01 Painting, Olympian deities, with footnotes # 26

Maximilian Pirner  (1854–1924)
Hekate , c. 1901
Pastel on paper
55 × 89 cm (21.6 × 35 in)
Private collection

Hecate or Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery. She appears in the Homeric Hymn to Demeter and in Hesiod's Theogony, where she is promoted strongly as a great goddess. The place of origin of her following is uncertain, but it is thought that she had popular followings in Thrace. She was one of the main deities worshiped in Athenian households as a protective goddess and one who bestowed prosperity and daily blessings on the family. In the post-Christian writings of the Chaldean Oracles (2nd–3rd century CE) she was regarded with rulership over earth, sea, and sky, as well as a more universal role as Saviour, Mother of Angels and the Cosmic World Soul. Regarding the nature of her cult, it has been remarked, "she is more at home on the fringes than in the center of Greek polytheism. Intrinsically ambivalent and polymorphous, she straddles conventional boundaries and eludes definition." More on Hekate 

Maximilian Pirner (February 13, 1853 in Schüttenhofen, Bohemia – April 2, 1924 in Prague) was a Czech painter. He was a member of the Vienna Secession, and associated with the Mánes Union of Fine Arts.

He was enrolled from 1872 to 1874 at the Academy of Fine Arts, Prague and from 1875 to 1879 at the Academy of Fine Arts, Vienna. He remained in Vienna until 1887, although he was not an active participant in the local artistic community. At that time, he became a teacher at the Academy in Prague and was named a Professor there in 1896

Pirner's usual themes were classical mythology (such as his Medusa (1891) and Hecate (Above). Pirner completed a number of sketches of female figures, many of them nudes. He also did stained glass windows and medals.


Described by one critic as having achieved "mastery of the sinuous line". Pirner also had his detractors. One contemporary critic, while acknowledging Pirner's talent, considered him an "over-sophisticated mystic." More on Maximilian Pirner 





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