01 Painting, CONTEMPORARY & 20th Century Interpretation of the Bible! With Footnotes - 34

Marina Del Pozo, Spain

Judith

Painting

25.6 H x 21.3 W x 0.8 in

Private collection

The Book of Judith is the Old Testament of the Bible. The story revolves around Judith, a daring and beautiful widow, who is upset with her Jewish countrymen for not trusting God to deliver them from their foreign conquerors. She goes with her loyal maid to the camp of the enemy general, Holofernes, with whom she slowly ingratiates herself, promising him information on the Israelites. Gaining his trust, she is allowed access to his tent one night as he lies in a drunken stupor. She decapitates him, then takes his head back to her fearful countrymen. The Assyrians, having lost their leader, disperse, and Israel is saved. Though she is courted by many, Judith remains unmarried for the rest of her life. More on The Book of Judith

Marina del Pozo: "Painting is for me one of the most important aims in my life ,the other two are my daughters. I like very much also to draw specially with ink. I lived in Japan for six months and love to paint with chinesse brushes.To observe and reproduce some images of my favorites painters as a declaration of love is one of my sources of inspiration and to Paint plein air is the other. I absolutely love to observe and interact before what I choose to Paint." More on Marina del Pozo

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01 Work, RELIGIOUS ART - Interpretation the bible, With Footnotes - 124

After Sir Anthony van Dyck,  (1599–1641)

Removal of the cross

Oil on canvas

140 x 120

Private collection

The Descent from the Cross, Deposition of Christ, or Removal of the cross, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion. In Byzantine art the topic became popular in the 9th century, and in the West from the 10th century. The Descent from the Cross is the 13th Station of the Cross.

Other figures not mentioned in the Gospels who are often included in depictions of this subject include St. John the Evangelist, who is sometimes depicted supporting a fainting Mary, and Mary Magdalene. More on the decent from the cross

Sir Anthony van Dyck, ( 22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders. He is most famous for his portraits of Charles I of England and his family and court, painted with a relaxed elegance that was to be the dominant influence on English portrait-painting for the next 150 years. He also painted biblical and mythological subjects, displayed outstanding facility as a draughtsman, and was an important innovator in watercolour and etching. The Van Dyke beard is named after him. More Sir Anthony van Dyck

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, and The Canals of Venice

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01 Works, RELIGIOUS ART - Interpretation the bible, With Footnotes - 122

Sir Anthony van Dyck,  (1599–1641)

Descent from the Cross

Oil on canvas

Height: 195 cm (76.7 in); Width: 166 cm (65.3 in)

National Gallery of Armenia

The Descent from the Cross, or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion. In Byzantine art the topic became popular in the 9th century, and in the West from the 10th century. The Descent from the Cross is the 13th Station of the Cross.

Other figures not mentioned in the Gospels who are often included in depictions of this subject include St. John the Evangelist, who is sometimes depicted supporting a fainting Mary, and Mary Magdalene. More on the decent from the cross

Sir Anthony van Dyck, ( 22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders. He is most famous for his portraits of Charles I of England and his family and court, painted with a relaxed elegance that was to be the dominant influence on English portrait-painting for the next 150 years. He also painted biblical and mythological subjects, displayed outstanding facility as a draughtsman, and was an important innovator in watercolour and etching. The Van Dyke beard is named after him. More Sir Anthony van Dyck

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, and The Canals of Venice

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01 Paintings, Olympian deities, by the artists of their time, with footnotes #40

Hans Zatzka (Austrian, 1859-1949)

Woodland nymphs by a stream 

Oil on canvas

31 1/4 x 22 7/8in (79.4 x 58.1cm)

Private collection

A nymph in Greek mythology and in Latin mythology is a minor female nature deity typically associated with a particular location or landform. Different from other goddesses, nymphs are generally regarded as divine spirits who animate nature, and are usually depicted as beautiful, young nubile maidens who love to dance and sing; their amorous freedom sets them apart from the restricted and chaste wives and daughters of the Greek polis.

A dryad is a tree nymph, specifically the nymphs of oak trees. The dryads of ash trees were called the Meliai... More on Nymph of the Woods

Hans Zatzka (8 March 1859 – 17 December 1945 (or 1949)) was an Austrian Academic and fantasy painter. He has sometimes been known as P. Ronsard,[2] Pierre de Ronsard,[1] or H. Zabateri, and had signed many of his works as Joseph Bernard, J. Bernard, or Bernard Zatzka. The purpose of Zatzka's vast array of pseudonyms was to avoid penalties of breaking contracts which limited the amount of artwork he could sell. This has caused some art databases to conflate Zatzka's work under the pseudonym Joseph Bernard with the French sculptor with the same name.

Hans Zatzka was born on 8 March 1859 in Vienna. Between 1877 and 1882, he studied at the Academie des Beaux-Arts, under Christian Griepenkerl, Karl Wurzinger, and Carl of Blaas. Zatzka was able to earn a living through the production of frescoes for churches and other institutions.

In 1885, Zatzka was commissioned to create the ceiling fresco The Naiad of Baden at Kurhaus Baden.

Many of Zatzka's works were religious paintings and altar pieces dedicated to various churches in Austria. However, he is more known for his paintings of women, fairies, and other fantastical scenes. Often, he would draw inspiration from the works of Richard Wagner and the fairy tales of the Brothers Grimm.

In the late 19th and early 20th century, several pieces by Zatzka were photographed and made into commercial and collectable postcards.

Within the 1920s, Zatzka's style became the decor of choice throughout Europe. In addition, the previous thirty years held a resurgence for Zatzka.

Currently, most of Zatzka's paintings reside in private collections. More on Hans Zatzka

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

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I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

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01 Carving, 15 & 16th Century Carvings & Sculpture from the Bible!; With Footnotes - 8c

Circle of Jacques du Broeucq, (ca. 1500–1584)

Charity, c. mid-16th century

Alabaster, traces of gilding

H. 54 3/4 x W. 17 1/2 x D. 12 3/8 in. (139.1 x 44.5 x 31.4 cm)

 Metropolitan Museum of Art.

Roman Charity is the exemplary story of a woman, Pero, who secretly breastfeeds her father, Cimon, after he is incarcerated and sentenced to death by starvation. She is found out by a jailer, but her act of selflessness impresses officials and wins her father's release.

The story is recorded by the ancient Roman historian Valerius Maximus, and was presented as a great act of filial piety and Roman honour. A painting in the Temple of Pietas depicted the scene. Among Romans, the theme had mythological echoes in Juno's breastfeeding of the adult Hercules, an Etruscan myth. More on Roman Charity

Girolamo Viscardi (1467-1522) ia a Genoese sculptor whose work played an important role in the introduction of the Italian Renaissance style to France around 1500. Girolamo was first employed by Antonio della Porta before collaborating with Giovanni and Michele d'Aria on a tomb monument. During the French occupation of Genoa from 1499, Girolamo began to receive commissions from France, including in 1507 the sculptural decoration for the church of Sainte-Trinité in Fécamp. More on Girolamo Viscardi

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

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01 Carving, 15 & 16th Century Carvings & Sculpture from the Bible!; With Footnotes - 8b

Attributed to Jacques du Broeucq, (1505-1584), Southern Netherlandish, circa 1550

VIRGIN OF THE ANNUNCIATION

Alabaster

41cm., 16 1/8 in.
Private collection

The Annunciation referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord, is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Yehoshua , meaning "YHWH is salvation".

According to Luke 1:26, the Annunciation occurred "in the sixth month" of Elizabeth's pregnancy. Many Christians observe this event with the Feast of the Annunciation on 25 March, an approximation of the northern vernal equinox nine full months before Christmas, the ceremonial birthday of Jesus. In England, this came to be known as Lady Day. It marked the new year until 1752. The 2nd-century writer Irenaeus of Lyon regarded the conception of Jesus as 25 March coinciding with the Passion. More The Annunciation

Girolamo Viscardi (1467-1522) ia a Genoese sculptor whose work played an important role in the introduction of the Italian Renaissance style to France around 1500. Girolamo was first employed by Antonio della Porta before collaborating with Giovanni and Michele d'Aria on a tomb monument. During the French occupation of Genoa from 1499, Girolamo began to receive commissions from France, including in 1507 the sculptural decoration for the church of Sainte-Trinité in Fécamp. More on Girolamo Viscardi

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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01 Carving, 15 & 16th Century Carvings & Sculpture from the Bible!; With Footnotes - 8a

Attributed to Girolamo Viscardi, (1467-1522)

Italian, Genoa, early 16th century

SAINT JOHN THE BAPTIST

Marble

34.5cm., 13 5/8 in
Private collection

John the Baptist (sometimes called John in the Wilderness; also referred to as the Angel of the Desert) was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610).

The story of John the Baptist is told in the Gospels. John was the cousin of Jesus, and his calling was to prepare the way for the coming of the Messiah. He lived in the wilderness of Judea between Jerusalem and the Dead Sea, "his raiment of camel's hair, and a leather girdle about his loins; and his meat was locusts and wild honey." He baptised Jesus in the Jordan.

According to the Bible, King Herod's daughter Salome requested Saint John the Baptist's beheading. She was prompted by her mother, Herodias, who sought revenge, because the prophet had condemned her incestuous marriage to Herod. More John the Baptist

Girolamo Viscardi (1467-1522) ia a Genoese sculptor whose work played an important role in the introduction of the Italian Renaissance style to France around 1500. Girolamo was first employed by Antonio della Porta before collaborating with Giovanni and Michele d'Aria on a tomb monument. During the French occupation of Genoa from 1499, Girolamo began to receive commissions from France, including in 1507 the sculptural decoration for the church of Sainte-Trinité in Fécamp. More on Girolamo Viscardi

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

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Thank you for visiting my blog and also for liking its posts and pages.