Maestro de Borbotó, ACTIVE IN VALENCIA FIRST QUARTER OF THE 16TH CENTURY
SAINT LUCY
oil on panel
10 3/8 by 12 1/2 in.; 26.5 by 31.8 cm.
Private collection
Saint Lucy, Italian Santa Lucia (died 304, Syracuse, Sicily), virgin and martyr who was one of the earliest Christian saints to achieve popularity, having a widespread following before the 5th century. She is the patron saint of the city of Syracuse (Sicily). Because of various traditions associating her name with light, she came to be thought of as the patron of sight.
Lucy came from a wealthy Sicilian family. Spurning marriage and worldly goods, however, she vowed to remain a virgin in the tradition of St. Agatha. An angry suitor reported her to the local Roman authorities, who sentenced her to be removed to a brothel and forced into prostitution. This order was thwarted, according to legend, by divine intervention; Lucy became immovable and could not be carried away. She was next condemned to death by fire, but she proved impervious to the flames. Finally, her neck was pierced by a sword and she died.
Lucy was a victim of the wave of persecution of Christians that occurred late in the reign of the Roman emperor Diocletian. References to her are found in early Roman sacramentaries and, at Syracuse, in an inscription dating from 400 ce. As evidence of her early fame, two churches are known to have been dedicated to her in Britain before the 8th century, at a time when the land was largely pagan. More Saint Lucy
The Master of Borbotó. The identity of this prolific 16th century Valencian artist remains a mystery even today. Some scholars claim that the Master of Borbotó, the Master of Xàtiva and the Master of Artes, to whom numerous works have been attributed, sometimes in conjunction, were in fact the same person, and that the different names indicated the Master’s stylistic evolution from the Gothic to the Renaissance. More on The Master of Borbotó
The Master of Borbotó. The identity of this prolific 16th century Valencian artist remains a mystery even today. Some scholars claim that the Master of Borbotó, the Master of Xàtiva and the Master of Artes, to whom numerous works have been attributed, sometimes in conjunction, were in fact the same person, and that the different names indicated the Master’s stylistic evolution from the Gothic to the Renaissance. More on The Master of Borbotó
Caravaggio, (1571–1610)
Burial of St. Lucy, circa 1608
Oil on canvas
Height: 408 cm (13.3 ft); Width: 300 cm (118.1 ″)
Santa Lucia al Sepolcro (Syracuse)
Michelangelo Merisi da Caravaggio
(29 September 1571 in Caravaggio – 18 July 1610) was an Italian
painter active in Rome, Naples, Malta, and Sicily between 1592 and 1610. His
paintings, which combine a realistic observation of the human state, both
physical and emotional, with a dramatic use of lighting, had a formative
influence on Baroque painting.
Caravaggio trained as a painter in Milan under Simone Peterzano
who had himself trained under Titian. In his twenties Caravaggio moved to Rome
where there was a demand for paintings to fill the many huge new churches and
palazzos being built at the time. It was also a period when the Church was
searching for a stylistic alternative to Mannerism in religious. Caravaggio's
innovation was a radical naturalism that combined close physical observation
with a dramatic use of chiaroscuro which came to be known as tenebrism (the
shift from light to dark with little intermediate value).
He gained attention in the art scene of Rome in 1600 with the
success of his first public commissions, the Martyrdom of Saint Matthew and
Calling of Saint Matthew. Thereafter he never lacked commissions or patrons,
yet he handled his success poorly. He was jailed on several occasions,
vandalized his own apartment, and ultimately had a death sentence pronounced
against him by the Pope after killing a young man, possibly unintentionally, on
May 29, 1606. He fled from Rome with a price on his head. He was involved in a
brawl in Malta in 1608, and another in Naples in 1609. This encounter left him
severely injured. A year later, at the age of 38, he died under mysterious
circumstances in Porto Ercole in Tuscany, reportedly from a fever while on his
way to Rome to receive a pardon.
Famous while he lived, Caravaggio was forgotten almost
immediately after his death, and it was only in the 20th century that his
importance to the development of Western art was rediscovered. More on Caravaggio
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