Narcisse Virgile Diaz de la Peña (French, 1808-1876)
Départ de Diane pour la chasse/ Departure of Diana to the hunt
Oil on canvas
21 3/4 x 13 1/2in (55.3 x 34.4cm)
Private collection
In Roman mythology, Diana was the goddess of the
hunt, the moon and nature being associated with wild animals and woodland, and
having the power to talk to and control animals. She was eventually equated
with the Greek goddess Artemis, though she had an independent origin in
Italy. Diana was worshipped in ancient Roman religion and is revered in Roman
Neopaganism and Stregheria. Diana was known to be the virgin goddess of
childbirth and women. She was one of the three maiden goddesses — along with
Minerva and Vesta — who swore never to marry. More on Diane
At 15 Diaz began working as a ceramic painter for the Sèvres porcelain factory. He studied for a time with the academic painter Alexandre Cabanel. Strongly influenced by Delacroix and the Romantics and attracted by medieval and Middle Eastern art, he often in his early career painted exotic subjects.
About 1840 Diaz began to paint landscapes in the forest of Fontainebleau near the village of Barbizon. These landscapes, which dominated his work for the rest of his career, characteristically have a pervasive sense of the shadowy seclusion of the forest—e.g., Forest Scene (1867). Dense, vividly coloured foliage is broken by spots of light or patches of sky shining through the branches. During the last 15 years of his life Diaz seldom exhibited publicly. He was helpful and sympathetic to the Impressionists, especially Renoir, whom he met in 1861 painting at Barbizon. More on Narcisse-Virgile Diaz de la Peña
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