.2 x 8.6cm)
Private collection

In Greek mythology, Erato is one of the Greek Muses. The name would mean "desired" or "lovely", if derived from the same root as Eros, as Apollonius of Rhodes playfully suggested in the invocation to Erato that begins Book III of his Argonautica.

Erato is the Muse of love poetry. In the Orphic hymn to the Muses, it is Erato who charms the sight. Since the Renaissance she has mostly been shown with a wreath of myrtle and roses, holding a lyre, or a small kithara, a musical instrument often associated with Apollo. Other representations may show her holding a golden arrow, reminding one of the "eros", the feeling that she inspires in everybody, and at times she is accompanied by the god Eros, holding a torch. More on Erato

Louis Welden Hawkins (1849–1910) was born in Germany of English parents, later taking French nationality. He was a detailed Symbolist painter.

Hawkins was born in Stuttgart, Germany on 1 July 1849.  He moved to France and later took French nationality. Hawkins attended the Académie Julian in Paris and rose to fame after his expositions in the Salon de la Société des Artistes Francais. His first works were shown in the Salon in 1881. After that, expositions followed at the Salon de la Société des Beaux Artes (1894–1911), the Salon de la Rose+Croix (1894–95) and La Libre Esthétique in Brussels. He lived for a period with Camille Pelletan, a radical socialist politician, and he continued to move in radical circles. In his Portrait of Séverine (1895), he shows a popular journalist, Caroline Rémy (1855-1929) who was a famous defender of humanitarian causes. He was also friendly with artists such as James Abbott McNeill Whistler and Auguste Rodin, whose portrait he painted.

He spent his last years in Brittany, where he painted mostly landscapes.

Louis Welden Hawkins died on 1 May 1910 and was honoured a year later at the Salon Nationale. More on Louis Welden Hawkins





Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

01 Contemporary Interpretations, Olympian deities in classical Greek and Roman religion, with footnotes #6

Cheryl Wilson, United States
Medusa
Acrylic, Ink, Gesso, Airbrush and Paper on Canvas
16 H x 20 W x 0.8 in

In Greek mythology Medusa was a monster, a Gorgon, generally described as a winged human female with a hideous face and living venomous snakes in place of hair. Gazers on her face would turn to stone. She lived and died on an island named Sarpedon, somewhere near Cisthene. The 2nd-century BCE novelist Dionysios Skytobrachion puts her somewhere in Libya, where Herodotus had said the Berbers originated her myth, as part of their religion.


Medusa was beheaded by the hero Perseus, who thereafter used her head, which retained its ability to turn onlookers to stone, as a weapon until he gave it to the goddess Athena to place on her shield. In classical antiquity the image of the head of Medusa appeared in the evil-averting device known as the Gorgoneion. More on Medusa

Cheryl Wilson is a lifelong artist; however, she paused her art for the corporate world for a time. The life-changing event that turned the corporate pen into a paintbrush was the dark world of Alzheimer’s that struck her mother. She could not wait any longer to paint in the event that world captured her as well.  Leaving the the boardroom behind, what has emerged is a new language expressed on canvas.  This language expresses the freedom and unbound passion to create and let her art direct itself without fear or influences that has previously stifled her intuitive style. 


Constantly moving around the world, staying in one place no longer than three years at one time, living in the back of a musician’s studio, provided the opportunity to meet vast numbers of different people from all walks of life. She was the daughter of an Author and a United States, Air Force Protocol Musician.  She also joined the Air Force and traveled.  These experiences set the canvas for the style of abstracts she paints because she finds these people, locations, and experiences are represented in each painting in some way. More on Cheryl Wilson






Please visit my other blogs: Art CollectorMythologyMarine Art, and The Canals of Venice

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.