01 Works, RELIGIOUS ART - Interpretation the bible, With Footnotes - 115

Follower of Albrecht Bouts, Late 16th Century
CHRIST CROWNED WITH THORNS AND THE VIRGIN OF SORROWS
Oil on panel
29 1/2  by 39 1/2  in.; 75 by 100.5 cm.

Private collection

According to three of the canonical Gospels, a woven crown of thorns was placed on the head of Jesus during the events leading up to the crucifixion of Jesus. It was one of the instruments of the Passion, employed by Jesus' captors both to cause him pain and to mock his claim of authority. It is mentioned in the gospels of Matthew ('And when they had platted a crown of thorns, they put it upon his head, and a reed in his right hand: and they bowed the knee and mocked him, saying Hail, King of the Jews!' More on the Crown of thorns

Our Lady of Sorrows, the Sorrowful Mother or Mother of Sorrows, and Our Lady of Piety, Our Lady of the Seven Sorrows or Our Lady of the Seven Dolours are names by which the Blessed Virgin Mary is referred to in relation to sorrows in her life. As Mater Dolorosa, it is also a key subject for Marian art in the Catholic Church.

The Seven Sorrows of Mary are a popular Roman Catholic devotion. In common religious Catholic imagery, the Blessed Virgin Mary is portrayed in a sorrowful and lacrimating affect, with seven daggers piercing her heart, often bleeding. Devotional prayers that consist of meditation began to elaborate on her Seven Sorrows based on the prophecy of Simeon. Common examples of piety under this title are Servite rosary, or the Chaplet of the Seven Sorrows of Our Lady and the Seven Joys of Mary and more recently, "Sorrowful and Immaculate Heart of Mary". More on Lady of Sorrows

Aelbrecht Bouts (c.1452 - March 1549) was a Belgian painter of the Early Netherlandish era. He was born into a family of painters in Leuven. Aelbrecht’s father was Dieric Bouts the Elder (c. 1415-1475), and his brother was Dieric Bouts the Younger (c. 1448-1490). Jan Bouts (c. 1478-c. 1530), son of Dieric Bouts the Younger, also became a painter. Dieric Bouts the Younger inherited his father’s shop in 1475, while Aelbrecht established his own workshop, also in Leuven. Whereas Dieric the Younger continued in his father's style, Aelbrecht developed his own unmistakable style with strong colors, rich texture and fine details. He died in Leuven. More on Aelbrecht Bouts

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