Sunday, July 1, 2018
Hans Memling (circa 1433–1494) The Last Judgment, circa 1466 and circa 1473
Hans Memling, (circa 1433–1494)
The Last Judgment, circa 1466 and circa 1473
Oil on panel
National Museum, Gdańsk
The Last Judgment, Final Judgment, Day of Judgment, Judgment Day, Doomsday, or The Day of the Lord, or in Arabic Yawm al-Qiyāmah or Yawm ad-Din is part of the eschatological world view of the Abrahamic religions and in the Frashokereti of Zoroastrianism.
Some Christian denominations consider the Second Coming of Christ to be the final and eternal judgment by God of the people in every nation resulting in the glorification of some and the punishment of others. The concept is found in all the Canonical gospels, particularly the Gospel of Matthew. Christian Futurists believe it will take place after the Resurrection of the Dead and the Second Coming of Christ while Full Preterists believe it has already occurred. The Last Judgment has inspired numerous artistic depictions. More on The Last Judgment
Hans Memling (c. 1430 – 11 August 1494) was a German painter who moved to Flanders and worked in the tradition of Early Netherlandish painting. He spent some time in the Brussels workshop of Rogier van der Weyden, and after van der Weyden's death in 1464, Memling was made a citizen of Bruges, where he became one of the leading artists, painting both portraits and diptychs for personal devotion and several large religious works, continuing the style he learned in his youth. More on Hans Memling
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