01 Work, RELIGIOUS ART - Interpretation the bible, Giacinto Brandi's Christ in the Garden of Gethsemane, with Footnotes - #131

Giacinto Brandi, (1621–1691)

Christ in the Garden of Gethsemane, circa 1650

Oil on canvas

Height: 99 cm (38.9 ″); Width: 75 cm (29.5 ″)

Pinacoteca Vaticana

Gethsemane is an urban garden at the foot of the Mount of Olives in Jerusalem. In Christianity, it is the place where Jesus underwent the agony in the garden and was arrested the night before his crucifixion.

Christ in the Garden of Gethsemane refers to the events in the life of Jesus as recorded in the New Testament, between the Farewell Discourse at the conclusion of the Last Supper and Jesus' arrest. More on this painting

According to all four Gospels, immediately after the Last Supper, Jesus took a walk to pray. The gospels of Matthew and Mark identify this place of prayer as Gethsemane. Jesus was accompanied by three Apostles: Peter, John and James, whom he asked to stay awake and pray. He moved "a stone's throw away" from them, where He felt overwhelming sadness and anguish, and said "My Father, if it is possible, let this cup pass me by. Nevertheless, let it be as you, not I, would have it." Then, a little while later, He said, "If this cup cannot pass by, but I must drink it, your will be done!". He said this prayer three times, checking on the three apostles between each prayer and finding them asleep. He commented: "The spirit is willing, but the flesh is weak". An angel came from heaven to strengthen him. During his agony as he prayed, "his sweat was as it were great drops of blood falling down upon the ground".

At the conclusion of the narrative, Jesus accepts that the hour has come for him to be betrayed. More on Christ in the Garden

Giacinto Brandi (1621 – 19 January 1691) was an Italian painter of the Baroque era, active mainly in Rome and Naples. Born in Poli, in Lazio, he was trained in Rome in the studio of Alessandro Algardi, a noted sculptor, who noted that Brandi was more suited to painting. He joined the studio of Giovanni Giacomo Sementi. He traveled to Naples from 1638, and by 1647 had returned to Rome to work under Giovanni Lanfranco, where Brandi befriended Mattia Preti. The two latter artists would often collaborate.

His works are well distributed among baroque Churches of Rome. In 1647, he joined the Congregazione dei Virtuosi al Pantheon in Rome and from 1651 was inducted into the Accademia di San Luca for painters. In 1663, he frescoed the life of Saint Erasmus for the crypt of the cathedral of Gaeta. Some of his works are in Milan, Toledo, and Zaragoza. More on Giacinto Brandi

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