01 Works, RELIGIOUS ART - Contemporary Interpretation of the Bible! With Footnotes - 10h

Deborah Stevenson, United States
The Sin Of Shame
Collage
Size: 8.4 H x 7.7 W x 0.1 in

Shame has plagued us since Adam and Eve bit into the fruit and realized they were naked. Their first instinct was to hide from each other and God (Genesis 3:7–11). They now stood guilty before God and were vulnerable to each other. They were sinful, weak, damaged people living in a dangerous world. They found themselves exposed to other sinners’ judgment and rejection. More on Shame

Deborah Stevenson was born in Washington, DC. She grew up in Tokyo, went to high school in Baltimore, and got her BA from Sarah Lawrence College in New York. She lived for many years on the West Coast, and returned to the East Coast, where she lived in Brooklyn, NYC until 2015, when she relocated to the coastal town of Belfast, Maine. 

Artist Statement: "My first medium is oil, and I have been a painter for nearly 30 years. I began composing collage pieces in earnest 5 years ago, working with material in magazines, books, newspapers, etc. A life-long interest in Eastern philosophy and Jungian psychology have contributed to my fascination with allegory and symbology. Themes that recur in my work express metaphorically my exploration of concepts of power, beauty, the Feminine, and mysterious archetypal conjunctions. More than anything else, the process requires of me that I pay attention, and to be in a receptive state, so as to be ready to capture the dialogue." More on Deborah Stevenson




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01 Works, RELIGIOUS ART - Contemporary Interpretation of the Bible! With Footnotes - 10g

Dimitar Voynov-Jr, Sofia 1971
"Angel"
30x30

An angel is generally a supernatural being found in various religions and mythologies. In Abrahamic religions and Zoroastrianism, angels are often depicted as benevolent celestial beings who act as intermediaries between God or Heaven and Humanity.[1][2] Other roles of angels include protecting and guiding human beings, and carrying out God’s tasks. More on Angels
Dimitar Voynov – Jr. was born in 1971 in Sofia. In 1990 he graduated from the Art School “Il. Petrov “in Sofia, and in 1997 received his master’s degree in mural painting at the National Academy of Arts, Sofia. Since 1998 he has had over 60 participations in group exhibitions in Bulgaria and Europe and more than 30 solo exhibitions in Sofia, Plovdiv, Varna, Tryavna, Freiberg and Berlin – Germany, France, Luxembourg. Dimitar Voynov is the winner of the annual award for painting at Triadis Gallery (2004), Vazrazhdane Gallery, Plovdiv (2005), Krasnaya line, Sofia (2008). His paintings are owned by collections in Bulgaria, Switzerland, Austria, Greece, Germany, France, Spain, England, Italy, Holland, Portugal, USA. She lives and works in Sofia. More on Dimitar Voynov – Jr.


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01 Works, RELIGIOUS ART - Contemporary Interpretation of the Bible!, With Footnotes - 10f

Dimitar Voynov-Jr, Sofia 1971
Angel
24x18

An angel is generally a supernatural being found in various religions and mythologies. In Abrahamic religions and Zoroastrianism, angels are often depicted as benevolent celestial beings who act as intermediaries between God or Heaven and Humanity.[1][2] Other roles of angels include protecting and guiding human beings, and carrying out God's tasks. More on Angels

Dimitar Voynov - Jr. was born in 1971 in Sofia. In 1990 he graduated from the Art School "Il. Petrov "in Sofia, and in 1997 received his master's degree in mural painting at the National Academy of Arts, Sofia. Since 1998 he has had over 60 participations in group exhibitions in Bulgaria and Europe and more than 30 solo exhibitions in Sofia, Plovdiv, Varna, Tryavna, Freiberg and Berlin - Germany, France, Luxembourg. Dimitar Voynov is the winner of the annual award for painting at Triadis Gallery (2004), Vazrazhdane Gallery, Plovdiv (2005), Krasnaya line, Sofia (2008). His paintings are owned by collections in Bulgaria, Switzerland, Austria, Greece, Germany, France, Spain, England, Italy, Holland, Portugal, USA. She lives and works in Sofia. More on Dimitar Voynov - Jr.




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I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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01 Works, RELIGIOUS ART - Contemporary Interpretation of the Bible! With Footnotes - 10e

Sophie Wilkins
Angélique, c. 2011
acrylique
36x40

Angélique; messenger of God.


Sophie Wilkins is an active artist on the Montreal scene. She was born in 1976 , Ste- Barbe, Quebec. Passionate about her art since childhood, she now uses various mediums, either acrylic, oil or coal powder. Painting and the murals are its main fields of action.


She depicts this parallel universes that dance in her head and her awareness of life. A whimsical universe where humans and animals coexist, merge to form a certain balance and reach unity. Peaceful warriors populate her works. Sophie is distinguished mainly by her metaphorical vision of her object and her attention to detail. More on Sophie Wilkins



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01 Works, RELIGIOUS ART - Contemporary Interpretation of the Bible! With Footnotes - 10d

Sophie Wilkins
Solédade, (Our Lady of Solitude?), c. 2011
acrylique
36x40

Our Lady of Solitude (Spanish: María de la Soledad) is a title of Mary (mother of Jesus) and a special form of Marian devotion practised in Spanish-speaking countries to commemorate the solitude of Mary on Holy Saturday. More on Solédade

Sophie Wilkins is an active artist on the Montreal scene. She was born in 1976 , Ste- Barbe, Quebec. Passionate about her art since childhood, she now uses various mediums, either acrylic, oil or coal powder. Painting and the murals are its main fields of action.


She depicts this parallel universes that dance in her head and her awareness of life. A whimsical universe where humans and animals coexist, merge to form a certain balance and reach unity. Peaceful warriors populate her works. Sophie is distinguished mainly by her metaphorical vision of her object and her attention to detail. More on Sophie Wilkins



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01 Works, RELIGIOUS ART - Contemporary Interpretation of the Bible! With Footnotes - 10c

Tsanko Tsankov, Bulgaria
Touch, A Saint?
Oil on Canvas
Size: 19.7 H x 15.8 W x 0.1 in
Private collection

Tsanko Tsankov, 1962, born in Sofia and working in Varna,Bulgaria. In 1988 he graduated from the National Academy of Arts, Sofia.

The energy store of the artistic paint, the use of the golden gilt as a marking credo to the ‘different’, as well as the uncountable and delicate colour shades, put a mark on the advance of the plastic art expression of the painter, emancipated from the excess of particular outlines in the subject. 


The depth achieved through the transparent chase of a multitude of pictorial coats is an expressive proof of the makings of the artist Tsanko Tsankov. This pulsating balanced melodiousness of the aesthete concentrates great part of the vigour of his works, engraving figures and pictures of the antiquity and of the modern times into the present. More on Tsanko Tsankov





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01 Works, RELIGIOUS ART - Contemporary Interpretation of the Bible! With Footnotes - 10b

Freddy Fabris, United States
The Renaissance Series, " The last supper "
Photography
Size: 24 H x 36 W x 1 in
Private collection

The Last Supper is based on a late 15th-century mural painting by Leonardo da Vinci in the refectory of the Convent of Santa Maria delle Grazie, Milan. It is one of the world's most famous paintings.

The painting represents the scene of The Last Supper of Jesus with his disciples, as it is told in the Gospel of John, 13:21. Leonardo has depicted the consternation that occurred among the Twelve Disciples when Jesus announced that one of them would betray him. More on the The Last Supper

Freddy Fabris. New York, 1970, . From an early age he was exposed to the most dynamic period of post modern artistic development in modern history to include de Kooning, Warhol, and Rothko. Fabris later moved to Buenos Aires, where he developed his voice as a visual artist, becoming one of the most recognized and sought after commercial artists, his work was consistently pursued by collectors as well as international commercial brands. His latest conceptual work , The Renaissance series, incorporates the fusing together of the contemporary everyman with some of the greatest works of art history has ever seen, dating back to the 1400s. The Renaissance series has been awarded the APA Conceptual photography award, 1st Place International Color awards & the One Eyeland Silver award. In the last quarter of 2015, More on Freddy Fabris



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01 Works, RELIGIOUS ART - Contemporary Interpretation of the Bible! With Footnotes - 10a

Freddy Fabris, United States
The Renaissance Series, " The Creation of Adam "
Photography
24 H x 36 W x 1 in
Private collection

The Creation of Adam is based on a fresco painting by Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508–1512. It illustrates the Biblical creation narrative from the Book of Genesis in which God breathes life into Adam, the first man. The fresco is part of a complex iconographic scheme and is chronologically the fourth in the series of panels depicting episodes from Genesis.

The image of the near-touching hands of God and Adam has become iconic of humanity. The painting has been reproduced in countless imitations and parodies.[3][3][4] Leonardo da Vinci's The Last Supper and Michelangelo's Creation of Adam are the most replicated religious paintings of all time. More on The Creation of Adam

Freddy Fabris, New York, 1970,  was born into an artistic aristocracy as the progeny of two dancers and choreographers at the American Ballet Theater at Lincoln Center, his father from Argentina and his mother from France. From an early age he was exposed to the most dynamic period of post modern artistic development in modern history to include de Kooning, Warhol, and Rothko. Fabris later moved to Buenos Aires, where he developed his voice as a visual artist. 

His latest conceptual work , The Renaissance series, incorporates the fusing together of the contemporary everyman with some of the greatest works of art history has ever seen, dating back to the 1400s. Bringing a wonderfully unique perspective to his craft and composition, Fabris breathes life into every one of his photographs, creating modern day masterpieces. There is a polished elegance and nobility present among so many of his subjects, bringing about the virtue in each individual captured. The Renaissance series has been awarded the APA Conceptual photography award, 1st Place International Color awards & the One Eyeland Silver award. In the last quarter of 2015, The Renaissance series went viral over the internet, after being featured in the Art section of the Huffington post. More on Freddy Fabris



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03 Classic Works of Art, Marine Paintings of Mermaids, with Footnotes, 5e

A mermaid is a marine creature with the head and upper body of a female human and the tail of a fish. Mermaids appear in the folklore of many cultures worldwide. The first stories appeared in ancient Assyria. Mermaids can be benevolent or beneficent.


Julius Hübner, 1806 - 1882
The Fair Melusine, c. 1844

Rudolf Julius Benno Hübner (27 January 1806 – 7 November 1882) was a German historical painter of the Düsseldorf school of painting. He was also known as a poet and the father of Emil Hübner, a distinguished classical scholar.

Hübner was born at Oels in Silesia, studied at the Prussian Academy of Arts in Berlin under Schadow, and in Düsseldorf. He first attracted attention by his picture of "Ruth and Boaz" (1825). He traveled in Italy, but resided for the most part at Düsseldorf until 1839. In that year he settled at Dresden, becoming a professor in the Academy of Arts in 1841 and director of the Gallery of Paintings in 1871. He obtained the great gold medal at Brussels in 1851. More on Julius Hübner

The Story of Melusine (Medieval France, 1394), by Linda Foubister, is about the fairy, Melusine,  the daughter of the fairy Pressyne and King Elynas of Albany. She became the fairy Queen of the forest of Colombiers in the French region of Poitou. One day, she and two of her subjects were guarding their sacred fountain when a young man, Raymond of Poitiers, burst out of the forest. Melusine spent the night talking with Raymond, and by dawn, they were betrothed, but with one condition. Melusine requested that Raymond promise that he would never see her on a Saturday. He agreed, and they were married.

Troy Howell
The Mystery Of Melusine, a French mermaid story, 1993

Troy Howell first creative work was called “Red Crayon on Green Carpet.” His first published work appeared in Cricket magazine. His debut novel, The Dragon of Cripple Creek (Abrams/Amulet), features the last dragon on earth, whose life is endangered by a twenty-first century gold rush that's triggered by a 12-year-old girl.

Troy's work has won awards, starred reviews, and the like. But what matters most to him is work well done, that tugs at the reader or viewer in some way, whether it’s wonder, a laugh, a new thought, a sigh. Those are the best rewards. More on Troy Howell

Melusine brought her husband great wealth and prosperity. She built the fortress of Lusignan so quickly that it appeared to be made by magic. Over time, Melusine built many castles, fortresses, churches, towers and towns, each in a single night, throughout the region. She and Raymond had ten children, but each child was flawed. The eldest had one red eye and one blue eye, the next had an ear larger than the other, another had a lion’s foot growing from his cheek, and another had but one eye. The sixth son was known as Geoffrey-with-the-great tooth, as he had a very large tooth. In spite of the deformities, the children were strong, talented and loved throughout the land.


One day, Raymond’s brother visited him and made Raymond very suspicious about the Saturday activities of his wife. So the next Saturday, Raymond sought his wife, finding her in her bath where he spied on her through a crack in the door. He was horrified to see that she had the body and tail of a serpent from her waist down. He said nothing until the day that their son, Geoffrey-with-the-great tooth, attacked a monastery and killed one hundred monks, including one of his brothers. Raymond accused Melusine of contaminating his line with her serpent nature, thus revealing that he had broken his promise to her.

Alexandra V. Bach
Melusine
Digital Art / Photomanipulation 

As a result, Melusine turned into a fifteen-foot serpent, circled the castle three times, wailing piteously, and then flew away. She would return at night to visit her children, then vanish. Raymond was never happy again. Melusine appeared at the castle, wailing, whenever a count of Lusignan was about to die or a new one to be born. It was said that the noble line which originated with Melusine will reign until the end of the world. Her children included the King of Cyprus, the King of Armenia, the King of Bohemia, the Duke of Luxembourg, and the Lord of Lusignan. More on Melusine

Alexandra V. Bach is a celebrated digital artist whose exceptional work has graced countless book covers in her native France. Her work is lush, mysterious and richly detailed, with a flare for fantasy and gothic horror with an old school romantic touch.

Since 2003, Alexandra has collaborated as cd cover artist with metal bands such as Kamelot, Adagio, Anneke Van Giersbergen and Arjen Lucassen’s The Gentle Storm, Stream of Passion, Melissa Ferlaak and many more.

In France, Alexandra has worked for leading publishers such as Flammarion, Bragelonne, ActuSF as well as many independent publishers.

In 2013 she created artwork for game Legend of the Cryptids (Applibot, Japan) and creates custom playing tokens for GND Cards (Greece). More on Alexandra V. Bach



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01 Classic Works of Art, Marine Paintings of Mermaids, with Footnotes, 5d

A mermaid is a marine creature with the head and upper body of a female human and the tail of a fish. Mermaids appear in the folklore of many cultures worldwide. The first stories appeared in ancient Assyria. Mermaids can be benevolent or beneficent.

Gustave Wertheimer,  (Austrian, 1847–1904)
A nude woman on ship/ The enchanted sleeper
Oil on canvas
101.5 x 82.5 cm. (40 x 32.5 in.)
Private collection

Gustav Wertheimer (born January 28, 1847 in Vienna , † August 24, 1902 in Paris ) was an Austrian genre and portrait painter.

Wertheimer began his studies at the Academy of Fine Arts Vienna under Joseph von Führich . Since May 10, 1870 he studied in the technical painting class of the Royal Academy of Fine Arts in Munich with Wilhelm von Diez .  After graduation, he worked in Munich. At the Vienna World Fair in 1873 he presented for the first time a larger work: Nero during the fire in Rome . This had previously been presented at the Vienna Kunstsalon. In 1881 he moved Wertheimer to Paris,  where he remained until his death.

In Paris, Wertheimer experienced his greatest successes. His participation in art exhibitions in Amsterdam ,  London , New Orleans and Paris earned him numerous medals and prizes. He also received honorary awards at the Paris World's Fair in 1889 and 1900. More on Gustav Wertheimer





Please visit my other blogs: Art CollectorMythologyMarine Art, and The Canals of Venice

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01 Classic Works of Art, Marine Paintings of Mermaids, with Footnotes, 5c

A mermaid is a marine creature with the head and upper body of a female human and the tail of a fish. Mermaids appear in the folklore of many cultures worldwide. The first stories appeared in ancient Assyria. Mermaids can be benevolent or beneficent.

Knut Ekvall, (1843–1912)
The Fisherman and The Siren
Oil on canvas
Private collection

According to Greek myths, sirens were powerful and erotic creatures, and many unsuspecting sailors would fall prey to their seductive beauty. The common belief was that they would devour sailors after their ships would crash into the rocks, as most men couldn't resist the temptation of their sweet melodies and angelic faces. More on The Fisherman and The Siren

Knut Ekwall (3 April 1843 – 4 April 1912), was a Swedish painter. From 1860-1866 he studied  at the Academy of Arts in Stockholm, with emphasis on xylography (designing woodcut printing blocks) and drawing.

In 1870, Ekwall established himself as an artist in Munich, and later worked in Leipzig. His works during this period were primarily for magazine illustrations, and were reproduced as engravings.

He returned to Sweden and died there at the age of 69. More on Knut Ekwall







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02 Classic Works of Art, Marine Paintings of Mermaids, with Footnotes, 5f

Ilya Repin, (1844–1930)
Sadko in the Underwater Kingdom, c. 1876
Oil on canvas canvas
Height: 3,225 mm (126.97 in). Width: 2,300 mm (90.55 in).
State Russian Museum

Sadko is the principal character in a Russian medieval epic bylina. He was an adventurer, merchant, and musician from Novgorod. 

One day, as Sadko was playing his gusli/zither on the shores of a lake. The Sea Tsar (a Merman) was listening, and enjoying, his music, an so wanted compensate Sadko. The Sea Tzar instructed Sadko to make a bet with the local merchants about catching a certain fish in the lake; when he caught it (as provided by the Tsar), the merchants had to pay the wager, making Sadko a rich merchant.

Sadko traded on the seas with his new wealth, but did not pay proper respects to the Tsar as per their agreement. The Tsar stopped Sadko's ships in the sea. He and his sailors tried to appease the Sea Tsar with gold, to no avail. Sadko's crew forced him to jump into the sea. There, he again played the gusli for the Sea Tsar. This time the Tsar offered him a new bride. On advice, he took the last maiden in a long line, and lay down beside her.

He woke up on the shore and rejoined his wife. More on Sadko

Palekh painting
Sadko

In another tale,  Sadko played his magic gusli to call for the Sea Czar to create a storm  to save his city from enemy's ships.

Palekh has a very long history in Russian iconography, the art of painting Russian Orthodox icons for homes and churches. The village emerged as a leading center of Russian icon- and mural-painting in the 19th century.

A good example of the Palekh school are the murals and icons from the Church of the Exaltation of the Cross. More on Palekh

Ilya Yefimovich Repin (5 August 1844 – 29 September 1930) was the most renowned Russian artist of the 19th century. He played a major role in bringing Russian art into the mainstream of European culture. His major works include Barge Haulers on the Volga (1873), Religious Procession in Kursk Province (1883) and Reply of the Zaporozhian Cossacks (1880–91).

Repin was born in Chuguyev, in the Kharkov Governorate (now Ukraine) of the Russian Empire into a military family. He entered military school in 1854 and in 1856 studied under Ivan Bunakov, a local icon painter. He began to paint around 1860. In 1874–1876 he showed at the Salon in Paris and at the exhibitions of the Itinerants' Society in Saint Petersburg. He was awarded the title of academician in 1876.

In 1901 he was awarded the Legion of Honour. In 1911 he traveled to the World Exhibition in Italy, where his painting 17 October 1905 and his portraits were displayed in their own separate room. In 1916 Repin worked on his book of reminiscences, Far and Near. He welcomed the Russian Revolution of 1917. Celebrations were held in 1924 in Kuokkala to mark Repin's 80th birthday, followed by an exhibition of his works in Moscow. In 1925 a jubilee exhibition of his works was held in the Russian Museum in Leningrad. Repin died in 1930 and was buried at the Penates. More on Ilya Yefimovich Repin





Please visit my other blogs: Art CollectorMythologyMarine Art, and The Canals of Venice

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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01 Classic Works of Art, Marine Paintings of Mermaids, with Footnotes, 5a

A mermaid is a marine creature with the head and upper body of a female human and the tail of a fish. Mermaids appear in the folklore of many cultures worldwide. The first stories appeared in ancient Assyria. Mermaids can be benevolent or beneficent.

Arthur Hopkins, 1848-1930
A FANTASY OF THE DEEP, c. 1903
Watercolour with bodycolour
97 by 66cm., 38 by 26in.
Private Collection

Arthur Hopkins, 1848-1930, son of a prosperous marine insurance agent, was born on 30th December, 1848, in Stratford, London. Arthur was educated at Lancing College in Sussex, and, after graduation, worked in a London office before entering the Royal Academy schools in 1872.

He exhibited in various London galleries, chiefly that of the Royal Water-Colour Society and that of the Royal Academy, but over twenty-five years also contributed illustrations to The Graphic, Punch, and The Illustrated London News. He was made an Associate of the Royal Water-Colour Society in 1877, and a member in 1896. Arthur Hopkins' genre scenes of country life are in much the style of another Hardy illustrator, Helen Patterson Allingham. He was a member of the rising generation of illustrators influenced by du Maurier and William Small. On the staff of The Illustrated London News in 1873, he redrew William Simpson's drawings of the Madoc Indian War. As a member M. E. Braddon's staff at The Belgravia, he illustrated James Payn's By Proxy (1877 and Confidential Agent (1879), Wilkie Collins's Haunted Hotel (1878), Charles Gibbon's Queen of the Meadow (1879), and Justin McCarthy's Donna Quixote (1879). More on Arthur Hopkins



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