Henry Zaidan
Queen Mavia, c. 2024
AI Deviant Art
Mavia was a Tanukh ( تنوخ), An Arab tribe that had migrated northwards from the Arabian peninsula because of the growing influence in Iran in the area. She married al-Hawari, the last king of the semi-nomadic Tanukh confederation in southern Syria in the latter half of the fourth century. When he died in 375 CE Mavia rose to rule the confederation.
After al-Hawari's death in 375 AD, the Roman emperor Valens, disregarded the requests of the Arabs and appointed them an Arian bishop. This sparked an uprising, and Mavia withdrew her people from Aleppo and moved into the desert, were she formed alliances with desert Arabs, and gained support throughout much of Arabia and Syria.
François Emile de Lansac (French, 1803–1890)
Preparing for battle
Oil on canvas
50.5 x 65.5 cm. (19.9 x 25.8 in.)
Private collection
Sold for 16,250 GBP in Apr 2015
François-Émile de Lansac (1 October 1803 – 1 April 1890) was a French painter.
Lansac was born in Tulle (Corrèze) A pupil of Jean-Charles Langlois, a great admirer of Théodore Géricault, Lansac spent several years at the stud farm in Tarbes, studying horses. Back in Paris he collaborated with Ary Scheffer, became his pupil and contributed his talents to many of Scheffer's paintings. On leaving the Scheffer workshop, Lansac specialized in portraits, military scenes and historical subjects. He participated regularly at the Salon des artistes français from 1827 until 1878, was awarded a third-class medal in 1836 and a second class medal in 1838. He was soon placed out of competition. Among his close friends were the contemporary artists Ary Scheffer, Alexandre-Gabriel Decamps, Thomas Couture, Constant Troyon, Henry Scheffer and Alfred de Dreux.
Lansac's former residence, located on 37 Avenue Montaigne, in the 8th arrondissement of Paris, housed until 2017 the visa office of the Canadian Embassy.
He died in Paris in 1890. More on François-Émile de Lansac
In the spring of 378 CE Mavia began to fight a guerrilla style war against the Romans, moving about the desert on horseback and striking Roman forces whenever the opportunity presented itself. It was during her military exploits that she met an ascetic monk who so impressed her that she converted to Orthodox Christianity, and her conditions for any truce with Rome, was this monk's appointment as bishop over her people.
Her forces were difficult for Rome to deal with. The Tanuhk had fought side by side with Roman soldiers for over a century, since they assisted in quelling the uprising by Zenobia a century earlier. The Tanuhk cavalry was faster, and their lances longer, and they had the advantage of their knowledge of the terrain. Furthermore, the Tanuhk had no home base, giving the Romans no target to aim at.
Adolf Schreyer (1828-1899) German
The Arab Warrior Leading a Charge
Oil on canvas
33x26 inches
Private Collection
Adolf Schreyer (July 9, 1828 Frankfurt-am-Main – July 29, 1899 Kronberg im Taunus) was a German painter, associated with the Düsseldorf school of painting. He studied art, first at the Städel Institute in his native town, and then at Stuttgart and Munich. He painted many of his favourite subjects in his travels in the East. He first accompanied Maximilian Karl, 6th Prince of Thurn and Taxis through Hungary, Wallachia, Russia and Turkey; then, in 1854, he followed the Austrian army across the Wallachian frontier. In 1856 he went to Egypt and Syria, and in 1861 to Algiers. In 1862 he settled in Paris, but returned to Germany in 1870; and settled at Cronberg near Frankfurt, where he died.
Schreyer was, and is still, especially esteemed as a painter of horses, of peasant life in Wallachia and Moldavia, and of battle incidents. His work is remarkable for its excellent equine draughtsmanship, and for the artist's power of observation and forceful statement; and has found particular favour among French and American collectors. Of his battle-pictures there are two at the Schwerin Gallery, and others in the collection of Count Mensdorff-Pouilly and in the Raven Gallery, Berlin. More on Adolf Schreyer
Rome had to call on it’s finest soldiers; lead by the Commander in Chief of the Eastern Roman military himself. But that didn't stop Mavia or her men, who defeated the reinforcements, killing their commander in the process. Without additional troops to call upon for assistance the emperor was forced to sue for peace, allowing Mavia to choose the bishop of her people; a man named Moses, of Saracen birth who had lead an especially pious life in the desert, earning their respect as a people.
The 16th century saw at Rome a great increase of literary and aesthetic circles or 'academies', more or less inspired by the Renaissance, all of which assumed, as was the fashion, odd and fantastic names. At the beginning of the 16th century came the "Accademia degli Intronati", for the encouragement of theatrical representations. There were also the Academy of the "Vignaiuoli", or "Vinegrowers" (1530), and the Academy "della Virtù" (1538), founded by Claudio Tolomei under the patronage of Cardinal Ippolito de' Medici. These were followed by a new Academy in the "Orti" or Farnese gardens. There were also the Academies of the "Intrepidi" (1560), the "Animosi" (1576), and the "Illuminati (Roman)" (1598); this last, founded by the Marchesa Isabella Aldobrandini Pallavicino. Towards the middle of the 16th century there were also the Academy of the "Notti Vaticane" (Vatican Nights), founded by St. Charles Borromeo; an "Accademia di Diritto civile e canonico", and another of the university scholars and students of philosophy (Accademia Eustachiana). As a rule these academies, all very much alike, were merely circles of friends or clients gathered around a learned man or wealthy patron, and were dedicated to literary pastimes rather than methodical study. They fitted in, nevertheless, with the historical milieu and in their own way played significant roles in historical development. Despite their empirical and fugitive character, they helped to cultivate a general esteem for literary and other studies. Cardinals, prelates, and the clergy in general were most favourable to this movement, and assisted it by patronage and collaboration. More on the Roman school, late 16th century
As part of the truce agreement, Mavia sent her forces to Thrace to help the Romans fight the Goths at the Battle of Adrianople. Her forces proved less effective outside of their native territory and the Goths pushed the Romans back to Constantinople, even killing the emperor.
To solidify the peace, Mavia married her daughter to Victor, a prominent military official under Valens. Marriage to Victor was a was a big plus, because that suddenly put her in the center of the Roman-Byzantine administration.
Mavia died in Anasartha, east of Aleppo in the heart of the Tanukh tribal territory, where there is an inscription recording her death there in 425 CE.
Roman school, late 16th century
Battle of Adrianople
Oil on board
80 x 216 cm
Private collection
The 16th century saw at Rome a great increase of literary and aesthetic circles or 'academies', more or less inspired by the Renaissance, all of which assumed, as was the fashion, odd and fantastic names. At the beginning of the 16th century came the "Accademia degli Intronati", for the encouragement of theatrical representations. There were also the Academy of the "Vignaiuoli", or "Vinegrowers" (1530), and the Academy "della Virtù" (1538), founded by Claudio Tolomei under the patronage of Cardinal Ippolito de' Medici. These were followed by a new Academy in the "Orti" or Farnese gardens. There were also the Academies of the "Intrepidi" (1560), the "Animosi" (1576), and the "Illuminati (Roman)" (1598); this last, founded by the Marchesa Isabella Aldobrandini Pallavicino. Towards the middle of the 16th century there were also the Academy of the "Notti Vaticane" (Vatican Nights), founded by St. Charles Borromeo; an "Accademia di Diritto civile e canonico", and another of the university scholars and students of philosophy (Accademia Eustachiana). As a rule these academies, all very much alike, were merely circles of friends or clients gathered around a learned man or wealthy patron, and were dedicated to literary pastimes rather than methodical study. They fitted in, nevertheless, with the historical milieu and in their own way played significant roles in historical development. Despite their empirical and fugitive character, they helped to cultivate a general esteem for literary and other studies. Cardinals, prelates, and the clergy in general were most favourable to this movement, and assisted it by patronage and collaboration. More on the Roman school, late 16th century
As part of the truce agreement, Mavia sent her forces to Thrace to help the Romans fight the Goths at the Battle of Adrianople. Her forces proved less effective outside of their native territory and the Goths pushed the Romans back to Constantinople, even killing the emperor.
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Mavia's forces returned home, badly bruised and depleted in number. The new emperor, Theodosius I, favored the Goths, giving them many positions within the Roman establishment, at the expense of the Arabs. After having demonstrated their loyalty to Rome, the Arabs felt increasingly betrayed and mounted another revolt in 383 CE. This revolt was quickly put down and the Tanukh-Roman alliance ended for good, as Rome courted another Arab tribe, the Salih.To solidify the peace, Mavia married her daughter to Victor, a prominent military official under Valens. Marriage to Victor was a was a big plus, because that suddenly put her in the center of the Roman-Byzantine administration.
Mavia died in Anasartha, east of Aleppo in the heart of the Tanukh tribal territory, where there is an inscription recording her death there in 425 CE.
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